 Rule number two, and the make Corbin cry handbook. Is that your impression of that was the closest I could get? That was the closest I could get for now. It is I am Corbin with a K. Miles, this is Richard with an R. Seagull. Rule number one. If you're new around China go and smash the like button, subscribe, and ring that little bell, my little notification squad babies. Hashtag notification squad. Hashtag notification squad. Oh, yeah. Hashtag notification squad. And please follow us on MySpace, Instagram. We know they do it with us now. What? They do Instagram and Twitter with us when we go. Please follow us on Instagram. Twitter. It's so juicy. It's so nice to hear from your daughter, especially when she says it's something juicy. Little babies. Today, we are reviewing a film that came out this weekend. And we went to the theaters and saw tariff sales. Yep. We saw the film with Amitaka Bachchan. Better than the first time we tried the last name, it was spot on. Bachchan. And Amitaka Bachchan. Topsy Penu. Look at him, guys. Topsy Penu. Wow. They are reuniting from their first movie, Pink. Pink. Link that right here. We did a review of that one. Fantastic film. Yep. Loved it. So, this is a classic who done it film. Yep. If you want to read the synopsis. Who's the synopsis? A dynamic young entrepreneur finds herself locked in hotel room with the corpse of her dead lover. She hires a prestigious lawyer to defend her. They work together. Now, it's becoming tell you. A dynamic young entrepreneur finds herself locked in hotel room with the corpse of her dead lover. She hires a prestigious lawyer to defend her. And they work together to figure out what actually happened. Picture, if you will, a man in a hotel. A woman accused of something she didn't do. The Twilight Zone. Yes. So, yeah. This film, you went into it. Let's just go straight to the spoilers. Yeah. Okay, go away. Let's just do it. Let's talk about it right now. All out. Let's go. So, if you've never seen it, go away and come back. Spoiler alert. So, ignore what we said earlier. Yeah, let's just go. So, this film, from the trailer, you notice that it's going to be a, you know, this woman is accused. Correct. And you're trying to figure out, the lawyer is trying to figure out how he can unacuse her. Right. Through this whole thing, from basically when it starts off, you, I was trying to figure out who, like what happened. Of course. It's a who done. Yeah. And at first, you're like, okay, this seems like a pretty generic. Yes, it does feel that way. Film. And through the half, up to the halfway point. No, not really half. It was before that. Really? Oh yeah, because when you, yeah, that's true. That's true. It does start to twist a little bit. Yeah. You get your first twist and it's like, oh, oh, that's fun. Right. Yes. But then what you've realized is that you've gone on a roller coaster and you've got quite a few twists and turns that you're about to have happen. It was very similar to a clue. Very similar to a clue. Obviously not funny. No, no, yeah. No. Not with the humor of clue. But twists and turns. Going over these different scenarios that could have happened and they're playing them in front of you, like they actually happened. Yeah. And really you have to decide whether you think it's true or not. And one of the best things about this before we get into all the little twists and turns is that I'm taking it you liked it. Yeah, I did. I did quite enjoy this film. Yep. And it's one of my favorite types of films. It's very actor driven and it's you get to watch. Dialogue driven. You get to watch these people carry the film. And what I told Rick after we left the film, it was kind of like watching, what's his face, Ami... Taku. Amatop. Amatop. Amatop. Amatop Bachchan. And then Tapsi. And Tapsi. Tapsi. Amatop Tapsi. Watching them dialogue together was watching like two heavyweights go like trade blows. Yeah. For actors and everything. It doesn't get any better than watching two great heavyweights. It was fun to watch. Yeah. Like he would say, this happened to you, she's like, no, actually this is actually what happened. And then he'd say, well, yeah, I knew you were going to say that. Yeah. And so you had so many twists and turns in this. Yeah. So many. Once again, spoilers. Yeah. Here come spoilers for sure now. Once the first one when you find out that it's their son, I think that was the first big. Yeah. The big revelation is one Anju, is that his name, the main character, the guy, and he goes there and he looks at the picture and sees the face as the face of the kid in the car. That was great. Yeah. That was one of those. And that's a good place to talk about because throughout, I felt that the score was extremely good