 so tiny little things um i think you're pretty much done there's just some you know like last polishing touches on lip sync and just little things on fingers and other than that i think it's pretty much done i love everything she does here at the beginning i think the eyebrows the blinks work a lot better let me turn down the volume so you don't hear anything so looking at that i body functions are good the only thing on him no i think it's good i was just looking at his shoulders for some reason this time i read it as very fast breathing but no it's great his look is good it's not spliny anymore there yeah it's great i think this shot is the lip sync okay so the picky the only picky thing is when she says i don't understand i don't understand you know this will be around here i wish quick down could scrub so if that's her understand pose right i don't understand it's something where i think the the amount that it's open is good but you could technically push how far out it goes it might feel too exaggerated but i'm looking at all the shapes throughout this i don't understand no and they all have the same you know the same distance of the corner away from this this line here and the amount of jaw movement and i think you can just have one of them a lot bigger and i think i would do i don't understand the stand even though it's not exactly the loudest but it feels like the stands will be the stand out no pun intended shape where you could tell that that's a totally different shape in the bigger shape than all the other ones just so there's contrast but to me it feels like it's actually the i don't is the biggest and then stan is a bit smaller i don't understand yeah i just say something only because of her the context of it i don't understand i don't see nothing the stand is the is the it is to me at the point of the shot she doesn't understand it and that could also have a subtle bigger moves it's just ununderstand i would try just to have you know goopy that corner goopy back here you could really push that corner open if he gets too big you can dial it down a tiny bit but that's the only thing for this guy i don't understand yeah it's all really really cool i'm gonna cut this guy this is tiny thing and bring this guy down down there you go and cut and cut one more frame no not undo redo and cut there you go all right so for this guy friends are supposed to make you feel good that's the point of having them okay a couple things um minor to be bigger but nothing huge it's just tightening up the mechanics friends are supposed to make and so start first with i'm going to do the sound off to the body first and then get to the face so if i'm looking just at the body i think this is really cool what you do with the thumb here like it's a slow raise it kind of dissipates that whole move my only thing is that for some reason it feels like the thumb is tied to her elbow you know where you got the elbow going screen right in the thumb going up and it's all kind of the same time i wonder if there's any way to actually reduce the elbow movement and just keep it in the thumb but it's cool all the polish you got the other fingers here that's all really neat same with the other one you could argue that during this move here i'm looking at this shoulder here by this elbow as it goes down it could have a bit more movement in here and it takes the wrist a bit more let's just a tad i k especially here right the screen right uh show elbow hi and the elbow comes down and there's really nothing going on and this this would be a good moment to rotate this guy like tilt over translate a bit and rotate back this way and then have the fingers stuck to the surface just a bit more this feels just a tad i cage at this point and then as you go forward watch your shoulders right there it feels like her her left goes down her right goes up it all it's all kind of the same time and even if this was completely intentional as like one piece here pivoting off here where this goes up and this goes down uh nothing gets affected in the chest so if i'm looking at that moment see how there's nothing going on the stomach you can look at the lines here and there's no rotation to me it feels like you want to it feels like this is too much of a drop she's she's holding this pose and then gets onto this and doesn't quietly lean on it until maybe towards the end here so i can get that move up here but that whole move down feels too much i can buy it more here because she is lifting her arm but even then it's not that much so you can reduce the whole thing you know like both of them at least by 60% and then by this guy probably 80% like it's really minimal stuff that i would do and then the other part is that once she puts her fingers here see how long that pinky is i feel like this pinky is are you folding it at this point onto the wrist this is just kind of higher this is lower here i'm sure the fingers are doing there but there's something about these guys where if she hits the the palm here i see the thumb moving down and a tiny bit of rotation here but the rest is not really reacting too much and reacting in terms of folding these guys in like this pose for this hand feels like you're deliberately straightening that thumb really aligning it to this line versus a more comfortable natural pose where the thumb is out like that that makes no sense that line here but you know more out this way then straight down like that and i feel like you could then curl these guys in more you know not that it has to go into a fist but it would be it would be a bigger change of posing it just feels like they're either asleep or she had a stroke or something and she can move the fingers it just feels kind of weird and also in real time that thumb really snaps down there right there so that's that and then lip sync wise i would do a bigger head accent at the beginning friends are supposed to make on friends if i move through this here this is all she's doing here is the lips friends so friends with friends you could have a slight rotation in why maybe to her right i'm just you know do whatever i'm just saying i would try out for instance uh screen right why rotation with a slight sideways dip to her left you're like friends it's kind of a half nod to the side friends are supposed to make you feel good because then you could use that down to go back up into that