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Published on Apr 12, 2012
As a playful exercise Rubén Ochoa makes an intervention to the space of former Santo Domingo Convent in Mexico City. Using his series Bestiary (or the new deadly sins) -photography developed on stone- as an excuse, the artist has arranged a wall and invites the public to participate in this project by interacting with his work: the piece Confessional, a huge blank wall, is put at the audience's disposal looking for them to translate the reactions the work provokes in them into confessions and capturing them on the wall in the form of thoughts, drawings, texts, or any other form of expression imaginable.
Following the exhibition, Rubén Ochoa will take on a curatorial process to select and turn the interventions on the wall into a publication.