 All right, your version here was sound Looks like a bug trapped under a glass. I googled that bug at some sort of demonic cricket that takes chunks out of your skin when provoked Chunks is the word that Google used Okay, that takes chunks out of your skin when provoked chunks is the word that Google used Okay, cool. I like it definitely better. I Think there are a few errors that I would tweak there's something start with her When she says all this with that look, I think we can push that contrast a bit more where I Know it's it's very up close. So it gets a bit subjective and maybe you can You can try version to see you know what you prefer, but I'm wondering if You can bring her almost lower. Just just humor me. What if her eyes are here Shoulders are up. She's really checking Big darts looking around like imagine. She's really examining this being really up close and then she goes up into this So after all of this checking around Goes into that pose shoulders drop a bit. It goes up Just right now if you look at it Roughly drawing this out onions getting hold on my previous drawings are there. So is again even worse. I Should do this on my walk-up, but I'm doing this on the screen. You can see how she's pretty much in that same box and given that this is a you know kind of a Change in terms of her motion headspace, you know, she's looking at things and this is her realization of this is really nothing that bad I think this could be two things then again could also not in terms of She doesn't care from the very beginning. That's just kind of like the last conclusion Versus if you're getting her close, you know eyes or he has his checking Maybe that makes her care too much. That's solely up to you But that could be one area where you could push contrast Rest is fine I love that you turn around so that we're really just focusing on her on him Then you're mentioning here in your email that frame 200. That's this guy if this is too big out of your skin and To me. Yes, objectively. I feel like I'm concentrating on him out of your skin and then whoa now. I'm looking at her. It's such a big move And I wonder if we can just keep her here And he does the chunks towards her and imagine it's this pose slightly tweaked so that it's she's here and then Leans back, you know, I mean and then could be profile that can see just you know profile view of her He does it towards her, right? That but imagine her being profile. I think that could work because that way it would be that Distracting because it doesn't really add anything to be honest She's just the man's sudden attention, but then it doesn't do anything Until this happens so you could easily just keep her here. He does it towards her and then she just moves back Like that like I say any more profile pose That's most of what I have for her It looks like about now looks like Right when she goes it It's really timed here in sync where I know she's saying it But he could easily also say it. I know he doesn't and I know the voice is hers, but He just moves exactly when she talks Looks like a bomb And I'm wondering Not sure you want to completely eliminate this I definitely look this. I love this here that he nods and I'm just wondering if you actually do we need this You can just easily easily just delay it and he does it after it And then it kind of flows into a turn nod That's why I'm wondering if we can cut it out because I don't think looks like a bomb We want to change when the knot happens It looks like a bomb trapped under a glass or or you stay like this, right? And he has lots of nervous eye darts looks like And after it he does the head turn No, not He says yeah, and then odds because right now you got nothing so imagine goes young and then nods That could be another version then see how his eyes are darting and he's he's I mean I'm exaggerating He was I'm going back and forth, but I like that. He's very Imagine it's like this. He's really checking. You just can't wait for her to say something I would have that kind of thing Right here because right now I Buy it that he looks at her and then here suddenly he spaced out looking past her I would keep that eye line lower and then when she turns goes up and turns I darts I darts follow follow follow. He just needs to know what she thinks and he is Not reacting whatsoever and after that to me feels like he's looking past her Gets a bit better here And the rest is fine I like all this and if you change the the profile thing then it will fix little moments like I mean super picky But you got a tension right there And maybe bringing out the fingers to here, maybe a bit lower It looks like a bug trapped under a glass. I googled that bug It looks like a bug trapped under a glass I googled that bug at some sort of demonic cricket that takes chunks out of your skin when provoked Lipstick seems fine. I wonder if this is too busy here out of your skin when provoked chunk When provoked that this guy here the jaw down and this this might be a bit too chattery and poppy And the chunks might be bigger in terms of jaw just because it's kind of hidden during that forward move So you might want to exaggerate it so we can read it Something about Google here I think this might be a bit too broad too once you spline this when he goes from open to close like that Like that's a big change into open and back into a close Is the word that Google used? It might be a bit too much. You might have to simplify it there But that's mainly that Yeah, definitely like the update as always all the notes are subjective and pick and choose whatever you need and That is that all right. Thanks All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way like and subscribe would be awesome. All right. Thank you