 Gallagher and the boys and Grit-Sol. Iron Moor. I was nearly out in Iron Moor yesterday. I've had a paddle much more mechaic that would have been something like Jerry Early's about 11 o'clock yesterday morning. Or maybe not. Just before I go any further, we came up tonight, we're pleasantly surprised. Delighted, actually. I got a lovely carrot and a box of chocolates. To me, didn't get any chocolates, but it's from T.J. McDade's family, and I want to thank them very, very much because they didn't have to do that. It's a lovely box of chocolates and a nice wee carrot. And as you know, Margaret is organising a fundraising appeal on behalf of Clare McDade, and it's for T.J. The help along the journey of this child has went through. But I just want to thank them very, very much indeed, and to say you didn't have to do that. And then, we got this big box of stuff, didn't we? It was unbelievable. I could, we had a bit of a fight out there to see who was getting what, but Valerie, hello to you from up there in Lai, and she just sent us a few wee beaks to say thank you on behalf of Onor for all they've done for them, but listen, we didn't do anything they'd done to themselves. But you want to say, oh, I meant to say, Brian DeVenny, thank you, Brian, for the DL debates, and of course, Kevin Fury as well on production. And you want to see their faces, either raging, raging that we got to stuff like that, Brian DeVenny, sick of himself. It's not that door going bloody to Rome, I've got to ring again, so... Anyway, there's no way it's 60, 25,000. Now, I want to say hello and welcome to our first guest. It's Bridgette O'Neill. Bridgette, very good evening. Hello there, how are you? It's great to be here. I'm very well. It's lovely to see you. And of course, you're joined by your son, Cain McGrory, Cain, how are you? I'm all good. Keep him well. I'm keeping Brian well. And you've been down here for a few days, Bridgette, haven't you, or tell me? Yeah, we were very lucky. Yeah, we got lovely weather there. You brought that weather with you, obviously. Yeah, yeah, so... Yeah, and I was over at Glencombe Kill on Friday and saw dolphins and silver strand. That's right, I heard that. It was amazing to see. Someone who was telling me, I was out in Port Salon, yesterday, out in the water, and somebody was telling me there's photographs of the Baskin Sharks. Oh, really? Yes. I had a no-night, I wouldn't have been hitting no kayak out there. I wouldn't have been hitting your kayak. I'll bring a spear the next time I'm going to stay through them. It's beautiful down there, isn't it? Oh, absolutely beautiful, yeah. Do you come down regular? Oh, yes, we're here very often. We have this there near Carrick Finn. Ah, lovely. It's really beautiful, yeah. That is a lovely, lovely area. Well, come here anyway. First of all, it's lovely to see you, and thanks for coming on, and... It's lovely to be here. I'm a big fan of your show. Oh, yeah, well, thank God we've won. That's... But anyway, as I said, you're a singer-songwriter. It gives a wee introduction just to yourself for people who aren't familiar with you. Yeah, well, I've been a singer all my life, really, you know, from when I was very young, and used to sing in the folk club circuit back in Belfast in the day when the Sunflower was the folk club there, the original Sunflower. But I never really thought about writing till sort of, fairly recently, when I was over at our songwriting workshop over in Rattlin Island, and a friend invited me to go out there, and I took to the writing, really, I suppose, then, and it was sort of unexpected, I didn't think I would, because I always really, really enjoyed... I always really just enjoyed singing. I mean, I always saw myself as a singer and loved capturing other songs from other people and interpreting them. But it just took a hold of me, really, when I started writing my first songs. So, since then, I've been... How long goes that, roughly? It's about 10 years now. Is that right? Yeah. You've written, what have you got? Four albums and... Yeah, yeah, it sort of took off quite quickly. Well, I suppose it has to when you get on a bit. Well, yeah. But, anyway, listen, we're going to go straight into a piece of music. If you don't mind, I'm just going to wait to talk more and find out more about both yourself and Kean, and this musical journey you're on. The first song you're going to do for us this evening? Yeah, we're going to do a good old country song called Messy Path, and it's on the new album, The Truth and Other Stories. Bring it on. When you're ready. Let's go check it out. OK. As you say... Yeah, the songwriting, for you, as you