 Good afternoon everybody. Nice to be here with all of you. My name is Yair. I'm the product manager for the cultural heritage division at phase one. Phase one, if you are not familiar with the company, we're a small organization with about 330 employees worldwide. We develop and produce and provide digitization equipment or digitization solutions. For this market, but our core technology serves in several different market segments. If you look on the left, we have devices that can do aerial imaging. So people like Amazon, like Google, they use our equipment. Fashion photographers, architecture photographers, car photographers, landscape amateurs, professionals, everybody uses our equipment. Of course, it sits at the high end. It's not exactly a consumer level product. Most of the technology is ours, meaning that we develop the software, we develop the hardware, but we work closely with third parties. If you had the names of Schneider in Germany for optics, we have some partnerships with the small software developers and so on. Cultural heritage became a real segment for us about four or five years ago. Before that, we were always selling cameras to museums and archives and libraries. But then we looked at it more seriously and thought, well, what about all this market? What exactly the needs are? What can we offer that makes us maybe better than the competition, but also makes our solutions more suitable for the digitization project? Just a few names that we can drop and as you can see, it's worldwide known brand in the marketplace and we work with museums, with archives, with national libraries, with some private funded foundations. It goes across many, many segments. The core, let's say, three pillars of our technology or our solutions. First and foremost is the camera, the one on the left, uniquely developed for a reproduction kind of work. So it's not exactly your consumer pocket camera that you just have in your pocket. It needs to be mounted on some kind of a copy stand, the one in the middle. And it needs to be driven by a very advanced piece of software called Capture One Cultural Heritage. I'll get to that. The camera itself, let's say it's core technology, it's based on our wide experience in the aerial imaging type of work. So it's all about reliability. It's all about the best or the highest image quality, consistency. If you think about an aircraft that goes up to do some mapping work and stays in there for four hours and comes down with 40 gigabyte of images, they all need to be timed correctly. They all need to be captured accurately with the right kind of dimensions and focusing and all of that. So we sort of learned a lot from there and implemented it in this IHG repro camera. At the moment, the model we are actually demonstrating downstairs has a 100 megapixel sensor saying that literally last Thursday we announced that we are going to come out with a 150 megapixel sensor to understand what it actually means. If in the reproduction, let's say, market there's a benchmark called A0 at 300 PPI, which up until now you could only do with a large format scanner that typically is very high quality, but is also quite slow and quite complicated to operate and things like that, whereas here an A0 at 300 PPI can be captured instantly. So as long as you can turn pages or change drawings fast enough, the camera will keep up with you. We use the best optics, the best focusing ideas. We can actually use autofocus using the image the sensor is actually seeing. So we use a live view image on screen and the camera can measure distance, can calculate resolution and based on that will decide on its position and it will also guide the copy stand that it sits on to move it up or down as necessary. When it comes to the software, Capture One, some of you might be familiar with it. It's a very popular, very common, very powerful capture and processing workflow piece of software. About four years ago we decided let's use the good things from it. Let's see what is actually necessary for cultural heritage work for digitization work and we added a few bits and pieces and a few very unique tools that help you with measuring resolution, with achieving the exact kind of color, exposure, contrast, dynamic range and so forth required for things like fudgy or metamorphose guidelines if anybody has heard of them. So we provide the tools that allow you to actually achieve those targets. You don't have to worry too much about how do I set it up, which button do I need to press and so on. It's all about automation of things. So for instance if you do film scanning and you have a large collection of be it glass negatives or film negatives and you want to quickly invert them to become positive images, the software can do it for you and it takes into consideration the original exposure of the film. Of course there is some ways of adjusting and manipulating images as well. It's all based on raw workflow. So the images are raw images that you can process now, you can process later, you can archive and process in 30 years time. We capture in 16 bits so we make sure that we preserve as much dynamic range as possible especially when it comes to really all the objects. The copy stand itself like I said is controlled by the camera and by the software. There is manual override so you can decide I'm going to start this side today and see what I'm covering or I can tell the software that I'm doing a A3 job that needs to be digitized at 400 ppi and between the camera and the copy stand will adjust themselves and set at the exact position and we claim and we actually can prove that we always stay within one or two ppi from your target. At the moment this is the only camera based repro device that can actually do such a thing. In comparison let's say the motors that we use in the camera and the copy stand they can do steps that are like six micron size each step. In comparison if you compare it to your average DSLR or even some of our other cameras we're looking at a hundred microns and that's less consistent let's say accurate. More maybe interesting or maybe sexier projects that we've been involved throughout the years that are also grabbing more attraction now and getting some attraction. One of them being multi-spectral imaging and when it comes to cultural heritage this can be old manuscripts, parchment, polymps, old masters paintings and it goes from looking for hidden text on a polymps for instance if you have a piece of a skin of an animal that was used 600 years ago but somebody by somebody from one church somewhere and then you discover by doing some multi-spectral imaging and analysis you then discover that 300 years ago somebody else used that piece of skin again scraped the ink of the old one and wrote another piece on it. We use the same basic camera but with a different set of filters the camera can see a little bit into ultraviolet it can see a little bit into infrared as well and we can create what we call a perfect stack and that perfect stack can go into analysis software like ImageJ, Paléo tools or MATLAB or any other open source solution maybe the last thing 3d scanning again a very sexy word these days a project that we've been involved with together with Fraunhofer a small research institute in Germany they're using our camera on a robotic arm to scan well 3d objects very accurately in terms of dimensions texture and color which is quite unique because there's a lot of laser based scanning devices and so on that can do this but they can't really see the object much of our investment goes into automation we beat the automation one button handling of 3d scanning or going through the perfect stack in multi-spectral imaging or even the small things like cropping pages automatically or recognizing barcodes in an image automatically things like that this is where we we put a lot of effort in like I said we have a small space downstairs near the toilet so everybody actually during the day has to be there at some point and we have our camera there we have a few sample objects that we can either show you the whole workflow or just discuss software if you have any questions by all means thank you very much