 All right, let's check this out in full here 1037 NNJ here's Pink Floyd All right, cool and looking at the notes since I was slightly confused there you definitely want to have him slam this because he is Because he doesn't care anymore, right? This is the note there. He starts to sit back and then drops his way back in the chair Cool, it's interesting. It's uh, it's it's almost a bit less of one more of the other Just looking at your previous notes that were explained the ending a bit You're probably at this point rolling your eyes and I completely understand so here are my my my thoughts here This is all cool 1037 NNJ this still feels a bit subdued here 1037 NNJ where it all Know he gets into a bit of an arc through there, but if you can still have a little bit of head business and some rotation in Y 1037 NNJ especially on NNJ NNJ with a little bit of anticipation and a bit of a curve in there Feels a bit simple through there I'm just generally watch out that arm has I think in its respose of an arc like that I'll bring it back a bit For a for curvature like that 103 I wonder if we can change the lighting a bit so that That's my dog in the back If you put in the light so that would so we can separate the eyebrow just a bit more Because since we don't see his eyes I wonder if there's anything you want to do with a bit of a thought process and a change in there was right now It's just kind of a lean forward with this and I'm just curious it doesn't have to be I'm just curious if you want to Push this a bit more where I mean all of this is fairly dead if there's something where he might start open mouth and kind of a Getting ready or close off and then a Like a bit of an inhale just a bit of a change in there a little bit 1037 and that's all cool. I still love that. He goes forward and lifts it up for the tension That's great 1037 NNJ and I think And NNJ to bring up that corner to see more of the upper teeth for NNJ You see still in that pretend mode and trying to have the energy to give this final potential broadcast there seven NNJ Here's NJ Seven and then play with more with your eyebrows and the lids there Since you are in Polish mode 1037 NNJ This was like NNJ. I mean it could be a bit more serious bit more NNJ The bit more of a squins and a bit more tension there because he has his eyebrows go up here 1037 1037 1037 they're a bit fast. You might want to hold these a bit longer and Then push this so it's less of that shape going up, but a change in shape So you have a bit more exaggeration there 1037 NNJ. Here's Pink Floyd, but that's cool. Here's Pink Floyd Here's a thought for you since I like this. What if we Because you're starting that arc. What if we end in this In terms of how it's facing the audience Meaning that see how it turns Imagine he ends up this in a orientation Go back here It's a bit more like that even a bit more slight bigger tilt this way a bit more towards us So you start that arc that you have to lean into this so you feel we see a bit more in the face So that when he goes here, he can turn again to be more profile So there's just a bit more contrast because I'm slightly concerned as to the angles here Doesn't have to be big this can still us be a slight change in polish since we don't want you Don't want to change massively here Floyd Floyd Pink Floyd And maybe you can start this two three frames earlier So that you can hold this two three frames because you mentioned is as a forceful And I wanted that could be the last bit of a whole taking again Even if it's just two three frames hold and then for that Floyd But I would definitely have if this is a bit more forceful There's something here that feels a bit soft as you go down and bring me a bit a bigger Drop a little bit more for slump. Just even if it's you know from this line going down to here It's a bit more impact and exhale and Then as those arms go up especially here I feel like they need more influence here Where that the spine lean towards us and this goes up leans a bit back a bit more a bit more And why just a bit more body reaction the same in the head so you do this and then as he does this Arm goes up body moves over head tilts over or maybe even tilts towards us so that You want to bring that cup higher for the hands You know so that the hand can take this off same thing here Like you want to present this cup to this hand in a way So as I'm doing this here like I would take this and kind of Present it to the hands. It's kind of like take this off versus that you was you have stuff here and you want to kind of Either like go this way and especially if he's tired It wouldn't be I need to make that whole effort to bring that hand back But it's more like this and then blah blah blah So maybe you think about that as you as you do your posing there because as you do this It feels a bit like that section and the head are just too locked and this is a separate move Look at arms Chest and head are just so not influenced by it and that would be that would be my suggestion there And then what I was saying about that. I like your what you explained last time that it's kind of this forceful slump back of Where what I would then do is that See how he eases in just In your just move that into more of a of a linear key not super linear for a pop But it's almost like see how this leans back you can maybe exaggerate in that chair doesn't lean back so early And it's more of a hits like he goes back and it's a forceful hits where it's a bit more of a pop there in that chair Because this is good what I was reacting a lot before was how the forward move feels really fast like someone's being pulled back pulled forward So that could be it maybe a bit more forceful to push that idea that you have which I like But then that forward is great. So this is great. Don't change that and I love that the fingers on the face That's really cool. It's a bit. I would this feels a bit too cavey. I know this is tricky Is there a way to maybe scale the whole thing so it doesn't feel like you got that crease break there And it's a bit sharp if I look at the chin line watch this and It's a bit fast. It's almost like Maybe even if it's just a frame or two of a transition of this It might even be just reducing the scale I'm not sure what are you doing here for that for the exhale for that for our breathing But maybe reducing the amount so it's not so Such a difference right after you go back and forth. It really feels like a cave in there Caving in not a cave in there So cool to really like that ending especially that that inhale like that works really well that whole combination with that Especially with the fingers over the face. It's a tactile super super cool. All right, that's it. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. 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