 I said something to, we'll call him Jerry Seinfeld one time, where I said, people don't even realize how good you are because you're like, I'd said he's like Derek Jeter or Tom Brady, where you just get to like luminary stage and people don't even know how hard, how funny Jerry is, how, how good at baseball Jeter was. Well, because they take it for granted. They just take it for granted. You just become like, like Mahomes at this point is getting there. I'm just like, Oh, it's fucking Mahomes. It's great. Yeah, it's great. Keith Richard wrote a autobiography. I'm listening to it on tape because I refuse to read and are on audio book. But he says like Rolling Stone stadiums. He goes the whole time. I'm just thinking about riffs and that's how I feel. When I'm somebody like you, you're just thinking about fucking. If I want to get, I go, huh, all day, all day long. Jerry Seinfeld's thinking about jokes. Tom Brady's thinking about just like you, you're inclined to be that way. And then you harness your entire life into that. And it's got huge rewards on the other side. As far as that category goes. Yes and no on the rewards. To me, the reward is the is the sense of accomplishment that I get from doing these tricks, which is which is the dragon. I'm a chasing since I was 11 when I made up my first trick that no one cared about, but gave me something special. So that's for me, that's the reward. Sure, there are other residual awards that are like monetary or whatever. Yeah, monetary or oh, maybe I can use that clip for this project and that that. But but that's not that's not the directive. With that in mind, how does that affect your inner monologue? If you know that what you just said, the satisfaction of like Tony, you're a guy that if you set your mind to it, you'd accomplish it. Does it affect your behavior or how you feel about yourself? Not as much. Do you wish it would? Don't you wish it could be that clear? Like, no, you're great. You can, but you're still like, you're a fucking idiot. Yeah, but I would say. Like if I came back from skating and had failed a trick the entire time and not gotten it even up to five to 10 years ago, my day was ruined. I can't snap out of it like, you know, and especially like my wife and my family like, like really like a skate trick. That's that's we all have to suffer through. Nowadays, I can let it go. How did that happen? I finally just kind of got a sense of priorities. You know, I was able to to keep not compartmentalized, but just keep it separate and know that I can come back to it. And it's okay. And it doesn't mean everything. Here's the question. Are you worse at skating because of it? No. Really? No. I'm worse at skating because of my physical limitations now. But no, I'm not at all. In fact, in fact, I would say. Up before I broke my leg, I was in my most one of my most creative streaks because of your life of my street of my life or whatever. Well, because I was able to channel my creativity to a more low impact style of skating. So it wasn't about the big spins or the big big errors and stuff like that. It was more highly technical board maneuvering, you know, shove its flips, doing things, but then coming in backwards. And all of a sudden, I just opened up all these new doorways. And then I was just banging out new tricks left and right. And it's not it's it's weird because it's like. It's kind of like a jugger that finds some crazy new technique. You're not going to notice it, right? Only a hardcore juggling crowd is going to understand the nuances of what he's doing. And so it was a limited audience for for how I shifted. But it made me super happy. Hey, did you like that? Did you like that? Yeah, did you like it, though? You want more? Don't want to work. Would rather watch videos of me grab acid with people. First, I'll go up here to subscribe and then go up here to watch more clips. This is like when the weatherman says there's a high pressure system coming in. Although I'm not really used to the green screen.