 There is one thing of the human that comes to her like a war. I was thinking about Jeanette Avangelie because Jeanette is quite known as a person who is very easy going but she is not travelling the last two years. And let's say the curators that historian and producers are selecting and presenting her works. I would like to show the sensibility of Jeanette Avangelie as a conceptual artist but also the artist who is very aware of the reality and also the past, not just the past as a history but the past as a common sense of collective memory and she is wearing that very well in her works. This power of globalization and the negative and also the positive sense of how we are accepting the globalization let's say the intellectual mind who is not quite powerful to be received from the common people because the common people are much more interested for the easier packed information not this kind of information but this kind of information could be very useful for them. This film, The Judge, was the only film in 59 Mostras in Venice who have been presented in front of the audience in her electronic form. It's on 35 millimeters. Also it happens in the film festival Munich and in the film festival in Thessalonica. That means that the film has some kind of attraction which is quite big and quite interesting for the audience and also for the selectors of the festivals and let's say we did it. After that we presented the film in the festival in Sao Paolo and also in Buenos Aires because we want to be present also in this continent in South America which is quite far away from us of course you know we are always thinking about Europe and United States we are not thinking further than that and I'm sorry to say but this is a very narrow minded conflict of intellectual thinking and we have to think about the world as a world which exists in a map but in this map exists a people who wants to see let's say different art different people, different directions, different reality.