say, it took off about 10 years ago. Did you have a particular sort of genre in your head that you wanted to... Yeah, I suppose in those days it was much more into folk singing, but I always had a love of kind of jazz and did quite a bit of sort of jazz singing at those days, just popular jazz, really, you know. And in my gigs, I did a lot of gigs with, you know, the late great Jimmy Faulkner in those days and Gary O'Brain, and when we travelled around, we always did some swing and some jazz, but a western swing and stuff like that. So I suppose I was always influenced by that in my own writing, you know, and it was going to come through eventually. Was music at home growing up? All was always music, but we didn't, you know... None of the family actually played music, but my father was a great lover of all kinds of music, and he had a whole collection of vinyls. He was really into the musicals, but he was also really into songwriters like Carl King and Carl B. Seger and people like that, you know, and he, and, you know, he just... And Joni Mitchell, people like that, he absolutely loved those songwriters, and he used to sort of pull me in his room and say, come and have a listen to this one, you know, and he would make me sit in the seat and listen to it. Less long before internet, no, that's like really, really so. Yeah, very much so. It was all vinyl, really, then, and he... So I suppose I... He had a love of lyrics as well, but a love of also great melody. He loved good melody. And did he write himself songs? No, not at all. But he had a great voice, but my mother was the singer of the whole family, and, you know, she would be always asked to get up at weddings, you know, she had an absolutely beautiful voice, you know, to this day, so it was great to have all that music about always. So, I mean, I just had a real innate absolute love of music, and I was... My parents would always tell me that, you know, I was always, always attracted to music. I would run down the street if I heard a band, you know. I'm still doing that. But anyway... Not wrong, that. No, so it was a bit of a surprise to start writing, and I just couldn't get over how much I sort of enjoyed it, and also the fact that people wanted to hear these songs that I had written. And that's a nice feeling, isn't it, from people, you know, if you are a gigant, do you notice, do people ask for your songs, you know, when you're out or...? Oh, yes. Oh, yes, all the time. Now, I mean, I think I've got a lovely following that means all the world to have people who really appreciate your music. And, I mean, one gig quite recently, my friend said, I think you've made it now, because everybody in the room is singing the lyrics, you know. That's brilliant. And it's a lovely feeling when people, or people specifically ask for particular songs or sing along. I've always thought that about songwriters. It must be the greatest feeling when you look down and people are singing along to your songs, you know. Yeah, it was a lovely feeling. I had a big album launch there in Belfast for this new album, and it was amazing, because we were trying to work out which songs from the back catalogue to sing as well as the new songs, and there was, you know, definitely people have their favourites. That's brilliant. So, the plans going forward, then, and what are we thinking? They're just gigging or keep doing what you're doing? Yes, I'm... Any big happen? I'm definitely... I think I really want to just... I've been doing a lot of gigs at home, you know, and really in the north, and I'm just really enjoying I getting out and about. Everything was supposed to happen just before Covid, and I did a tour with my last album Touchstone, where I went over to London and started... I was starting to do that, and it was... You were gigging in London, were you? Yeah, yeah, and had some lovely gigs over there, but we were just about to continue that when Covid came. So, everything sort of stopped as it did for everybody for a while, and the whole making of this album, which had planned to go out to Nashville, you know, because I've been going out to Nashville now for seven years. I was very fortunate to get an award from the Arts Council in Northern Ireland and also the Belfast Nashville Songwriters Festival. Oh, I've heard teller. That's a big event, isn't it? It's a brilliant festival. It really started me off, to be honest, and they invited me out to Nashville and introduced me to a lot of songwriters. Many of them are on that album. I co-write with them still to this day, and that was a big changing point for me when I was going out to Nashville. Do you see when you go to