 Alrighty, let's watch this in full first. There is sound of course. I have superpowers. I have super strength I can fly I have laser vision all the good stuff is just you know, I got to keep it on the down low Of course, I have super cute. I like it. Let me bring another sound just a bit for myself here So I have a couple things here. There's some broader comments and some smaller ones the small ones will be Eyeline switch out that she is actually looking at the kid once you go down here. It definitely works better. Maybe a bit high But then it feels a bit a bit high there again, so switch out some of these moments here that seems good That again feels a bit high That is pretty good At the end it's almost a bit low Well, not too bad. I know this one seems slow and this one goes over there So that would be first thing Eyeline well actually the first thing but it's like one of the minor things I would just suggest as you move forward the bigger comments even though I like the ideas in terms of the posing and the The things that she does what's happening right now is that apart from the very end and You argue this here a lot of it is very twins You have a lot of double actions where the posing is very mirrored where you have poses like that and then you get into Posing like that. There's a lot of mirroring double you posing again double poses there and then you change there so What I would try to just find Variants of these so even on something like this it could be the hands down to the thigh And then this one is out further just to break it up Out of mind that she goes in like this, but even here potentially could explore a Hand a bit further here and the other one a bit there I mean you might even do both hands on one leg just looking at Being less mirrored and it could also be one here and then the one maybe on the arm It's kind of just making sure that it's not always the same. I mean if we I Don't mind that I would just be I would just not I would delay this one a lot more so that you just really end up only here in this Because you can do that like one of them is fine But then I will probably Find something else to illustrate the flying thing I don't have a problem with acting out words like usually you don't want to be so on the nose But she's talking to a kid and that's okay But once you have that to that it's just not a huge thing so I can fly I would just again look for a different pose in her arms And even this instead of both it could be Laser vision could be the head turned towards us where one eye is really big nose here one eye She squints so one arm is really the finger pulling this down But then the other arm would be lower if that makes sense. It's just one hand doing this So it's just not looking straight at her, but it's more looking at us and she's presenting to the kid that side again, so it's not so mirrored And then as she goes up again, no need to do that. I would try to keep those arms down Like that is great That's mostly that I mean I saw your reference again I mean this is very close to the reference I would recommend choosing a couple takes where actually you don't use the arms at all That's what usually what I tell people where you don't want to do everything with shoulders and just the head just kind of see Walking what you get out of that and then you start adding in different takes with different arm gestures and And I like that too. It would just be interesting to get Like I like that moment where She doubts herself a bit and she has just kind of like a nice change in the face before she goes back into that But it could be pushed a bit more in the body as well again, so they're not so Similar all the time and all of that. I think that's my main thing Because the movements and how she goes left and right There's definitely a lot of change with being high being low and that that change in posing that energy change Is matching the voice? I think that's really cool And not that she has to move a lot. There's a question for you. Do you want to do something where? If you're not then she might get a bit closer or does she feel suddenly freaked out by all the stuff She does in her face does see she start to kind of lean back a bit It's not a question for you how far you want to take this character or is it just there for context? And then you know show that she's talking to someone That is totally fine, too. So yeah, that is that. Thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you