 Alrighty, there's sound heels. What's your whole thing in full? You know, this is insane This is insane We love each other. What do you love about me? Huh? What do you love about me? Tell me me as I am right now not the me that you've conjured up in your mind over the years What do you love about me right now Jack? All right, cool. Let's go back to this So overall, I think this is working really well. That's some really cool stuff The only thing I would say here is maybe like every now and what is suggestion and a couple of questions So let me bring this in a bit more. This is the actual kind of look there You know, I'm careful and bring down that sound here careful with an immediate You know such a Wide I know there's something about this besides the twinning It's also just visually like massive hands that end up being bigger than the head and it looks like This is something doing obviously tweak somehow, but this seems clearly to be The vertices that are colored and he's still somewhat in its naked form same with her So if there's anything we can do by weeds the royal we you to tweak that a bit in terms of the look but The only thing I would say This is insane, I don't to me this seems more back to sound a bit louder here You know, this is insane if I listen to this it feels more I'm say internal, but it just not as energetic. This is more him going. This is insane But this is more this is insane when you have this so split out here So to me, it's almost like I would start like that And then he would or maybe even straighter and then he goes into that pose With like a head tilt and maybe even a shake doesn't have to do cliche right away to do a shake But that's kind of the energy that I get out of that sound You know, this is insane And it could just be at the very end is insane and then saying he pushes himself up You know, this is insane to get into this To be lowered arms hands down and then to go up into that This is insane and then I can hear in the voice that it definitely ramps up. So I like that you're having move around This is insane We love each other. What do you love? So my biggest things are when you have something like this. I'm always curious to explore Placements in terms of is he taking a step towards her or away from her or standing still of each other So in a way, this is I know that's good where he stays put because he doesn't quite know yet We love each other. We love each other, but is he actually really committed is that him staying put here Is that showing that he doesn't really want to take a step towards her because he's not really That commit or doesn't really love her, but he hasn't given up yet He's not walking away, but then her you love about me, huh to me Given the voice. What do you love about me? There's a lot of energy there and it's a clear Confrontation of all right. Tell me what's going on here And I think this is a bit too far I think we can bring in that neck and the head a bit more So it's a bit more balanced those composition. It's just it's very empty with very edgy there So to me it feels like she could almost take a step Towards her again, it runs me over that take shelter clip that I did that I looked at where it's fairly Similar, but just reminds me of that of that sequence with that scene you love about me, huh? But she's challenging him right verbally and to me it feels like why not take a step towards him to Get into his face, huh? And then I don't mind that because he's not really concentrated, huh? What could it be something where again? I don't mind that this is wrong Could could be that he looks at her and takes a step back, but I think that's actually he's not really there, huh? What? And maybe that could be the thing to have a bit more way for the back reaction So you would be careful that you're not constantly stuck into just that and the character not moving Not that you have to just move it just for movement's sake, but I'm wondering if there's something more With the subtext you wrote stuff down where internally he goes Oh my god, I really don't know how to answer that could she be right about this Have you just grown apart and I haven't realized like the overall feeling here upset with himself vulnerable nervous and or panic So if that's kind of the thing is would it be that He looks at her and realizes, huh? And that's when he starts actually looking away Again, why does it here at the end? But maybe that way you have more time to focus on Looking at her and then looking huh and then that panic look away. Maybe they can step back I was wondering if we can do a bit more in here physically What do you love about me? What do you love about me and this goes either way? I don't think either way is wrong here because you can do well Do you love about me? She's kind of giving up like I know you don't love me anymore So it just it's kind of a turtle question and that's why she's taking a step back or you could do the thing of of Taking a step further Closer again. You love about me Tell me now me as I am right now not the me that you've conjured up in your mind over the years What do you do like all of this like that you have that I like that. She's she's still tense Watch out with the twinning, but I like that it's still tense. She doesn't open her arms. She does all that here What do you love about me? Tell me now me. I don't know again. Maybe I'm cliche about this thinking that she should be constantly advancing What do you love about me? Well, she says that but in the way, I don't mind the contrast of well I'm posing this to you now. What do you love about me? So let me get closer and challenge you So I don't know I'll leave that up to you. I don't think this is wrong And I don't think my idea is better. It's just different I am right now. Not the me that you've conjured up in your mind over the years Just as you bring up more more bringing more breakdowns. I think it's gonna have a lot more Bit more detail in the head. I am right now not there's a lot of tension there a lot of stuff going on I think that will definitely add to the show as I am right now Not the me that you've conjured up in your mind over the years. What do you love about me right now? Jack and as much as I don't mind this where he just kind of listens and goes all right, I guess I Realized that's not good. I still wonder if this could be a moment of pushing this with Couple darts, maybe even almost trying to look up at her but can't really and then realizes Just something more before this Where we understand the thought process like I said, maybe looking up makes maybe he wants to try one more time Maybe do I still love her and then oh man, actually I really I probably don't And then that could be The last connection try to know it's a I like it. I like what you have. It's probably more questions than then feedback I Think the only thing that I will probably have a stronger opinion about is just this given that this doesn't quite match The sound to me and it could be a bit more Ramping up into getting up and this so you have so you have full energy than less energy and a bit less energy This almost takes the wind out of the sail. So to me it would be a gradual ramp up into this Don't feel like she could take that step further here. She's also fairly far away I wonder if you can just bring her even closer just make this more and more in his face Just bring that character closer with a bit of a step towards towards him Again, this could just be because it's still rough That I'm missing some complexity that maybe I'm overcompensating by wanting to add more body movement So I'm still leave it at that. I'm curious what you think what you think about those thoughts if you are You know if you really think about I will no no I want to keep her back here and then advance or Should you advance and stop and then go back? You know, like I said, there are many options. I'm not saying my ideas are better. They're just different It's usually just like a different take on things But the only thing I would say yes something a bit more So it's not just that but I would love to see something a bit more going on some thought process that then leads to That and that all righty. That's it. 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