once you go down this way so she can come back this way but i'm feeling more natural to get an arc like that then it's just something you need to have a little accent there friends are supposed to make you feel good friends are supposed to make you feel good that's the point of having them and then of having them it's interesting like you do have a bigger it seems like you're potentially favoring this side but i think you can go a lot bigger friends are supposed to make you feel good that's friends are supposed to make you feel good that's the point of having them and then point i will go smaller good that's the point point like really get those corners in like the overall impression that i have for this now well as we're finishing this up is that you could have bigger contrast in the in the corners how to get close together and spread out so the corners in out what i will call them um skips feels almost too always within you know this type of region and there's no big changes it's very kind of softish like you hit the accents fine but i think just visually you can get bigger and smaller just a bit more contrast friends are supposed to make you feel good that's the point of having them and that's good there i would already already help with that head accent just you know the whole beginning leads it leads into the soft lip sync because there's an accent on this on the shoulders and i will probably take a frame out of that last dart if something feels softish it's a couple too many frames that was super picky but it just was kind of a soft dart given that she is leading forward being kind of an you know interrogating look i would make that just a bit bit harsher and even in that pose like you know for this yeah you bring in these fingers and curl them up almost into a face it just feels like she is not trying to touch anything she made to cheat her nails so it's this kind of non-committal soft pose that contrasts too much with this where she's very tense so there's some tense feeling missing here if that makes sense but that's about it though like the biggest thing would be the shoulder the whole shoulder chest stuff from the mechanics and the first head accent and then for this guy same thing with the lip sync some of the eyes so listen to this here even if this so that you can go in bigger here like closer together with the corners so now when he's resting you actually you have that spread but spread them out a bit will be spreading out more because you went in closer and then same thing here where these people said these people could be bigger you say these people are my friends and friends could be a slightly closer together and then do i have something with you i have i have one of the corners could be favored and be a bit bigger what friends do i have what i have and then what friends do i have and i think you can at that point do a bigger head nod a bigger head accent which is overall fairly soft but you can just have that one thing friends and what friends do i have and just the time i'm not talking about like a crazy not just just a tiny bit bigger if you if you say these people are my friends and what friends do i have and i think into this into this last pose um just not that he has to do like you know the as they always say online in a mean way the stream works phase was but going towards that just a tiny bit again it's a it's a tiny thing and if you're favoring one and i would favor this one well i'm gonna be picky okay i'm with this way bring this guy because we see less of the brow so it's less visible but this guy a bit higher right just a tad because you're already having it feels like the lids are a bit bigger here but just make sure that this is a bit close more close than this guy and that way gives you this triangle because he is looking out this way gives you kind of a subtle visual cue but just a bit offset because i'm looking at this and he feels you can see the corner down here what he feels almost too neutral it's a bit asymmetrical and pose that really tells us about his feelings too like the eyes are okay but then this gets a bit too neutral if you if you say these people are my friends if you if you say these people you say this is you if you if you say these i think you got the nice head accent but i think on you you can bring down the jaw of it it's a bigger you it's a bigger move if you say these you say and then maybe that the chin out a bit like a forward jaw and up it's a tiny bit if you say these people are my friends and i like your forward move here but you can make it just a tad bigger to each is all very very very very subtle you say these people are my friends and and i can see it because i've been watching this for a couple times now but you know you want to you want to just push those moments just a tiny bit more like same idea just push it a tiny bit more listen what friends do i have you know and if you want to go crazy what friends do i have what friends do i have it could almost be um you know it could almost imagine that if that's his line like that that he would be a bit more tilted over what friends do i have like an inquisitive type look which might be chilling the nose but if you keep it subtle enough then also what you want to do is you want to want to scrub through and see well what are the major changes and he's always kind of within the same range especially towards the end and i'm just thinking about if this is you know usually you want to try when you stop at any frame what is it telling you about the person again on any frame the posing and everything should tell you what he's feeling and one if that as an end pose we could push even though i like and i love all the subtleties you have um i just wonder if you can push this a bit more so that we really end on the strong note where we can tell what he's feeling again this might be too cliche but imagine the head would be a bit tilted with a bit of a stronger uh eyebrow shape that we could tell inquisitive you know and slightly concerned worried and sad and all that stuff in there was the rest in his arms i think that's fine i think it's all in the head if you if you say these people are my friends and what friends do i have yeah yeah that's about it so you're super super close tiny little notes and then you're done a great clip all right cool thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you