 Come on. What do new people say? It's the biggest. It's the biggest. Come on. Yo, I am your Leno. I am your Conan O'Brien. I am your Arsenio Hall. Come on, man. I am Jack Thriller, man. And we back with new Jack Thriller. Come on. Come on. JackThriller.com. You heard Snoop Dogg, man. T-Rex. We here. I got Mr. Laffy Taffy. Because you so thick. Yo, Favo's in the house. Give it up for Favo. Yo, check this out, man. I got your Atlanta tour guide in the building. Y'all give it up for Lola Cash. Pick up what she putting down. Yo, I got one of the baddest chicks in the business, man, on the social media and whatnot. And she got them nasty videos and she rapping that too. Y'all get up for Eat My Candy. Tastes like candy. Let's go. Okay. And to top it all off, you know, I got your favorite bartender, man. You can see her round town, man. Air will for the last goddamn five years and whatnot. She might be at the club tonight. No matter where you at, as well as Madison City Mondays, pin up Tuesdays, goddamn V Live Wednesdays. Give it up for Chris Itabar. Yo, I got one of the baddest DJs in the land and everything. Y'all always give me that strip club feel. You know what I'm saying? Giving is something Jack can feel. Come on, man. Yo, I meant that in a straight way. In a straight way, I like girls. Girls that like girls too. Yeah, y'all give it up for the nigga with the shortest arms on the ones and twos, DJ T-Rex. Okay. Okay. You know what I'm saying? Hey, on social media, social media, you know, my day one, y'all day twos and threes and whatnot, man. You know, this is DJ Wizard Craig, man. AKA I am somebody. Y'all give it up for him. Let's go. Let's go. Let's go. Hey, man. But we can't like start the show without no giving up for the people that made everything possible, man. You know, channel 85. This is streaming on channel 85, 85 South. DC Young Fly, Carlos Miller, Chico Bean. Come on, Cat Corleone, Chad Ubre, Ryan Pham. Come on, man. Smoking Joe. Hey, let me tell you something, man. Hey, some people say Scorsese. Some people say Hype Williams, but I say B Goaty. Y'all give it up for my director, B Goaty. Come on, greatest all time, you. That way, that way. Hey, yo, check this out, man. I'm good at giving everybody that shit, right? I'm good at giving everybody that shit. You know, she been on my, she been on my ass all day and whatnot. I call it cocaine bar and everything. Y'all give it up for my home girl, Queen D4L. She's here. She's here. She's here. Yeah, cocaine bar. Yeah. Hey, but yo, uh, uh, Fabo man. Yeah. Yeah. You, you've been around for a little minute and shit, man. You know, you, you know who we got in here today. We have the craziest group from the Cronk era. You might know them as Don Trillville. Oh, but I know them as D, Trillville. Don P. You know these niggas all over the place, man. We was off another road, bro. I don't know. Man, these niggas is crazy. They don't have me in trouble. So many times, I can't even think. Strip club, phenomenon. Any way you go with them, when they performed that last song, you just make sure you have a car crump. You better get on their level, man. Because if you don't, somebody going to get hurt. Ever, ever, ever, ever, ever, ever, ever. Get on their level, I'm talking about your legends, legends man. Your strip club legends, this was before BML. Yeah, yeah, yeah. This was before BML, bro. This was a double album. Double album with Lil Scrappy. Yeah, yeah, yeah. I niggas ain't done a single rap album with two different niggas on the last time they saw it. Then when we got there in Tupac, the last time they saw it was with Biggie, then it was with D-niggas right here, man. We were making history on B.L.Me, and what now with Vince Phillip, over to Lil John. Yeah, yeah, yeah. Come on, you better, you better get your badge. You better get your badge. She about to get bowed in the hay. That was back when Niggas were doing this shit. Come on now, real MOSFET on real MOSFET. But that was when Black Planet was out. Black Planet was out. That's when you really had to take your time to get to know a host. Come on, man. You should start doing that at Child Show anyway. The Down South Mosch. I said, if you didn't, we'd start at the Down South Black Mosch. I seen a lot of people bowing and elbowing, and that's just how y'all crowds be like. Yeah, yeah. Like, when we performed, if it wasn't no fight, it was a bad show. Like, we'd be like, damn, ain't nobody fight. I wonder what your song would sound like if it was an opera song. Come on, man, show up. Oh, on my level. Yeah, let's not. Let's not. Let's not. His hole was up. That's gonna be funny. Get off me. Bitch, don't touch me. Wow. Don't touch me. Yeah, man. Y'all been out there