 I think I started writing for the same reason that most writers I know, in that I was a reader first. I think around the age of 9 or 10, I wanted to start having a go myself. It was both a surreal and a thrilling experience to see Momets come into being. It essentially began with me saying, I'd like to create a trench in a field opposite of a wood, but the audience and the cast in it, at a certain point in the play, have them go over the top. I seem to thrive and I seem to enjoy moving between these different forms of writing, and I think for me it's partly about moving from the solitary position of fiction and poetry into that world of collaboration, of theatre and film. It seems to work for me to dovetail with those two different processes of writing.