Nashville and you're out there, say, with a songwriter, compared to the... See, you said, you know, in Rathen Island, you went to a songwriting school, for want of a better word, right? Is there two different styles? Did you notice two different styles or what way is it? Yeah, well, in the... Just in Rathen Island, it was a lovely and formal writers weekend. Yes. You know, the, like, the Columns Sands and Breach Murphy and John Spilland and Juliet Turner Juliet... Do you know us? We're always asking about that, where, as Juliet Turner's co... I know, I know. I was such a massive fan of her. Beautiful song. Yeah, in fact, I recorded one of her songs on my very first album, which was an album of covers the way back, back before I had any. We haven't heard her, have we? Yeah, she's wonderful. I love her. I love her so much. And Kathleen, her sister, is another fantastic singer. But, yeah. But whereas when I go out to Nashville, it's more like co-writing, you know, where I would meet up with very established songwriters and not so established songwriters and just get together in a room and write together. And I do that at home, too, with a lot of writers at home. Is that contrary, then, you would do it in Nashville? No, you see, Nashville is full of all kinds of songwriters of all kinds of genres, so whatever you want to do in Nashville, it's there. And the best thing as well about it is they've got musicians who can play absolutely anything. I have no doubt about that. I have no doubt about that. We're going to talk more. I want to talk to this gentleman to your left, Kain. How are you? I'm brand. Stafford, we've got to end up here, so... Good stuff. Good stuff. Yourself, were you college in Dublin? I was, yeah, I went to BIM from... What's that, just for people? BIM is a thing, well, it started actually in Brighton 2000, a while ago now, about 15 years ago. But then they spread, so they have campuses all over Britain, and they have a Dublin campus as well. It stands for British, I think originally it was British Institute of Modern Music, and now there's an extra I there for Irish. And they have ones in Hamburg and Berlin, just like that, but it's an amazing place. So it's just a course that offers you, if there's anybody, any school students out there who are interested in music, interested in studying music, I highly recommend it, because you can study songwriting, or you can do what I did, which I did, the guitar course. And then all aspects of music, and you want to learn. Did you go in there to learn the guitar? Were you able to play guitar before you went there? I've been a guitar player since I was about nine, as when I started playing guitar. And then I got into it more seriously when I was about 16 or so. So I could already play when I arrived there, but it just takes your musicianship to a whole other level because it offers you the opportunity to just take all your time to just explore music and learn as much as you can about it, you know, learn as much as you can about any style you want to play, you know, so it's just a handy plan. Of course. And if anybody's listening, just how do you go about that? Well, you can go down to open days that they'll have around this time of year. I suppose you could just Google them really quick. Yeah, so it's B-I-M-M, B-I-Double-M, and BIM College. And then you can look up BIM College Double. It's funny, I wouldn't have heard of that, no way I would have heard of people. No, it's a fantastic place. And then since then I graduated there last summer this time last year. So I've just been living in Belfast and gigging. Gigging around Belfast. Music scene is good in Belfast. Fantastic. It's amazing. I mean, I'm a paper as well. I'm a non-paper as well. Yeah, so the traditional music scene over there is phenomenal. Like it's one of the best cities in the country, I think, really. Excellent. For Irish music. I know, because I've been out in it from my daughter's up there, and I used to love going out there at the weekend and stuff. Or even any nature in the week. There's music somewhere. That's a fantastic spot. To change place, like, isn't it really, really embracing the music now? Oh, absolutely. It's everywhere, yeah. So what are you doing now? Yeah, I'm a gigging. Is that just you're just a gigging musician? No, I don't mean just, but that's what you do, full-time? That's what I'm doing pretty much full-time, yeah. And then the odd bit of recording and that. Or session stuff, do you? Yeah, yeah. I'm actually working on a thing right now. I'm going to say a whole lot about it, actually, with the guy called James Jemison, if he's out there. But that's really, that's