for a while, man. Like, man, I think y'all was the original MOSFET group, though. Like, for real. They brought stuff. Man, nothing but energy. You know what I'm saying? That's just what we do. You know what I mean? All the way, energy. And then just a party. Like, we just wanted to bring the party. Y'all bring the party, too, boy. We need some musty niggas when they leave y'all. What? You putting them bowing up like that? That ain't musty. That ain't come in that night. Ah! Damn. Come on. That was, by the spray wasn't even out there on your footballers. It wasn't even out there for balls. Stop. You know what I mean? You know what that was. Do not rush in when you like. Oh, nigga. Oh, yeah. You know what that was? Hell no. Nettie couldn't be in there. Especially not no white one. Oh, no. Yeah, that was black F1. Yeah, that was black F1. Black F1. Yeah. Everybody wore black F1. Hey, but nigga, if you in the club when everybody got on black F1's, niggas. That's it. You saw it right there. That's it. That's it. That's everything you need to know right now. No one respects you. Nobody. No one will respect you. It's always dangerous. It's always dangerous. Nobody knows what niggas got whole black ups on. What you call them? Ups. She from up North. She from Connecticut. I ain't never heard that word in this day in my life. Up there? Y'all still say soda or pop? We just said drink. We just said drink. I'm just asking the Midwest what they say. We just said drink. Give me a drink. Give me a drink. Give me a drink. Give me a drink. Give me a drink. Your word, word, word. But how y'all even know each other? Who us? Who us? The first time I met Fable, I ain't even know he was Fable. Ain't nobody knew Fable with Fable. But I knew his voice. I didn't know he was like... He was missing that? Man, we in the car, did before like in the radio play anything. So me and my partner, we would have got down, had some skittles, you know what I mean? So we all in the car, we look for some skittles for the show. You know what I mean? You know what I mean? So that thing, you know, we... They ain't have no skittles. Yeah, they got beans in public. Yeah, yeah, still like... Yeah, yeah, yeah. Yeah, we... But then before, like, then before anything, like, then before everything. You educate the small people. Yeah, yeah, yeah. So we in the car, we in the car chilling. That thing ain't no... None of us knew who he was. He just literally opened our back door, jumped in the car. Right. It was like, what's up y'all? What y'all doing? What y'all got going on? We were like, what the... We were like, I can't tell the Jack I used to be there. I can't tell the Jack I used to be there. Bro, none of us knew who he was, bro. He just hopped in the car. Yeah. Look at that guy in your car. Bro, it... Before Uber. Before Uber, before Lyell. Before Lyell, it was Fabo. And I'm driving like a... I'm driving like a hundle right now. He carpooled with y'all. He just jumped in the car. He Uber pooled with y'all. Yeah, he was like, hey, what y'all doing with y'all? Y'all finna perform. Y'all finna do do do do. Yeah. Even when I went to jail, man, you know, even people came down the right street like, man, who you got your cigarettes and weed from? Fabo. Yeah. For real? Like, I sold every ring I had. You know, I had rings and chains. Soon as I started walking through the door, I'm getting away from cigarettes. Like, you know, I gotta go and stab with it. But I'm just being that... I'm glad I was resourceful. Yeah, not a fact. There you go. Whatever you want. He wanted them niggas. Whatever he got. Whatever you need. Yeah, yeah. We were good. We were good. We had a great show that night. It was a great show. Yeah. Y'all getting over $2. Y'all didn't call him $2, man. Yeah. He told me what the $2 man had. Yeah. There's some relay town shit right there. No, for real. Yeah, yeah. What $2 mean to y'all? Me? And you gotta hear the Goddamn Fabo story right here. $2? What $2 mean to you? $2. Oh, yeah. I've got you booze. She booze you booze. Okay, like a 40? Oh, they could do that. What did she do? And whatnot. He was cutting everybody up. Yeah. Because you told me you're cutting the hell with it. Put my head up. No, bro. Man, put your paper up. I'm talking $2. Oh, that's what you're talking? $2. No, man, you know how you cut your head with a raise and a raise on the call, man? Oh, yeah. Straight, straight, straight. Yeah. Don't fade your real good with a raise in the call. Oh, yeah. Oh, no, no. Everybody who had to go to call had to see me. You know, you had to see me before you went to call. Oh, yeah. But if you want to visit, say, no, no. I cut the box. I cut whatever you need. You did a box? You did a box? My bald