in accentuating too many times this kind of a film like a lot of films. The director will overscore the film and they didn't do that. There were moments I noticed the score, but they were at the best times. Yeah. And that was those kinds of moments. Most of the time I didn't notice it, which is exactly what you want. Yeah. Every single time I tried to basically debunk what they were trying to do. Me too, of course. He has his phone. What? What? What? And then they would explain. He explained it a way that he sat on it and I'm like, when was he in their car last? Right. And you've got to pay attention. Do not. I mean, if you get the intermission break, that's when you can go get your food. But if, other than that, you really cannot leave or you'll get lost and you'll miss great stuff. You miss a lot of the twists. Yeah. And the turns. It's like a roller coaster. Yeah. It just starts to do this, especially the last 30 minutes. Yeah. It's just non-stop. Did you see the incoming? Not in a million years. Did you? I predicted from the beginning that he was not who he was. Yes. Really? I didn't predict him tearing off his face until later. It kind of saw that coming. Yeah, I did not. I saw at the beginning when he came in and he was kind of looking at his phone, looking out the window, and then he said, don't worry about it. I was like, I'm wondering. I first thought I was like, I think he's the killer. That's what I thought. Yeah. So I was like, it's something with him is what's going on. I bought him as the lawyer because he was a lawyer in pink. So I was like, same guy. I was like, is this a secret sequel? Yeah. Or a prequel. He came out of retirement. He decided to do another case. He looks a lot better though. His health really improved. To the exact same girl. Yeah. Who has another legal problem. Yeah. And then at the end, I thought it was... I didn't... I did think it was like, wait, is that the dad? But did he just grow a beard? And I was like, no, that doesn't look like him at all. Right, right, right. So I didn't anticipate until the very end when he just started ripping off his face. I'm like, okay. It's the dad. It took so many twists and turns for a split second. I thought it was going to be on June. He actually wasn't dead. Okay. That's how crazy this thing started spinning on you. I think that's one of the best things about this film is that you could have seen it be any person being murdered. Yeah. And I loved... Okay. So now let's get into some of the meatier plot points and moral conundrums of the story for me. I loved how it took us. Let's talk about her. It took us from her as the victim to not just the murderer, but a powerful, strong, conniving, flat out evil person who at the outset you think is just the hapless victim like the character she plays. I'm not saying she's hapless and pink, but she's innocent is what I should say. And it spins it and he saw it come in the whole time because he knew. He knew. He knew her the whole time. And I loved it. When he said that line, he says, no one knows Ronnie better than me. I knew there was more to that. I thought he's saying something and it was exactly that line. I'm showing you the six, but is it because I'm hiding the nine? So good. So that first part. The other one was the moral conundrum about the legal system in any country, especially democracies where the reality is you win a case, not whether or not you're innocent or guilty. You win it based on which legal team can prove you to win the case. It's justice is blind. It's not about right and wrong. It's about who has the best evidence and who can present the best case. Yeah. And how does an attorney like, I thought we were done when he found out she's the murderer and he was going to have this moral conundrum of how do I now take a case and keep my impeccable record when I'm defending somebody I know is guilty and I'm going to try and get him off. And I thought, well, he's a defense attorney. He's done that many times. There's no way he didn't do that before. So that whole moral conundrum I thought was pretty cool. Yeah. Yeah. I loved when they kept replaying. They were like, no, this is what happened. And they would play that out. Yeah. And so they'd show the mom committing the murder. Right. Re-enact it. Re-enact it. I loved that. And I thought I had them for a second when he showed the mother and then she would walk out of the window. Right. And I'm like, well, how did they get locked? How did they get locked? And then they were like, oh, no. Right. Dad just came back in. I was looking, once it started doing those turns, I was looking for all the little mistakes. Yeah. And I didn't, there weren't any. Yeah. And obviously that wasn't a true part of