 Timothy would say things like, well, I'm going to play it like Errol Flynn. Yeah, yeah. Should I, Brian? People consulted me and said, I've done so much Shakespeare. And I was loving all that. I'm very certain of myself. I said, yeah, yeah, play him. Play him like Errol Flynn. Get all that, yeah, with that panace, and so forth. And OK, I will. One interesting thing was that Ming the Merciless was Max von Sydow, the great Swedish actor. We've done all those wonderful Swedish films of Bergman and all that. And before he was dressed in red at the beginning, he had to make his entrance. And he sat with me, and he said, I don't know how to play this part. Ming, Max, you amazed me. I'm a great actor like you. I know, I know, I know. I've got to make my entrance in about 20 minutes time. I don't know what to do with my first entrance. I said, well, Ming's a magician. He's a wizard. And he is very sexy. He's very erotic. And he's a master of sex. Not the time, I say. But he's a master of sex. And I said, I saw you in the Quill of Memorandum, the film with George Siegel, what it was. And Alex Guinness. And you had to torture a man. And you said, hello, what's your name? My name is Smith. I don't think your name is Smith. And he was tied up. And you started cracking your fingers. And you started using your fingers. And you realized that you would take somebody's eyes out. They don't answer. As this German agent. I said, Ming uses his hands. He, a magician, uses their hands. And he's sexually always touching people. He's vibrant with sex. You use your hands beautifully. And of course, you know it's in the film. He's always, it sounds very, I don't mean to be there. Freedom.