 What's up everybody? I'm Marco Seder and we are here in the Kendall Mountain Festival right now We are about to show The ultimate run and really happy to do that really happy to be here super cool festival UK rules So actually the ultimate run started already quite a while ago We tried to film it six years ago and I dislocated my shoulder on the very first shooting so that was it and Yeah, I had other priorities for the years coming But the project was always in my mind and in my head working and the ideas were kind of developing and Two years ago. It was time to to go for it and do it the best way possible So many features and And Most of the run was filmed at my home or really close to my home You know the whole ski resort section is At my home resort Klausberg where I grew up skiing and where I know every single corner And I've been dreaming about it many times to to shoot there and never really made it happen to have like a sick film crew to come there and The castle actually my dad was born in the castle So that's also on the list since the very very beginning And the mining town is my home area too So, yeah, definitely definitely wanted to do as much as I can as close to home as possible And have all my friends be involved with it. They were helping me out like crazy and and yeah, Zermatt is the beginning of it and Definitely wanted to have like a huge Glacier section in there with untouched nature and that's why we went to Zermatt for work Sam Anton was helping me out to find those spots and guiding guiding us there and Eventually also ski together the most difficult terrain out of everything was Zermatt for sure There was a really low snow year and the glacier cracks were quite open We had to be really really careful, and it was the most scary place where we shot for sure Yeah, I think we were pretty good at picking our battles The first year we kind of just started to shoot whatever we could find, you know We also had to figure out Which weather we wanted to have it in or obviously we wanted to have it in in the best weather possible And the best light possible But we kind of just started shooting everything and then see what fits what comes together The second year We were much better at choosing our battles, you know We knew what we what will make it and we didn't waste our time with anything that would eventually not make it and you know just work Work the best we can to make Yeah to make the right decisions and to make the shots the best possible, you know also with preparation snowing When the best light is there and just be ready when the spot is ready basically There is no real favorite moment. I think it's every every spot and every Place and every trick as well is quite special to me and I actually got the question quite a lot And every time I've been I've been saying, okay, it was this and it was that or next time I'm saying something else so now actually it's the whole thing that Yeah There is no real one favorite moment so The one thing that I like the most about this idea was that for the first time I was able to put all my skiing in One in one nice piece that flows all the way through You know having urban in there having park skiing Backcountry skiing resort skiing glaciers, you know, I wanted to have everything in one piece which so far in my career. I haven't You know, I've always been doing all those different Disciplines But I was never able to put it all together in one project So that was also what I like the most about that year from the beginning the one thing that turned out to be much better than Then I initially thought it would is the filmmaking You know, let the legs of steel guys absolutely killed it on the production side Christoph Dorensen was the director which used to be a former big-time pro snowboarder and he also made this made his project his baby and he like Together with those guys we really stepped up the game in the in the on the filming side as well And it's super cool that people actually recognize it as well