 There are many ancient mysteries still to be unraveled within ancient Egypt, and although they are rarely academically shared, the basalt floor found upon the Giza Plateau, being one such feature, located at the base of the Great Pyramids, possess some of the most compelling fragments of ancient advanced machinery anywhere on Earth, let alone Egypt. There does indeed exist other areas upon the Giza Plateau that also exhibit these unquestionably compelling fingerprints, left by and as yet not understood ancient advanced technology. One such place, known as Abu Ghurab, is a place that many alternative researchers assert could have once been some sort of ancient Stargate, originally built as a Sun Temple, constructed to represent the ritually vivifying power of the Sun God Ra. It was one of six temples built upon the site, however only two have been identified, Yuzarkov and that of Nayusera. At the base of the site at the western end, an enormous obelisk has also been unearthed, which, according to experts, symbolized the resting place of the Sun God Ra. The obelisk's base is a pedestal, with sloping sides and a square top. It is approximately 20 meters high and is constructed of red granite and limestone. Estimates of the combined height of the obelisk and base vary. Although a number of independent researchers believe, when the structure was built, the total height of the obelisk was most likely somewhere between 50 and 70 meters in height, an enormous height and indeed weight for any of the currently attested ancient Egyptian builders to have worked with. But what we find the most intriguing regarding this obelisk and indeed ancient site, linking back to the advanced anomalies located upon the basalt floor, is the enigmatic drill holes found driven straight through the heart of this monolith, and many of the other large granite stones which still litter the site. The holes undoubtedly completed using some form of high rotation power tool. Clear, compelling evidence that whoever created this ancient work had access to astonishingly advanced technologies. Additionally, the site is also home to a number of enormous red granite blocks, each weighing in at several tons. Curiously, these massive blocks also exhibit the same uncanny precision cuts and extremely well polished surfaces which are also found throughout ancient Egypt and the quarries thereof. All once mounted into position with such incredible precision, many investigators have concluded after visiting the site, just like the conclusions one is left with after exploring ancient Baalbeck, that whoever laid these massive stones into position had an extraordinary technological prowess. Why does modern academia continue to deny such truths in favor of such mundane and incomplete testimonies as to the true origins and builders of ancient Egypt? How can we continue to be expected to believe, in the face of such compelling overwhelming evidences, that these sites were merely the work of our more modern copper-wielding ancestors? It is undoubtedly highly compelling. There are many ancient monuments found all over the earth which possess extraordinarily precise solar and lunar alignments. In genius designs, often many thousands of years old, constructed from stones, sometimes quarried, cut and transported to the sites from many miles away. This movement of megaliths was accomplished using techniques or technology as yet not understood and to date, many of these megalithic stone placements are perceived as near-impossible feats of ancient engineering. And although many impressive examples of monuments which track the sun can be found to have originated from many different civilizations, the most notable of antiquity, most famous for a seemingly obsessive level of monuments devoted to the observing of the sun's path, was undoubtedly the Neolithic. One has to wonder why was there such a fixation? Was the motivation for this massive undertakings of a tragic nature? Was it out of fear, fear created by a memory of a catastrophic event, possibly involving the sun's powerful emittance of radiation? Maybe they experienced the consequences of an ancient warming cycle? We may never know, yet the most important question in our field is not why these volumes of solar-aligned relics were created, but how? How did our ancient ancestors, claimed as having existed over 10,000 years ago, construct such precisely positioned granges, hinges, barrows, and sun daggers? Something we have previously covered, an incredible type of sundial which tracked a sunspot across the wall of an ancient cave with each month, solstice, and New Year precisely marked out across the walls. Yet the sundials in question in this video are a group of far more familiarly designed dials left by the Neolithic. These sun-tracking dials can be found across the Neolithic sites of Ireland, Scotland, Orkney, and England. First discovered by an American by the name of Martin Brennan, a 39-year-old from New York. Not only did he discover the true function of curb stones located in Knoth, codenamed K7K15, among others. He also cracked the earliest form of writing while studying the Irish Stone Age artwork. Earlier this year, a theory emerged on the internet by writer and journalist Ben Gagna. He suggested that there was an image of a swan on curb stone 15 at Knoth. He claimed that while examining a photo he had taken of K15, he flipped it upside down and saw something no one had ever seen before, the faint but unmistakable image of a swan in profile. The true meaning or purpose of the curb stones had for a long time been heavily debated within certain circles. The intriguing cup and ring marks had been known of for some time. Yet as previously mentioned, though the most popular theory of the design on K15 was the claim that it was the depiction of a swan glyph, this hypothesis was rejected even before Martin's unarguably accurate translation was discovered. Martin identified the sundial while examining a passage mount in the Boine Valley, and although sundials thousands of years old have been excavated throughout Europe, many