 Alrighty this a sound let's play this full of course. I have super powers. I have super strength. I can fly I have laser vision all the good stuff is just you know, I got to keep it on the down low Of course. All right Now there's one thing and I apologize for not mentioning that sooner some reason I just I did not catch that the thing is this going down and You know going down this feels very similar and And I wonder if that repeat is is a good thing. So my thought is It's also very Fast and big in her face. You don't expect a bigger reaction So to me the biggest things that I see is what if this is not that you have to change is a question for you What if you start the shot here? Where she might already be arm out maybe already arms there not too sure about that one But it's basically the same timing But you first poses this versus that which will make the whole thing slower because you're traveling The a shorter distance over a long period of time and that way it's less aggressive I know she has a lot of energy and everything, but I'm just curious. What if it would be like that and Then this one is also It's almost punching her and I wonder if Wonder if she could almost start that hand move a bit sooner And maybe only get to the hand here. I know it's cute that she touches I'm trying to find a way just to make this less fast Also careful with the arc that it's not like that where it goes up and then I get straight punch But it could be a bit of a softer arc like that Speaking of soft, this is a bit harsh boom how she comes back here from here bound to that But as you mentioned, this is just Fairly far along this and it's all about smoothing it out and adding detail So to agree this goes into the smoothing out in detail stuff Like the offset there And she is talking in kids to me It's okay to act things out right because she has powers fly laser vision. I think that's that's all cute It's okay to act out all those words. Yeah, the biggest thing to me was just Even this a bit harsh, I think she could come up here because she is done Showcasing things to her where imagine instead of stopping here. She would reach that position maybe around Here right when she kind of turns I'm just trying to find a way to like before to slow things down so that this is this it's imagine Where it's a bit slower just a bit coming into this and then energy energy energy energy And then she's kind of done with the energy because she's already thinking yeah, but you know how you want to tell her this Oh, I know what that are up and then it goes into this So we have a bit of a an energy change. So it's not constant and maybe you can You can imagine that at this point she goes in her tippy toes so that their pelvis line is maybe here So she goes he almost like whoop and then down instead of just like that Could even be a cute a bit of a up tippy toes and then down into that Rest is cute. So these are up to me the bigger notes. So just I mean I agree You're sitting here. I think at this point. I just have to smooth it out more and add some detail Yes, for sure. That's definitely a good next pass Like I said, you know like harsh points like this stuff like that and eye lines You kind of work on that. It's my concern The things I like this I like how she has that arm offset. I like how she goes in there That's what I'm saying. You have to change my question to you is what are your thoughts too about? How the beginning and the end kind of kind of bookendish in terms of like the last big move I'm trying to find contrast So it could be something where she starts me a bit lower and just throwing it out there The bigger thing to me is this this really feels a bit too fast and harsh This is all cute so cute Yeah, and then just a slowing it part here like I'm trying to find It's a lot of trying for me. I'm trying to find a moment where we have a clear You know a clear change in her. There's so much energy arm swinging this that this and that I Would love to see Maybe as she goes up that is not so high So you don't have that much of a move down here I'm trying to slow things down so that that much is moving For a nice long quiet contrasting moment where everything is just focused here So we don't have all of this going down and moving especially she goes up here bit slower And they were just concentrated on the face where Even this side step here would be less pronounced so that we can just really look at her face And how she's looking and processing and finding thoughts and and a way to tell her. Oh, I can tell her like this I think that would be That would be that I think so Other than that There's a contrast. I mean I'm just enthralled by your animation But if I look closer if these are all similar poses and I know it's late in the game And I don't know why I didn't see that beforehand. So I apologize for that One thing could be when she goes down here instead of that it could be she gets down and gets closer And almost has a whisper. Maybe her arm goes around her and tells her that and then she can have a little bit of a Smile there, but you know, that's very destructive notes. That's a lot of Changes and interactions. So I'm hesitant in saying all of this so late in the game But it would be it would be just that I'm curious because this is all nice and contrasty and she moves around It's great. I love that That a bit slower a bit more introspective for contrast So but I like this and I like the the bling too. It could be Let's see your own on the sound Of course, I have superpowers. I have super strength Of course, I have super power. So how about this again? Don't have to do it throwing it out there instead of being destructive in terms of the beginning And what if at the beginning, you know, this is you know, cause an Iroh like really? Why didn't you tell me before this is so much work? What if at the beginning? She is closer arms around and That way she doesn't have to move her arms so much because the arm can be down here And then it can go up where she leans away a little bit and then to create negative space here for the little finger boop on her nose So it would be so that way you have almost a contrast of she's down close by huggy and Then it starts into Let me get away get bigger distance to all of this and then come back into That again, I know destructive and late just throwing it out there. Let me know what you think Okay, not to be not that anything is wrong, okay, I do really like the animation I just want to make sure that I throw out all ideas Just in case and then you can make a choice of whatever works best for you in terms of schedule And and what you would like to change at this point. All right. If any questions, let me know in the email Let's talk about that. 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