head, though, cuz. Shit. No, no, no, no. Pin on how bad the charge is here to lower your gold. I cut the clip. I cut out the clip. If it was real bad, you had to cut it real low. Yeah, I'm super low. Yeah, I'm super low. No, man, you just had something. I cut the dude's head once I had some lights in there. Ooh. Whatever. I ain't never got nobody moved in my life, but they put the dude in my room. Damn, I thought they were supposed to check. Check them, motherfucker, before they come in. Yeah, I got to get my boy up out of here, boy. All right, boy. Boy, he ain't gonna get up out of here. Ain't no snitch, no nobody in my life, boy. I'll just walk around for three days. What the heck? Shit crawling over here. Night time, shit. Got to be in the middle of the stage right till the day I still be. You gotta be careful. You gotta be careful that snitch where it need to be. You'll be on the front page. Fable snitch on the nigga having lights. Yeah, I talk on that nigga. I talk on that nigga. Nigga had lights. You know, I told on that nigga, and they came and got him out of there. Out of out of there. No, they tried to bring the nigga to a new bed at first. I was like, no, I'll take the whole nigga. And the bed. Fuck, 901. How do you come together? I mean, we all know each other from. High school. High school, man. 9th grade. 9th grade? 9th grade. I dropped out of 9th grade. What school y'all went to? Steve's in. Steve's in. I went to Redan, nigga. Oh, you went to Redan. Grand opening grand closed. No windows. You ain't got no windows. Yeah, y'all ain't have no windows. We didn't have no windows in Redan. Yeah, y'all was up in that motherfucker. Yes, yeah, y'all. There was a lot of girls out there though. We had the baddest hoes in Atlanta at Redan. Yeah, well, to Steve's and to Steve's. Yeah, Steve's at opening. Yeah, we had all that. Yeah, yeah, yeah. Stone Mountain, Steve's, you know what I'm saying? 9th grade, man. I'm up for that school. They ain't one nation, baby. Well, I had a such a nice life. I can't even remember which school I went to no more. Sheesh. Shit, that's a great life. Yeah, yeah. I lost my mind back in 09. Sheesh. That's why I've been looking for it. That one, she's starting to show up. That one, the space she was coming. No, no, no. But nah, we, you know what I'm saying. I met up in 9th grade. Best friend, Tommy 3, introduced him to me. You know what I'm saying? At the lobby. From there, you know what I'm saying? Shit, we hooked up. Came over to the crib at the basement. Hold up, wait. You can't skip over that. I'm sorry, Jack. Go for it. Because I think we talking about the same thing. Man, what's your name? Yeah, that's what I was thinking. At the lobby. We don't wish for it. At the lobby. No, no. I heard you. I heard you rap. No, no. It was like, no, no. It was like, Tommy 3 introduced us. You know what I'm saying? He was like, hey, this dirty mouth, you know what I'm saying? Well, at the time, I wasn't dirty mouth. You were clean mouth. Nah, at the time, I was cut as slim. You know what I'm saying? But, because I was slim then. You know what I mean? I was. But at the same time, like, you know what I'm saying? When I got on the road, that's how I got big. When I was on that road eating. And you know what I'm saying? Drinking at the time when I was drinking. I'm looking for slim. You found them. But at the same time, you know what I'm saying? Like I say, we met it in front of the library. He introduced me to them. He was like, this dirty mouth. Well, like I said, cut as slim at the same time. He raps. And he was doing beats at the time. So I was like, oh, shit. So we hooked up. You know what I'm saying? We became friends that day. And then that weekend or that next day went over to the house to the basement. And it was history. That's what's up, man. So you do. How do we start? True. Like I said, we're going to be a group and, you know, go get a record deal. I mean, I thought I was like Master P back then. You know what I'm saying? I thought I was P did it. So I'm trying to start a whole label. So it really would be a record. You know what I'm saying? So I'm in that. And like, big CEO, you know, I'm looking like, like, you know, like, you see on TV, you know what I'm saying? So I got cut trains and everything printed out. No, for real, then for real. Oh, you can't. Yeah. Yeah. It's already ready. You know what I'm saying? So everybody signed. So she didn't have to everybody signed. It's not a record. So we started recording. I started making beats. I'm like. You juice. You didn't make it. I don't know. I didn't. Hey, look. Hey. Come on. I just thought I was done. Come on. I thought I was Master P. You know what I'm saying? So it worked out great