specialist individuals reviewing Martin's finds believe that the sundial discovered in County Meath is the oldest and possibly most important ever found. According to Martin, who has been studying megalithic Irish art for the last 10 years, Ireland's megalithic tombs are suffering from appalling neglect. Some of the most important passage mounds excavated previously have been ignored or conveniently completely sealed up. Martin's discoveries are undoubtedly remarkable and are of tremendous value to our ongoing deciphering of ancient antiquity and its past civilizations. It is a journey of discovery we find highly compelling. Rising nearly 400 feet above the desert floor in a remote section of New Mexico within ancient Anasazi territory is a place named Chaco Canyon, and within stands an imposing natural structure called Fahada Butte. Hidden from the world for over 700 years, along a precarious narrow ledge, there lay a secret, ancient astronomical observatory. Subsequently given the name Sundagger, and the reason why is nothing less than remarkable, it has been revealed that for more than a thousand years, the Sundagger has been revealing to all aware of its creation the subtle changing of the seasons. In 1977, it was thankfully rediscovered when rock art and petroglyphs were spotted nearby. Anna Sofaire, who was cataloging the rock art, was one morning greeted by the Sundagger, slowly traveling across the wall, traversing the strange spiral patterns which were etched upon them. The intelligent Anna realized that the Sundagger could have been connected to the petroglyphs, so along with her colleagues, she came back at various dates throughout the year, eventually establishing the following information. On the summer solstice, the Sundagger appears near the top of the largest spiral, and over a period of 18 minutes it slices through the very center, cutting the spiral in half before leaving it in shadow for another year. On the winter solstice, two daggers of light appear, lasting for 49 minutes, during which they frame the large spiral. Finally, an equally fascinating and more complex light show occurs on the spring and autumn equinoxes. The large spiral is carved in such a way that counting from the center outward to the right, there are nine grooves. On each equinox, a dagger of light appears that cuts through the spiral on different angles. Meanwhile, a second dagger slices through the center of the smaller spiral. These light shows, which had been going on for centuries, continued for several years after their rediscovery. However, in 1989, it was found that the granite slabs had shifted. The alignments that had been arranged so carefully were no more. It also seems impossible for us modern people to realign them as all attempts have failed. Was this Sundagger really made by the Anasasi Indians? Or was it a far older surviving relic? One that they were merely aware of. A relic, which has unfortunately eroded away. Similar ancient light displays marking the solstices and equinoxes can be found at other locations as well, such as in the southwestern United States and Mexico. In a ruin in Hovenweep National Monument, near the borders of Utah and Colorado, light beams also illuminate spiral petroglyphs on the summer solstice. At Borough Flats in Southern California, a winter solstice sun points a finger of light to the center of five concentric rings in an early Chumash rock art display. Were these monuments once used by a lost, ancient advanced group of marauders as calendar sites while traveling America? Perhaps one day we will know for sure. Thanks for watching guys, and until next time, take care! Quarks, for example, the tiny elementary particles of matter, smashing into and destroying one another, instantly creating a new and sometimes entirely different pair of oppositely charged particles of matter. These strange things being what makes up the inside of a proton, an atomic nuclei, which along with the electron spins around the nucleus of the atom at tremendous speed, resonating at the frequency which makes up our reality and the solid objects we see all around us. These areas of physics, as mentioned, can leave one quite baffled when investigated too deeply in one sitting, yet such areas of science can also undoubtedly lead you to some rather wild conclusions, one of which involving our very own sun and a conspiracy regarding what could be powering it. It is the thing which allows us to see all the beautiful and the not-so-beautiful things within reality worship since the birth of civilization. Yet advances in technology have just added to our understanding of its complexity. The discovery of photons charge particles which bounce off of the objects all around us, creating an instant interference pattern or rather the absence of photons in the form of a shadow. This not only demonstrates that photons work just like electricity, but science has long confirmed that these particles emitted by the sun are indeed electrically charged particles. This fact of reality has now led some to take what others have asserted is a leap of faith, with many now having parted ways on their conclusions. The Electric Sun Hypothesis. The hypothesis, supported by several rather strong scientific points, yet explained problems and or anomalies in current understandings, claims that the sun is in fact electrically powered rather than the traditionally claimed process of fusion. It is a theory that has garnered quite a number of followers over the years, from various scientific fields many with prestige. They have either claimed to believe this is the case or that the theory could indeed one day be found to be true. Although, as always, it is those who passionately dismiss such claims and their motives for doing so so adamantly that we find the most intriguing regarding such posits. Why do so many unexplained anomalies support the claimed hypothesis? Why do some so passionately object to it being studied within a field looking for definitive truths? We find the hypothesis and indeed the controversy surrounding it highly compelling.