 We're working with a lot of special collections, for example, and we're looking at deeds of gifts, and we're looking at international law. So we received a collection from overseas. What did the deed of gift look like? What does international copyright law look like? And how might we make a decision about what we can and can't do with that collection? So that's causing us to say, well, we have a lot of ambiguity in the past, but going forward, can we establish a new deed of gift that we're comfortable with and we won't have this ambiguity going forward? So those are sort of two examples. Another one would be materials, again, within special collections that have cultural sensitivity. So thinking about audio recordings from 40 years ago in the field and anthropologists in Africa. Should we digitize this? Should we make this available to the world? Certainly those individuals never thought that their voice would ever be heard by the world. And so there wasn't that human-subject-review piece. How do we think about that problem and who should have access and privacy? So it's a lot of really thorny issues, but at least we feel like now we have a form to be discussing a bit.