 a peaceful death, that's what it's all about. Well, it's really wonderful to have this opportunity to bring Kate to Lost Nation Theater. This is another Rick Foster script. The wonderful thing that I find about Rick's work as a playwright doing these dramatic portraits is that he always finds a way to bring out what is really essential about the person and he has a way of understanding their passions, their central motivations, what makes them tick, and really focuses on that and tries to bring that out in his scripts. And so what you get, I think, is an opportunity to learn something about the character, the person, that you get to spend the evening with, that you didn't know before you came in not just an informational way, but a more sort of compassionate understanding way. That's really special. He wrote a first draft that was just, I thought, remarkable. And I said, well, I want to do it. Having someone like Janice be able to interpret this character is extraordinarily wonderful because she is very much a chameleon as an actor. She has an ability to get inside characters, which is what really good actors do. Very talented as an actress, but she's constantly active, curious, and connected. And that's fascinating. I met Peter Sander when I auditioned for graduate schools way back a thousand years ago. Janice and I first met in 1975 when I was the head of the acting program at Ohio University in Athens, Ohio. And she was a student of mine, and particularly exemplary student. She was fascinatingly interested in the theater. She would read everything that she could get her hands on. She was insatiably curious, and she had tremendous talent. We have bonded time and time all the way. A great soul. I'm so grateful that I've managed to connect with such talented and generous people. And that includes the producing folks that I work with on a regular basis, which certainly is Kathleen and Kim. At Lost Nation. Thank you.