 The next station is Ealing Broadway, change form, the central lines, the Elizabeth line, and national rail services. Can you hear that? I haven't been here in a 48 hour time. But yeah. I was, you know, the people who say India, the people who are presenting, because they say, oh, these people are able to write a beautiful thing with this idea. Because this idea is so untangible that it has to be very well written, it has to be, you know, or it can be boring and disastrous. That's the truth. Why Jurassic Park, with this high concept, very, I mean, unlikely, will be boring. Or, I mean, this is kind of boring, all these things happening, you know. But the character within their majority of business could be extremely boring, as you know. I'm sure there's going to be a lot of unsufferableness. Or it can be madness. Okay? So, what's up, guys? How are you going on? I still love my house. Besides, I'm a lot better. Are you still getting involved today? Yes, today, I couldn't get any, really. Know that everything's good, okay? So, number two is know your genre. Definitely know your genre. And then, you know, say it beforehand. If you're struggling to make a comedy sound funny, or a drama sounds funny. If you have a problem in the comedy that you're preaching that sounds funny, or you have a drama that makes people laugh. This means there's some mistake in the working, okay? Maybe the bits, the things that happen, okay? Then, number three, do practice your place at home. Make sure you don't overrun the other people's time. And this is very important. You will see it now when you watch things. Because, I mean, you cannot overrun the other people's time groups. Several reasons. The first one is because they will cut you. They will say over. And you will be like in the middle of the explanation. The second one is because these people are listening to one, one, one after the other, one after the other. If you make it longer, they will lose all concentration. Definitely. Okay? Number four, don't compare your series with screenplay to existing movies. Unless it helps to make your project sound fresh and exciting. Because if you tell all this, this, I compare my movie to this one and this one, it sounds like it's one more movie among many about the same thing. So don't compare unless, for example, you can say, okay, my story is like Romeo and Juliet. And then they would say, wow, one more love is impossible love story. But then you say, my story is like, it's comparable to Romeo and Juliet, but it's set in a distant galaxy. Now it's a fresh thing. Wow, how would a story like Romeo and Juliet's story develop in a distant galaxy? Then this makes it fresh. If it's not for a reason like that, don't prepare it because it will make it sound better. Then don't mention specific actors and directors or directors. Don't mention specific actors, but be prepared if they ask for your opinion. So you have to be ready to answer the question when you don't anticipate it. You don't say it will be. Only if they ask you after the pitch. After the pitch. And then it's, oh, and then number six is important. Register your 34-page pitch.man. Serious idol or script. Copyright it means. Which is interesting because in the UK there's no copyright, no official copyright agency. Which is strange. Because this is the only country that I know that has no official copyright agency. For intellectual property, there is copyright for inventions, machines. This, yes. And copyright for trades and names and that. But intellectual property, copyright. Copyright for intellectual property, there is no official agency in the UK. If you, for example, will help to register how to copyright my script, my wherever. You will find private companies doing that. But there's no official agency. And in North America, there is an official agency which is right by the Congress. And then there is the Writers' Guild. But here, not even in the Writers' Guild, the Writers' Guild doesn't have a copyright. So what happens if you are pitching a project, you're pitching a story. Like three or four different producers get to listen to it and receive your pitch back. And then they never, ever call you and they take the story of producing. With a writer, you could show them. I mean, there is a tendency, because people have a tendency to, we all have a tendency to think that our stories are very original. And then if someone else has more of a symbiote, we have a tendency to say, oh, they copy to me. And maybe not, because the truth is that things linger, ideas linger. Many people have more or less the same ideas at the same time. A different thing is, you have been pitching something and it's a quite clear story, different turning points and a clear plot. And then nobody even listens to you, nobody, you know. And then, three years later, you see a produced series and you say, what? This is why I pitched. And then you see that it's not only the idea which could be common to many people, no, no. You see that many elements in your story, many turning points are yours. If you have not the copyright, you would never even complain. But if you have the copyright, you would say, listen, you have copied. So I would recommend that you copy them. I guess, I mean, because in England there is no official agency, yeah, you could go and sue them. And if they were, you know, a trial or something, then of course, I guess, emails, things like that. But this, you know, if it's very, if you have the copyright, I copy right away. This is my pitch. This is all the ideas and they are really turning points and they are being used. Or if you have the entire script, you copy right the entire script. You cannot copyright in, for example, in the United States, you can copyright an idea, okay, or a concept. In European countries, you cannot copyright an idea or a concept. At least you have to copyright a treatment, something a bit more include. But it's worth it. And you can copyright it in any other country. You don't have to copyright the theory. It would be valid for the entire world, I mean, in case of trouble. So yeah, it's not, it's not. And if you, if you copyright in the Writers' Guild of America, the Writers' Guild of America East, you can register it, you call it register. You must copyright it in the Writers' Guild of Congress. And it's, it is a special price for students. It's not, it's not really so expensive and made it worth it. Before moving, I would copyright every single thing I do before even making a call. You know? You never know. And people are not good in general in the world. So we are more than ready to steal ideas from others, you know, more than ready. So yeah, I would say, then, okay, now here it talks about how to contact producers, how to, I would say, okay, and here it talks also about the necessity to do some research.