 We won the Ig Nobel Prize, we thanked the Ig Nobel Prize committee, we thanked the Nobel Laureate that awarded this prize to us, they're really appreciated. This is what won the prize, it's an article by Peter Bishmet and myself on Enimus. So inside this, everything started with Michael Coe back in the 1970s, so in 1977 Michael Coe, they identified this, so in their separate article they identified these aspects, and once we had this available in drawings in a rollout by Justin Kerr, then we knew what an Enimus syringe was, then we knew what an Enimus jug, they don't normally have a handle but that's the only one we found in the market, and once I found that from the article, and I think if I can't remember it was March, I was able to find a lot of vases. I worked in the Moselle Popovou Universidad Francisco Madoquen, I lived in Switzerland with my Swiss girlfriend, and then later moved to Austria for my PhD, so I had access to a lot of museums in Europe, I gave a lot of lectures at museums all over the world, so again I had access to finding the different vases, so within literally three months I had tons and tons and tons of stuff on more on Enimus, so we learned about again the Enimus syringe, you need the syringe or the jug to prove there's an Enimus ritual, you can have the bib, you can have everything else, and that helps, there's probably an Enimus ritual, but it really helps to have the gourds, and these are native gourds, and these are still used today, except today they don't use an accessory tube, they use the original tube, and they don't use drugs today, so this is just a joke because we still haven't been able to grow these, but here's here's their actual gourds, and we did this as a joke too, but it turns out it's almost the same as this, so it's a gourd basically that is used, so we learned all kinds of things about Enimus, and then I gave a lecture, I gave lectures for the Institute of Minor Studies, I'll also give lectures for Ed Flunder, and one of these we did a lecture on Enimus, Jim Reed was the host, and in that I showed all this material, all the photographs and drawings, and then at the end, Barbara McLeod, and Donald Hales, and Carl Callaway, and I think it was David Bowles, but Bowles is a very good linguist, and the others are our figure-pers and know-the-stuff, because to study the Enimus ritual, you need to have linguists, you need to have an epigapher to study the hieroglyphs that are next to the enema jug, and on the enema jug, you need an iconographer to sort everything out, and you need ethno-pharmacologists like Peter DeSmet and others to understand what's in the, what's inside this jug, what they put in, and what the insert up to tail end, okay, obviously you have to sit down, I'm not going to do that here, because I don't do Enimus for drugs or anything like that, so, but in the 5th to 8th to 9th century, the Maya, the ones you see in the paintings, that's not just for your health, that's to lift you up to another part of the universe, it's to expand your mind, like the hippies did in the 1960s, and I went to Harvard in 1960s, so I know a little bit about that, except I don't take LSD and I don't do all that kind of stuff, because I was happy anyway studying the ancient Maya, but during that period, you know, many people took the material out of the toad, and all kinds of other natural chemicals are available throughout all of Mesoamerica, we all know that the Aztec took them, but we kind of forget that the Maya had them available too, plus their trade routes, so the Maya, if they didn't have it, they could bring it down from central Mexico, because up in Arizona and New Mexico, where it was, they traded macaws all the way up to there, and cacao beans all the way up there, and the Olmecs traded all the way down from Mexico all the way down into Costa Rica, so whatever plant or chemical the Maya king wanted to learn about the rest of the universe, go up into heaven, or down into Shibabah, into hell, all that's available by enemies, because if you drink this stuff, you vomit all over the place, and they show people vomiting, so drinking was part of the ritual, but the main part, kind of towards the end of the ceremony, is injecting it with this, and then whatever dreams they had, I'm not into practicing that, but it's important to show, the Aztecs did it, every indigenous group, most indigenous groups in South America do it, so you know, they all do it, and people do it today, I mean I hate to think of how many people did these drugs today, not a good idea, I like my chocolate, and regular chocolate, no alcohol in it, and I eat foods from Whole Foods and Trader Joe's, because I like that kind of a fresh organic food, so thank you very much, I really appreciate the prize, Icnobel Prize for Art History, and working together with Peter Schmitt, working together is very important, because two people can have different views, when I once was at Yasha, the president of Guatemala came to Yasha, while I was mapping it, and he came with another archaeologist, and so I asked him, I was just curious, he said, you know, there are archaeologists here, you brought another one, and he said yes, because I want to hear the archaeologists arguing among themselves, and the archaeologists that he brought with them was a very capable archaeologist, and somebody I knew was a colleague, sit out, and so we got along well, but we do, every archaeologist, every iconographer, every photographer has a slightly different view, and again at the end of my enema lecture, we had four other people contributing their information, it was very helpful, so it'll be great in the future to have an international conference on enemas, and have all the epigraphers, all the archaeologists, everybody together in one physical location, discussing all this together, and then publishing a monumental coffee table book on this, so again there's a lot more to know, again after I gave the lecture, I found these stuff that I hadn't seen since the 1970s and 80s, some notes that I had taken back then, as I was unloading my stuff from when I lived in Graz, when I'm at PhD, so a lot more to come, and next time we want to make a book that's about that thick, okay? We need a coffee table book with many, many contributors, thank you very much.