Don't Buy The New Mac Pro - Get A New Mac Pro For FREE - Watch This!





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Published on Feb 28, 2014

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Video URL: http://www.youtube.com/watch?v=QMgNiV...

How To Use Your Mac Pro To Its Full Potential

I could very honestly share that, despite dealing with these huge documents dimensions and structure sizes, the modifying encounter has been sleek smooth. Skimming, playback, shuttling, jogging and trimming are all receptive. In fact, editing 4K on the Mac Pro feels like modifying HD on my existing MacBook Pro - except I could see multitudes for the framework dimensions where normally I 'd expect to experience the reassuringly knowledgeable "1920x1080"... For the functions of screening, I determined I 'd try and experience just what I could do in real time. I took a fast travel into FCP's choices, disabled the ambient making feature and made it possible for the gone down frames alerting. Next, I switched over the Customer's food selection from the default "Finest Performance" alternative to "Highest". With these environments in place, skimming and playback was extremely responsive, with the exception of the 4K RED RAW footage which went down frameworks on playback (though skimming was definitely great). Not unusual truly; a RED Rocket card attached via a Thunderbolt body would absolutely assist hereof. Nevertheless, simply changing the Customer back to "Finest Efficiency" caused smooth playback without any dropped frames. However I have actually not managed to keep track of the output in 4K, but on previous experience I would certainly imagine that the quality of playback at this setting would certainly be greater than appropriate and absolutely quashes the uncomfortable transcoding to ProRes 4444 that's basically a necessity if you don't have a RED Rocket card to hand ...

Apart from that, modifying the clips in the timeline was as anticipated, except I kept needing to remind myself I had not been working in good old HD anymore. Under the "Ideal Performance" setups I was able to cut the video easily and cut with desert without any kind of lag or hold-up from the device obstructing.

However the true test is when most of us begin throwing on those impacts and changes that really begin to press the real-time efficiency of our devices.

I began slowly, adding a straightforward Dry Heat look. That repeated in genuine time, no dropped frames. Exactly how regarding a Gaussian Blur? That's often a little bit more demanding, specifically with the substantial numbers of pixels we're dealing with right here. No dropped structures. Nice. How about a Gaussian blur with a Bleach Get around look? Still in real time ... ok, permit's buckle down ... Therefore it took place ... Multiple shade corrections, impacts, shifts. This thing keeps repeating! In fact at one point I took a RED RAW 4K snippet into a 4K task and merely started working through the list of video clip effects (many of which are 4K ready). Watch the outcome for yourself.

Related URLs: http://en.wikipedia.org/wiki/Mac_Pro, http://www.apple.com/macbook-pro/

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More About The MacBook Pro Here: http://www.youtube.com/watch?v=f_8h0t...


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