 But there was no one, no one there to keep my daddy in his box. The next day he wore a set your downtown house to the scene. Get on with it. 1949, before you were born. Don't touch me. I've got this. I know how to do it. Shallow Water, which was created by Bernard Lomax. My daddy was known as the Shallow Water, man. Shallow Water. I invited you to my house on Mardi Gras morning. And my father always said, you're never ready to go. You put on your suit, you put on your suit, because it's Mardi Gras morning. Now I never get a strip across with feathers in your ear, tears in your eyes. I'm trying to walk out with feathers in my ear. I'm trying to make it this year. I really am. And I just want you to know, in addition to this, I have a big reunion. The fate of the big reunion is for the chiefs and the kings and god. I'm queen. There are several odds that I am walking away from the camp to fit in that behind me. It shows that we do. We try to make sure people see themselves in what we do, that we're not excited. We're not something you look at and talk about, but we're something that you can experience with us. The struggle for dignity, the struggle for health, the struggle for having an authentic voice, and the struggle to present your culture in the ways that you want to present. We're not saying we want to work with people. We want to work with people, but we want meaning for collaboration. Don't try to fit us into your mind. Don't be too disheartened. I don't want to thank my phenomenal brother for every kind of day. We tried to stay up top. We're going to transition. Okay. Okay. We should be thanking you. So everybody just take a breath in and shut your eyes and exhale.