 And it's about an actor who is aging and living in some sort of nursing facility. And he is reflecting on his life as an actor. And in order to sort of survive in this environment of being in a nursing facility, he develops this fantasy that he is on stage addressing an audience. He uses this experience as a way to try to explain his past, his career, and try to make sense of what acting is all about, what theater is all about. We begin with nothing, quite literally a whole or a space into which we pour this passion, this intensity, these feelings and emotions and thoughts and dreams. We create out of nothing drama. And these scenes are interrupted by members of the staff of the nursing facility who come to check on him and provide him with meals. And the conflict that develops between him and the staff over his desire to try to be alone and with this imaginary audience that he's created to try to sort of reflect on his life and career and the needs of the day-to-day of the facility. During these encounters with the staff, he becomes increasingly frustrated and belligerent because they treat him like a subhuman. And so, that's a big part of the conflict of the play. You really must eat something. Help me to feed you, perhaps I shall. We haven't done it in a while. Would you like that? We can try that. All right. Open wide. Here comes the little airplane into the hay. Look what you've done. You naughty, naughty boy. Pick that up. All right, that's enough. Go get them. Believe me, no choice, Mr. Horn. So it's called the idiot's tale. I mean, I guess everybody can come up with their own conclusion of why it's called the idiot's tale, but he keeps using this phrase that he is an idiot, which is something that has sort of been drilled into him by this environment of being in the nursing facility. They treat him like an idiot. And so, he uses that term to describe himself, and whether he actually believes it or whether he's using it ironically is not clear. You see, they don't know you're here, and I'm not actually alone. They think I'm all alone yet, but I'm not. I'm with you. They're wrong. And the joke's on them. I got you, and you got me. And if I were to leave right now and go play bingo with the rest of them, well, I'd be forsaking you, my audience, and then where would you be? Well, you'd be gone, wouldn't you? Yes, you'd just get up and leave, and then where would I be? Well, then I'd lose you, and I wouldn't like that, because then I'd have nothing. Nothing to live for. Bennett, just a joy to work with Bob. He is a wonderful actor, very, very talented, and he seems to have totally inhabited the role in a way that I—in a way that's teaching me about the role, in a way that I didn't know from even writing it. So that's a wonderful experience of directing in general, but directing your own piece, it's a magical experience.