an Irish language project, actually. All right. Yeah, that's contemporary music with Irish language. Vocals and things on it, so it'll be an interesting thing that's going to be coming out, I think, towards October time. That's the look of it. You'll have to keep us up to date now. Do you write yourself, as in? No, I do write songs, but it's never been the main thing for me. The main thing for me has been playing, yeah. And I've written a lot of tunes, actually, and things like that there. And we kind of nerdy guitar music pieces. OK. Well, the songwriting might just land it for your mother. Yeah, yeah, you know, there's time yet. Oh, plenty of time. It'll probably emerge, of course. Right, well, we're going to get another piece of music, but we're going to take an ad break for us. What have you got going on for us next? We're going to sing a song called Ask me in a Year. And this is from what album? This is, I'm just doing all material from the new album. From the current album. The Truth and Other Stories, so this is... Right, after this break, Don't Go Away, we're live in studio here. It's Bridget and Eil, of course, and Kay and McGrory on The Monday Night Sessions. In this week's RT guide, today shows Sinead Kennedy on long-distance relationships and how parenthood has changed her life. From biking to bathing, our out-of-out issue is bustling with tips for things to do this summer. And from Barbie to Oppenheimer, we preview summer's big movie releases, Everything and More, or RT guide on sale now. Do you suffer from high cholesterol, menopause symptoms, digestive issues, anxiety, aches and pains, or a lack of energy? The highly trained team at The Natural Way, Letter Kenny can provide advice on natural remedies for a number of individual health issues. The Natural Way also has its own brand of herbal treatments to help fight fatigue, relieve digestive discomfort, maintain a healthy immune system, and alleviate common menopause symptoms. The Natural Way at Letter Kenny Shopping Centre, your one-stop health shop. With a high digital online skills course, you'll feel a real difference. I can listen to all the music I like. The boss app that's coming out, it's brilliant. Anything you want and all is to have their fingertips. They're small tints, but they mean something. Learn essential online skills with simple, accessible lessons at highdigital.ie, or free phone, 1-800-20-30-30. Brought to you by Vodafone Ireland Foundation and alone. Vodafone, together we can. The best music on your station with Paul McDevitt. Yes, it is, and you're welcome back at his Monday Night Sessions. Oh, we had 60, 25,000 for your requests or if you just want to even watch up a message here, whatever. And we will certainly get it sorted for you. We're live on our streaming services, as always, on our Monday Night Sessions at highdigital.com on YouTube as well. And just before, during the break, we had a bit of an accident with the guitar there. It fell over once, eh? Is it okay? It'll be okay. Please go on. Is that a Martin guitar? It's a Loudon. Loudon? Oh. Yeah, yeah. A Loudon from County Down. Ah, that's right. That's the ones at Ed Sheeran's? That's right, yeah. That's quite a recent thing, yeah, he said. George has made a whole range. But both, we're both play Loudons and they're both hand-made, so. So, I don't know what she'll be in next. They'll probably sound better. It's a great boost. I'm not saying George, obviously, was established as a guitar maker, but with the Ed Sheeran thing in it, you know, it's really like. Just brought the name to so many more people. And because you just say Loudon, now you know what you're talking about, you know, was prior, maybe, unless you were involved in the music, you know. How long has he been doing that up there? Oh, my goodness, for like, because he was in Bangor before, and he had the factory before Avalon, and then Avalon took it over in Bangor. And so, he's not Bangor, Newton-Ards. It was in Newton-Ards, or was he in Hollywood? It was Newton-Ards. Newton-Ards first, and I remember it back then, so that was like, that was going back. Like, I had 30, I mean, people out there probably correct me, but it's around 30 years. Wow. Or so anyway, I'm not sure if I'm gonna... And is it a big production, or is it just himself, or? Well, he has a team. It's a big enough shop, no? Yeah, yeah, it's a great spot to have just O.T. Cross-Garand. It's between Cross-Garand and Patrick. And it's a class place, you know, they have a big warehouse and then they can have the wee workshops you can take, I've taken mine in to get a set up a couple of times, you know, stay there. And they do, I think