 I wanted to know, did this figure come into your mind, I mean he's so gorgeous, how long did it take to give him such a beautiful face and did you envision it in your mind? I think I took about two-and-a-half years to design the face because it was clear in my face what should come out of the face. What should come out of the face is this. Tell me if it is coming out of this face according to your perception. What I wanted was, I wanted the face to represent a certain sense of equanimity. That's one thing stability and equanimity. At the same time, it should represent a certain sense of exuberance. It must also show that it's a focused, aware kind of face. At the same time, there is an enabration. What do you think? Does he exude all those things or no? You can tell me honestly, no problem. Very, very well said. So there is exuberance, there is equanimity, there is a certain drunkenness, there is a certain meditativeness. This is what I wanted in the face, so in my mind, because you know I have no brains, I just lot of space. Why would you say that? No, because that's why I can create things. I don't have memories. Memories are there, but they don't come up on my mind. My mind is an empty screen most of the time. When I kind of visualize something, initially we thought we will create a full image. We created full images and models and computer models and also real life models like in cement and other things we tried to do. None of them looked like the way I wanted them because this is what Adiyogi is, that he is absolute exuberance at the same time equanimity. He's a householder, he's an ascetic, he's a dancer and he's still. So these qualities kind of crystallized in my mind in a certain way and it took about two and a half years for me to get it down into a computer screen or on a paper, but our boys, hats off to them, they delivered him in eight months.