 Hello, my name is Boris Kildburg, I'm a pianist and this is a tutorial on Schumann's Papillon Opus II. The first name of the piece was not Papillon, but Walsers and Poloneses, and indeed we have quite a few Walsers and Poloneses. Here we start with a really floating waltz. So I would strive here for a very light, transparent sound. He writes dolce and piano, so what we want is a world of imagination, fantasy and magic. So a much lighter hand. Second, I would not obsess too much about playing every octave indeed legato in the fingers. It can be a kind of sliding of the hand on the keys. The more you can play legato the better, but don't try to do convoluted fingerings just to make sure that everything is indeed legato. We have the pedal to help us, the continuity of the sound in our ears to guide us, because the first bar can be on one pedal.