they do... I'm not sure if they do it open to everybody, but they definitely, if you're absolutely in love with guitars, they'll take you on a tour and show you how they're made. It's fascinating, absolutely. The workmanship is unbelievable. It is, because when you look at them, and you just think where they came from, to what they are, you know. Oh my goodness, the way they do it is amazing. Right, they were next song then, you said, these are songs from the current album. That's right. And this one is called... Ask Me In A Year. When You're Ready. Like a feather lightly flown... Absolutely beautiful, absolutely beautiful. That is taken from your current album and if people want to get the album, Bridget, how can they go about that? Yeah, well, nowadays is a good way to support all artists by getting things from their bandcamp site, you know, rather than streaming it. But so it's on bandcamp, it's also on my website, which is easy to remember, bridgeitoneal.com. And yeah, it's actually through a distributor, through proper records as well, but not sure how many are in these records stores, but I have a vinyl out. I see that, a vinyl. That's the first time I've ever done a vinyl of any of my albums and it's really beautiful. Is that an expensive process? Is it, you know what I mean, is it viable? It's very expensive and I'll tell you next year if it's viable. That's a good answer. That's big an appointment and I'll come back Oh, definitely, I'll give you a word about it. And I'll fill you in on whether it was viable or not. I get that. You see me sort of sitting in the street corner. Sell them? But no vinyl is, as I say, it's made of resurgence again and I think it's just more for collectors, you know what I mean? And people do just love the crackle of it and they... It's actually, it's so much about the actual, I must say, since I've got mine back to you and also I would know like my husband's a big Bruce Springsteen fan and you're getting him those LPs. There's just so much detail. You remember we used to love that about getting an album, you know? And you could do so much artwork and that's what I really loved when they arrived in that box. We're the same and do you know this? When you get, if someone give us, you know, same we have a singer open to give us an album and you're looking at and the next thing, it's like a book and you're going, oh, this is fantastic. And you're getting, I love it when the lyrics are there and they talk about the song. You're not getting that downloadin', you know, you're missing that. And I really find it irritating to not know the musicians that were on an album, for example, because I love knowing about different musicians. But also the particular vinyl I have, I have a special edition one which is cream. So the black ones, but then I have this cream and it's just so lovely to look at. And then a lot of the photographs are from, you know, my experiences out in Asheville recording and the musicians I worked with there, you know, and I worked with like, you know, just Doug Glance, he'll play us with Bob Dylan at Amenity. And, you know, him and who plays the fiddle is in Amy Lou Harris's band. He's part of the Grand Ole Opry. So, you know, the Opry House band, imagine being on the Opry House band. And no air addresses were these people? Not at all. It was a really lovely experience because they're just interested in music and they're interested in making sure that they play these songs to the absolute, to get the absolute best out of them. And they're really careful with them and that was a really lovely experience, you know. The CD market has sort of slowed about two, isn't it? Because I got a car and I only have a CD player now. Yeah, a lot of people, that's a big problem because I think an awful lot of people listen to music in their cars and there was nothing. But I do find there's a difference in the sound quality between streaming music and playing the CD. And it's lovely to listen to the difference between the CD, which is lovely and bright and strong and clear compared to the vinyl, which is a lovely, and the only way I could describe it is it's warm or has a lovely warm sound. I think you're psychologically mindset to listen. You know, you feel you listen to something different and it's nicer as you say, it feels that way. I get that with them playing vinyl or LP's as they call them, more than vinyl. Vinyl's safe to the modern words, you know. I don't care what anybody calls them, they're vinyls. No, they're vinyls, right? You're damn right. So you get it, is there much, you know, up, down Patrick and Belfast nuts? Yeah, I've been very fortunate. I mean, I've been