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Published on Nov 15, 2014
FOR MORE INFORMATION CLICK; http://eepurl.com/8xZuj DESCRIPTION: Perhaps the best way to quickly understand the essence of this technology is to consider that all states of consciousness may be literally represented as complex geometric field structures that are dynamic, flexible, organic and fluid. The nature of the state, Adams claims, to a large extent is reflected in the metrics of the form. By modulating or shifting the form, state change may be rendered. Sometimes this “transform event” in the geometry can produce very rapid and dramatic results. These geometries may be superimposed onto an organic medium (such as a human body or localized physical area) and they may powerfully alter the inherent vibrational energetics. This degree of change however is much more significant than other simpler forms of acoustic or other ‘energy’ tools, mainly because it is so ultra specific in targeting and pattern matching. There are currently no other forms of acoustic tools on the planet in the public domain that can do what Adams’ technology can… in fact, there isn’t anything that comes even close to it. A review of the data compiled on the main archive site for ‘The Sound of Stars’ easily describes this in detail. In regards to the issue of ‘Banishing Dark Forces’ and the use of this technology towards this application, a short explanation will be given. Ultimately it simply doesn’t matter much (in relation to the degree of affectation of the target) what the operator ‘believes’ the target to be. In this case you would be the operator and the target might be what the operator might call a ‘ghost’, or a ‘shadow person’, or a ‘demonic force’, or a ‘hostile alien, bent on abducting a victim’. For those more conventionally clinically minded, operating the technology, they might view the target as being an unknown electro-magnetic anomaly, or a psycho-kinetic mind projection of a living organism, or some unknown sort of ecto-plasmic residue from the collective consciousness continuum. It is speculated here, that ultimately, for you to get notable results with this technology, it isn’t going to matter what you decide to label your target as. The reason for this is because, Adams feels, he has discovered that in virtually all cases of so called ‘hauntings’ certain principals exist and by simply taking advantage of certain dynamics and mechanics, a very positive outcome may be derived by the operator of this technology. Briefly, one major understanding that the operator should have, is that the target is likely attempting to emit an aperiodic deformed energy spheroid of an asymmetric nature. It is doing this for a number of reasons, such as ; · To weaken the energetic vibrational bonds of its victim (similar to how a step down transformer works) for the purpose of consumption · To maintain an anchoring to its local spatial-temporal position · To retain internal coherency of its own state The 'Dispel Darkness' frequencies strongly interrupt and interfere with all of this. Recommend usage when operating in the field should generally be along the normal default usage parameters detailed on 'The Sound of Stars' website. Essentially, loop for repeat playback one to a maximum of three of the frequencies at any one time. Use high volume on high quality sound systems. Volume should be high enough to feel the vibe in the skin but not loud enough to cause noticeable discomfort to the ears. Experimental silent playback systems are available for scenarios such as night time sweeping of an infected area. Ideal for situations where you have human beings who need to sleep and where you want to swep an area at say three am with the frequencies and watch for reaction responses from the target.