 Mae'r ddisgrifon ein argeddw i'w wath am ystod IMAGEN, wneud am ymgyrch Cymru ar gilym yn London. Felly mae?' samам, yn cynnwys gweithio. IMAGEN yn cynnwys cyllideb am adeiladau lleol yma, gyda'r sefydlu cyllideb cyfan o'r cyllideb gwybod i wahanol yma, gyda'r cyfridd rôl argymerlau. Mae gen i'r cyfrifon a dwydo i ddefnyddio mewn ffordd a'r cyfrifol a'r cyfrifol a'r merthymu. ac we got talking about how we'd love to do something together and we wanted to do our own thing but we were too scared to do it on our own and we wanted a sort of partner to work with and so we umdynad for about a year about talking to all our friends who've done similar things and tried to gain as much sort of insight and knowledge from our friends, families and partners about should we do this. We've been very fortunate we've been going for four years now and been very fortunate to get to sort of achieve what we really set out to do which is have a nice balance between corporate clients and arts based publicly funded work. I think that relationship between people and objects and how people relate to other people around them and the spaces in between them is the connecting thread through our work. How do you engage people of different ages, different abilities in different subjects and communicate their stories well and that's in many ways that interest in human relationships and human behaviour is where we get our name from, kin. Museums do have a real challenge of how they make themselves relevant and it's been a challenge for a number of years now that people can so quickly turn to Google and Wikipedia and get their stats and get their information about history and artefacts. The question of do I have to be in the presence of an object to really understand that object is a really interesting one. Visitors ask themselves the question why do I need to visit a museum and I have a museum on my portable device. I don't need to do that so how do you make it relevant and how do you use those technologies to talk to visitors in a different way. How do museums obviously have their presence online and how do they create interest online that is unique from those other sources but how do they create an event in the physical sense where people are really engaged and want to go out of their way to visit the museum to be in that live interactive experience. It's a similar thing that the music industry has gone through in terms of the change of it's not valuable to own a piece of music anymore. Live shows used to be there to promote an album now albums are there to promote live shows because artists can really make their money from that. So should we be seeing museums more as live event spaces. We've often taken pride in how we can combine old technologies and new technologies together. We really believe in still the experience of the tactile and how through things like good object making furniture making combined with digital technology as a real physical object can excite people in different ways and get them involved in different ways so it doesn't necessarily have to be the latest technology that is the thing that will be concentrating on the most. The word craft is as Matt my business partner often uses as an example is a word that isn't used in the digital concept in the digital world that often and I think that love that care of attention of typography of colour of image is often second best in the digital world. Going back to that original point of the thread between the work I think that's a thread as well that I hope is there in our work and I hope that passion for the detail comes across as well.