playing gigs now, apart from the obvious interruption we had, but I get some beautiful gigs in art centres. There's great art centres up in the north and like down Patrick, there's a whole circuit of art centres, there's, you know, and I get to play lovely gigs there and they're always beautiful listening gigs, you know. But we also have a couple of really cracking music bars and Belfast, like there's the sunflower, which is very, very well known. It's just one of those venues that just, you just never have a bad gig there. And you never go to a bad gig. Do you know the way there's just certain venues that just hold the music and hold the vibe? And funny, I was playing the cobblestone in Dublin and I got the same feeling from the back room, you know, you just walk in, you just know it's going to be a good gig. There's a lovely vibe and the sunflower's like that. Music lovers, people who appreciate it, whereas I know disrespect, but if you're playing in a bar, you know, just to your own epaunters, they say, it's the, it's the classics they want to hear. It's difficult if you don't know Wonderwall. That's it, they're going to hear that, you know what I mean? But it's lovely to be able to play your own to an appreciative audience. No, I think it's very fortunate. And then we are also really lucky in that we have great festivals. So the Belfast Songwriters Festival, but the Cathedral Quarter Arts Festival is another festival that really boosts, you know, a lot of local musicians and Moustandal Festival, which is a brilliant festival. So we're very lucky and I've been very lucky and I've played a lot of these festivals. Have you played Glastonbury or not? No, I was, the nearest I got to Glastonbury was winning the Emerging Talent Award one year. I was long listed for it. So I'm fortunate I didn't get any further, you know. And during the lockdown, Bridget, how did it affect you as a performer? Did you go online or did you? Funny enough, I just absolutely was very slow to do those lives that everybody, you know, did. And I hated it all of it. But once lockdown came, I remember feeling, I remember feeling really at a loss. What can I do? Do you know, I think everybody wanted to know what they could do to help. You felt very helpless, you know. And you knew there were so many people worse off than yourself, you know, you just, and we live in a lovely part of County Down and I felt really lucky. And I just thought, what can I do? And I thought, well, the thing I have to give is music. So I just sat in the kitchen one Thursday night and said, I'm going to do a few songs from the kitchen. And I didn't really think there'd be that much interest, you know, but I couldn't believe how it took off. And I just had this lovely follow-up of people who watched me every Thursday night. From around the world? Yeah, oh yeah, a lot of people were from, friends that I would have from Nashville and then people that I would know, they would know and then, so it turned out to be a lot of Americans, a lot of Scottish people and a lot of local people as well. And then it was a laugh because Burkian was stuck in the house, he was back from uni. So Fred had drafted him in and then it became a real thing between the two of us. And he would halfway through the set, he'd come down the stairs from his den and partake in it. And it became a lovely thing. And it was really weird because after lockdown was over, I just kept meeting people who said, I can't believe how we looked forward to that Thursday night show, it was a real lift. We had singers too, and I was the same. I loved them coming on. Yeah. And I knew they'd be on a certain night. Yeah. To me it was just, I listened to them on a shed thing that I have. And it's just so personal. Isn't it? I think that was exactly the way it was. It was like I was just, we did it from the kitchen. It was very much our kitchen and the dog would be bothering about to know one. And then, It was a very good sense of event for us, though, even in the middle of COVID, it was like you were going out to do a gig, you know? Because the nerves one suffers when doing a live online is far beyond anything I've ever experienced in front of people in real life. It's interesting. But it was a good thing for us during COVID because it was a marker of the week. You know, you didn't go into the haze that you sort of went into. And we also ended up demoing, you know, a lot of these new songs. But I'd been sort of writing. Age and a reaction. Yeah, because that's normally you have this great opportunity to go out to audiences to find out if they're keepers or not. You know, that's how you test your new songs. Yes, yes, a