though. Yeah. Yeah. So yeah, it worked out though. You know what I mean? So yeah, we just started recording at the house, man. You know what we could, you know what I'm saying? And you made it happen. You feel me? Yeah. So I'm always wanted to know who Don Pete named himself after the drink Don Pete because he was drinking Don Pete back then. He had another money for that shit. Man, Don Pete is rich. When I tell you, this man rich. He rich. No, my name, my name is Daniel Prince. So Don Prince, Don Pete, you know what I'm saying? You'll know what I'm saying if you shout. You feel what I'm saying? Uh, Don Pete or Pete Date or Michael Pete Jordan or it all, what you want to call me? Michael Pete Jordan. Leo Don. You know. You know what I'm sayin'. We did that bro.NDo what, what the Jordan would again? Yeah dude. What's the Jordan would again? Michael Pete Jordan. Michael Pete JORD. I thought it was Michael Pete, Jordan. Not Michael Pete, Jordan. What you going to say? Oh, chief, they're like Fred' J'S apples. Go in place. Yeah. They're saying they're like friend, G-Sephora. Go on, please. Yeah! That's why I want to take my shirt off. I'm Michael P. Joe. I want to take my shirt off. Wear it, wear it. I don't take your shirt off. No, no, not today. All right. So you did. Yeah, I did carry everyone to jail. No, that was good. Y'all realize I smellin' over here. I got all the time that she's going. Y'all realize, you know, you could do this. And, you know, you got a group together. Now, take me to the deal. No, no, so, OK. So, our partner L.A., who I was late, he'll be walking there in a minute, and he's been there the whole time. But, so, he, through parties, with the National Institute of Thought, yeah, he was a promoter. OK. So he, still is. Yeah, still is. To this day! Yeah, to this day! To this day! To this day! To this day! To this day! To this day! To this day! So we would print out a whole bunch of flyers, and then we used to run through the halls of the high schools, when the bell rang, boom, boom, boom. We would run through the hallway, give out all the flyers before the teachers called us. You know what I'm saying? Because they knew, you know, we didn't go there. So we would run through the hall, boom, boom, pass out of the flyer. And we would do it again for the next week. Oh, y'all in a different school. In a different school. So then, second year, they would rang, boom, boom, boom. We'd run it through the door. Bye! Passing out flyers, everybody in the hallway. Hey, y'all, go here. Book out of them. Get out of them. So, we had, we had like, 1,000 to 1,500, like, high school kids at their party. We just performed it. Yeah. And then that's how our names started getting out done. It worked? Yeah, it worked. People knew who we were. That's how I think I first seen them at one of them parties. Like somebody brought me and I was up in Decatur somewhere and they performed. Decatur is greater. That's what we used to do. Once again. No, no, no. We used to be on the east side and the west side. We used to perform at the warehouse. Warehouse. We performed at the warehouse. Yeah. I loved the warehouse. It was my spot. Yeah, it was shit. That's where I first seen T.I. perform at. We broke in there, boy. He was up there a little bit and then... That's what first time... Yeah, yeah, yeah. I said, hey, babe, hold up. Am I treating you well? But you were rapping right before that. No, I was rapping before that. That was... I came out and we came out in 2000. We came out in the year 2000, but I ended up back on the block for about four more years. So you came out in 2000. So I ended up coming back out in 2004. That was after the T.I. way. Killing my hall in that year. Hey, let me tell you who I sing in any way I have. Ludacris. You went to person when they were back for the first time. Yeah, when he was Chris Lover Lover, and shit, hey, nigga. Every poon dad. Yeah, every goddamn poon dad. Oh, man, Classic Atlanta. I bet y'all wouldn't got damn placing out them flies at Towers. Yeah, yeah, we went to Towers. My momma used to work at Towers. My momma worked at Towers. Get the fuck out of here. Yeah, what's my momma worried about? Yeah, me and Prince. Me and Prince. Me and Prince, you working at Towers. Miss Prince was your momma? Yeah, me and Prince. My momma, yeah. She used to work at Towers. Wow. Yeah, yeah, yeah. And the plot tickets. Yeah, yeah, yeah, yeah. Hey, y'all give it up for LA. Come on, man. Yeah, yeah, yeah. Okay. Yeah. Yeah. You can sit right here. How y'all doing? Let's get it. LA. LA from LA? Lula Atlanta. Lula Atlanta. Lula Atlanta. Lula Atlanta. Lula Atlanta. Yeah, Lula Atlanta. Okay, cool, cool, cool. That's what's up, man. Yeah, reach your hand out. He ain't