 I grow up behind the wall, so I have quite special relation to the wall. All my life I wanted to get on the other side. I wanted to escape from the prison. And I think whoever was for a certain period behind the wall, they have similar feeling like me. I think the problem is that I remember once being in Jerusalem and I read on the wall, one wall, two prison. I think that's the main problem. As they exist, the crime against the humanity, it exists the crime against the landscape. And I think the landscape, people can defend themselves. Landscape not. Once when you destroy the landscape, it is for a long time. And I think you can change the landscape, like you change the dress. For me it is the crime against the whole land. And for me it doesn't matter how this crime is justified and how is it called. I consider myself not so much as an artist, I consider myself as a working man. And it was for me the hard work. And if I do something, I wanted to do it well. Problem was, most of the time I do the things which I really like to photograph. And the things which I saw every day, which most of the people don't see, were not very happy, which I saw. And my work is, I usually, I try to see everything. I find a place where I'm saying, this is the place where photography is waiting for me. And I go back so many times, till I get it. Hopefully, sometimes not. I realize that a lot of Israelis who have certain sensitivity, they are realizing that they become what they didn't want to be. And I realize it already, in few cases in my life, how easy it is to move from being suppressed and being suppressed. This book, which is laying here, is the continuation of what I did 20 years ago. In the meantime, I made five other books similar. Sometimes people say rightly why he doesn't photograph the people. Somebody made comment, I'm happy that he didn't photograph the people, because sometimes if you don't see people being present, you say a more about the people who are doing it.