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AK28 13/8 Thrash/Technical Metal Polymeter/Polyrhythm Groove

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Published on Sep 22, 2011

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A thrashy polymeter double bass/double kick drum work out exercise/groove!




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Cross-rhythm

The terms polyrhythm and cross-rhythm are often used interchangeably. Cross-rhythm. A rhythm in which the regular pattern of accents of the prevailing meter is contradicted by a conflicting pattern and not merely a momentary displacement that leaves the prevailing meter fundamentally unchallenged.—New Harvard Dictionary of Music (1986: 216).[3]

The physical basis of cross-rhythms can be described in terms of interference of different periodicities.[4]

A simple example of a cross-rhythm is 3 evenly-spaced notes against 2 (3:2), with the 3-beat pattern being faster than the 2-beat pattern, so that they both take the same amount of time. Two simple and common ways to express this pattern in standard western musical notation would be 3 quarter notes over 2 dotted quarter notes within one bar of 6/8 time, quarter note triplets over 2 quarter notes within one bar of 2/4 time. Other cross-rhythms are 4:3 (with 4 dotted eight notes over 3 quarter notes within a bar of 3/4 time as an example in standard western musical notation), 5:2, 5:3, 5:4, etc.

There is a parallel between cross rhythms and musical intervals: in an audible frequency range, the 2:3 ratio produces the musical interval of a perfect fifth, the 3:4 ratio produces a perfect fourth, and the 4:5 ratio produces a major third. All these interval ratios are found in the harmonic series.

Another form of cross-rhythm would be phrasing to suggest a different meter than the one being played by the rest of the ensemble. A common example of this in jazz would be phrasing quarter notes in groupings of 3 to suggest 3/4 time while the ensemble plays in 4/4.
[edit] European (Western) art music

In some European art music cross-rhythm periodically contradicts the prevailing meter. For example, cross-rhythm is heard in the first few minutes of Beethoven's third Symphony and in the first movement of Brahms's Violin Concerto[citation needed]. Concerning the use of a two-over-three (2:3) cross-rhythm in Beethoven 's sixth quartet in B flat, Ernest Walker says: The vigorously effective Scherzo is in 3/4 time, but with a curiously persistent cross-rhythm that does its best to persuade us that it is really in 6/8 . . .—Walker (1905: 79)[5]

Meshuggah (play /məˈʃʊɡə/)[1] is a Swedish heavy metal band formed in Umeå in 1987. Meshuggah's line-up has primarily consisted of founding members vocalist Jens Kidman and lead guitarist Fredrik Thordendal, drummer Tomas Haake, who joined in 1990, and rhythm guitarist Mårten Hagström, who joined in 1993. The band has gone through a number of bassists, but the position has been held by Dick Lövgren since 2004.

Meshuggah first attracted international attention with the 1995 release Destroy Erase Improve for its fusion of fast-tempo death metal, thrash metal and progressive metal with jazz fusion elements. Since its 2002 album Nothing, Meshuggah has used downtuned eight-string guitars. Meshuggah has become known for their innovative musical style, complex, polymetered song structures and polyrhythms. They were labeled as one of the ten most important hard and heavy bands by Rolling Stone and as the most important band in metal by Alternative Press. Meshuggah has found little mainstream success as yet, but is a significant act in extreme underground music.

Nothing and the albums that followed have all charted on the Billboard 200. In 2006 and 2009, the band was nominated for a Swedish Grammy Award.

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