good way. We're putting out two and you think about it? Yeah. Well, anyway, as I say, the album's called The Truths and All Our Stories. And we're going to get another track from it. But I'll give you time to check the guitars a little even well and we'll take a nap. But the next song, what are we going to do first? Well, I think we're going to finish off with a song called Easy. And it's the song that's been a favourite on the album. And, yeah, it's just one that has a message in it. It's nice to get it out there. We look forward to that after this break. Bridget and me live in studio on the Monday night sessions. Spring is here and so too are the new arrivals at Green Shoes. Shop in store or online now from best-selling brands like Doc Martens, Una Healy and Echo. Also Riker, Kate Appleby, Tommy Bow and many more. Shop LK and one-for-all gift cards, accept it in store. Visit Green Shoes and discover the perfect footwear to complement your style. Green Shoes at Market Square, Leta Kenny Shopping Centre, Fulcara and online at greenshoes.com. Hi, Paddy here at Shane Connelly Cars in Donegal Town. Are you looking to upgrade your car? With Shane Connelly Cars, you'll find mix and models for every budget. Great finance options and may also accept trade-ins. Check out ShaneConnellyCars.com or call on to us at Shane Connelly Cars from London Road, Donegal Town. Hiya, I'm Padder the piggy bank. Come here, will I tell you what has me tickled pink? We just got a home energy upgrade with significant government grants from SEAOI for attic and wall insulation. You name it, now we can huff and puff and blow outside and we don't feel a thing. Take it from me, with these savings you'll be on the pigs back in no time. Search SEAOI Home Energy Upgrade to reduce your use and your energy bills and discover a new world of comfort. Supported by the Government of Ireland. Yes indeed, welcome back. 10 minutes in front of 9 o'clock and the Monday night is always here and we're just looking out just an absolutely beautiful evening and if you've just joined us, Bridget O'Neill has been performing for us playing tracks from her current album and the Trists on All Her Stories which is available on all the platforms and you can check out BridgetO'Neill.com and for more information and it's a fairly, I have to commend you on the website, it's a very good website. Oh, thanks for that. I was just going through it, there's a lot of information and stuff which is nice, you know what I mean? Right, this next song is again. This is easy. Right, when you're ready. On my face Got some flowers to bring That's just amazing. Thank you so much. Thanks very much. I really love that. I just want to say thanks very much for making the effort to come up here. We really appreciate your music and thank you for having us who've been absolutely lovely hosts all together. Ah, well, no. Great chatting to you. It's lovely, it is. And it's a great introduction to your music for people who are not familiar with yourself and no doubt you can check it out on all the platforms your music is available and I highly recommend it. The Trists and All Her Stories is the current album from Bridget O'Neill and Keyin McGlory. Thank you very much indeed. I really enjoyed your company and I hope that things go from strength to strength. I've noted that because you're delivering your lyrics, your voice is just beautiful to listen to. So we'll be making a point of sitting back and listening to the entire album in the next couple of days. Where are you gigging next? Yeah, God, I'm supposed to have all this. I have a whole string of gigs coming up now and I'm just trying to remember where the next one is. You really should know this. I was supposed to have it all lined up. It doesn't matter. If people want information, would it be available on your... Yeah, we're going to do a gig in Derry. Oh, yeah? We're doing a gig in Derry and we're doing a gig in... Now, that's going to be in the autumn, but lots and lots of gigs are coming up in the autumn too, and I'm going over to England to do a tour there too, so, yeah. Things are going from strength to strength. It's 21st of September and I'm doing Sandinus. Sandinus. And I'll be doing the Schemacini Centre to you in December. Oh, and Vlai. Yeah. Brilliant. Well, listen, have a safe journey back up to down, Patrick, and... Thank you very much. You'll call in again and see us some night. I'd love to. Thank you very much. Bridget, thank you. Bridget, thank you, and Cain, thank you. Our good friend Paul Tolley has just released a brand-new song and he's co-written it with Mickey Joe Hart on his call count on you. And this is it.