 All right, last one here is from Rob Lozold from Ottawa. Rob? Rob, where are you? You exist? Nice. He says, I first heard of Russian 11 years old. He's 57 now. When my buddy borrowed, in quotes, his older sister's copy of 2112 and put it on. We won't talk about the fight they had when she found out. It was a world-changing moment for me. He says, I remember thinking, wow, what is this, and how do I find hope? I was so proud that you guys were Canadian. Russia's been a constant through the good times and helped me to get through the bad times of my life ever since. The 26 amazing live rushers that I went to are the top of my favorite memories. Thank you so much. 26, good on you. Thank you, man. I'm going to speak about that. Amelia Villestrand, yeah, I was truly one of the most amazing pieces of music I've ever heard. And no matter how many times I listen to it, it moves me. And I always sit there for a few seconds at the end and just say to myself, wow, I have seen that you have said it exceeded your abilities. I'm wondering if you could talk a bit about the process of how it all came together. Was there a, wow, this is pretty incredible moment? Thanks so much. OK, so Villestrand brought out a classic story in my mind because we wanted, when we wrote it, wanted it to be recorded in one take. It's about 11 minutes long, something like that, maybe more. And it's a little complicated. So I think we wrote it right at the studio when we had arrived and were staying at a place down the road. And it came together in a really fun way because we had all these individual parts that we liked. But we didn't really have a place for them. So we decided to just stick them all together in an interconnecting way and come up with really goofy names for all of them and give it a name in a language that doesn't exist. La Villas Mangiatto. There's no such word as Tangiatto. It's just a made up thing. But when we came to record it, motherfucker, I mean, it was really hard. So we tried for days and days to line that track and live, basically live. And finally we had to say, Uncle and we recorded it in three sections and then edited them together. And that's how the song came together. But the funny thing is after that album was finished, we went to do a video for it. And at that point, Neil was going through a real, I hate videos. I will not lip sync. I will not pretend to play the drums. Going through that period, which wasn't the first time he had said that. So he said, well, why don't we just record it live? I think it was Massey Hall. I think Massey Hall was empty that day and we booked a mobile unit and we went over there and we recorded a couple of songs and the Villas Mangiatto was one of them. And wouldn't you know it? One tape. Boom. Everything's so hard in England, for sure. Anyway.