it. Sorry, spoiler. Yeah. But it's, I love these two actors. Yeah. Love them. The director, say it for me. Let me see. It's Sujoy Ghosh. Sujoy. Sujoy Ghosh. Sujoy Ghosh. Or Ghosh. Sujoy Ghosh. Did really, really well. I did too. Okay. He was the writer of Bang Bang. Okay. Did he write this as well or did he just direct it? Writer. Yeah. The adapted screenplay from I presume a book. Yeah. And so that looks, so we haven't seen him anything other than. No, but a great, great job. Again, this was one of those movies where there's times where I want things to stand out. I want production design to stand out. I want to pay attention to the cinematography. But when you've got a story that is this much in your head, you need that to all take a back seat. You need to under direct in a way. Yeah. And he did a great job. I mean a lot of the, like you were talking about the little ad-libs that we think they added. I've got to know. If a lot of the lines, a couple of lines were ad-libbed because they would have these really intense parts and then a Bak Chan would jump in with this little quip. Especially the coffee line. Yeah. She gives him the coffee and he takes a sip of the coffee and he goes, oh that was really good coffee. Yeah. And I turned to Corb and I said, I hope that's ad-libbed. Yeah. I so hope that he just threw that in there. And his presence man, I mean we've only seen him in a couple of films. I know he's a legend that you've all watched your entire lives. But this guy has the weightiness of presence of an Al Pacino. Yeah. Very Al Pacino-esque. Very Al Pacino. Very D'Niro. Charismatic. Charismatic on screen. Totally she. She is too. For her to hold her own in a film that is the two of them, it's like somebody having to hold their own up against Meryl Streep. Yeah. And you name all the heavyweight actors that are the best of the best. Because he is that good. That guy is just fantastic. Yeah. And I was very pleased with the film. I was sad that I almost called it at the beginning. I would be too. I just wasn't there, thankfully. I'm really stupid. It was almost right at the beginning. I was like, I didn't quite call it. So it didn't totally ruin it for me. Because I didn't exactly call what it was. For me, that's one of the best things about being really stupid. I don't see it coming most of the time. I was just waiting for him to figure out who this guy was and why he was there. Right. I thought he was a lawyer the whole time. Yeah. So, but I mean, it didn't ruin it at all. That's the only issue I had with it is that it didn't get me as much as I wanted it to get me. The way that it got me. Yeah. The way that it got me. It's not really a gripe with the film. It goes to the makeup team. Oh, yeah. I'm wondering how much of that was a bok chan that had prosthetics and he took it. At the end? Yeah. Because obviously it was, it was him for a while. So he probably took it off for a while and then they switched to that guy. Yeah, but they didn't do the stereotypical just peel the face off on here. I am. They took their time with that and there was a lot of places they could have. I would only see it behind his head. If it was him and those were some amazing prosthetics. Really? That was all him. Yeah. Really good in the eyes. Yeah. Because even at the end he hadn't taken his contacts out yet. So it was his eyes in that guy's face. And just, I can't even count how many twists and turns there are in the story. The only issue I think had is that I don't know how these people, these parents afforded all this stuff. Right. To do all of this. But they did live. He was an engineer. He was an engineer. But who knows? They had a very nice house that was out in, probably had a lot of property. And she did say the lengths that she would go to. So who knows what they did to get the money to do what they need to do? Yeah, I don't know. I just don't know where they got it. I know if somebody murdered my son, I have always said this. If somebody were to hurt my kids, my Rambo switch would flip. Just your son though? No. I thought of him because it was a son who was killed in the film. Just you. But I know me. And if someone were to get away with murdering one of my kids and there was no justice that was done, I would potentially just go Rambo. I'd go rogue. I would do whatever it took. So I'd find the money. And then I would do whatever I needed to do so I don't touch my kids. Rick's going to commit murder everywhere. Well, that was fun. Go see the film. Yeah, go see it. Go see it. Highly recommend it. Now that we've spoiled it for everybody, hopefully you have seen it at this point. Yeah, you haven't seen it. Why are you still here? You don't need to see it now. We just told you why we told you the whole film.