gonna get... Yeah, he ain't gonna get my hand. He ain't gonna get my hand. Yeah. He took my shit smooth right out of my hand, right? He took his smooth right out of my hand. You saw him take his smooth right out of my hand, right? Do you want to know that? Do you want to know that you take the game too serious at LA Fitness? That was the first time I ever heard that. Lula Atlanta. Yeah. Atlanta Big Nettle. Yeah. Everybody hear a man? What y'all think about that? They can't drive for shit, man. The people come from other places can't drive for shit. Yeah, that traffic. Talk about that traffic again, like... Man, it's not a fault. I mean, it's not a fault. It's what you had. No, it's not a fault. It's not a fault. It's one record. It's the truck driver in the head by fooling industrial. Man, it ain't my fault. That you're head by fooling industrial. But you know what it's really about? You know what really said Atlanta all? What did he do? Man, I got my home girl in here. She's been a goddamn... Put it down for y'all real quick, man. I'm not going to get in. Yeah, yeah. Hey, Lula. Hey, man, you know what, man? You know what? For you, Darnp, you know... I don't know. You might have to add Jack. If Jack can't wait to tomorrow for another bottle, you know... Hey. But I got you a bottle, Darnp. Yeah. You got a bottle? Yeah, I got you. That keep that Moscato a little trouble, a little troublemaker. It's everywhere. You got him a present? I got him. Yeah. Put that man over that bottle. Yes, sir. Hey, I'm right. That's a present. That's a present. That's a present, bro. Hold on. He's thirsty. Wait, wait, wait. Do you just walk in the store and put on where something gets played? Somebody who can't... Put on what's on this plate? Thank you. Thank you. I appreciate it. Thank you. You know what? I want you some exclusion for the bottle. Yeah, look. Let me go and do that. Yeah, yeah, yeah. Let me get some exclusion for the bottle. I appreciate it. I appreciate it. Thank you. Thank you. What is that? What is that? It ain't found in place. But you know what? No. I drunk the liquor on display one time and they got me. I'm trying to take it. Don't never drink it. What's that? Everybody want to take it? Everybody want to take it? Shad. Shad. Shad. Shad. That what we doing to A? Shad. We let everybody... See, this high Atlanta got an over-saturated right here. This high Atlanta got an over-exaturated. They got it over. It's A! Open that thing on up, man. That's it. I feel like it's no better promotion than an empty bottle of that sitting on the tank. You feel what I'm saying? They were like, damn, they dropped that bottle. Let me tell you my story, right? Put it on. So I went to the ATL Top 20 show. Shout out to that boy, Bishop. Shout out to Bishop. Shout out to the ATL Top 20 show. G's in there. G's doing their thing. Boom, boom, they celebrating the new album. All of that. Boom. Everybody get ready to go. Boom, boom, boom, boom. They were like, y'all want these bottles? I'm like, yeah. I'll take this one right here. Or whatever. And I grabbed the one that was on display. So me and my old boy got down at the end of the night. He can't walk. He can't talk. He slithered. I'm like... Slithered. I'm like, you want to tell you, like, T? Like, he's from my... Nah, bruh. This is killer. I get hit ball and he got straight look at it. I had T. Oh. Because I drunk where it was on the display. Oh, too. And my bottle was yellow. I wouldn't have drunk that if I didn't know where it was. Whoa. So, check this out. In the meantime, between times, while Prince is doing that, like I was saying, one of the reasons, one of the main reasons why Atlanta got real over-saturated, my home girl Lola about to let y'all know right now. Yeah, talk to her. It's because of the what? It's your girl, Lola Cash, the Atlanta hoods, who are a guy, and we're over-saturated because of the shirt clubs. Everybody want to come here. Everybody want to be a stripper. They think their dreams is going to happen when they come here. They think they're going to make a million dollars when you might make one dollar. But I don't... I'm not going to get into all that. So, I got the best, the top five best shirt clubs. And it's my error, because I know y'all got different shirt clubs. I got clubs, Niki's and all of that. That was before my time. Don't do what's like that. I went outside. I just said, I went outside. So, number one, we got Magic. You know, that started the shirt club era, the culture of the shirt clubs. So, we're going to go to Magic. Then we got Brooklyn. We got playing. You can't... Magic on Monday, Tuesday on Tuesday on Thursdays. You know what I'm saying? Back when they were doing, you know what I'm saying? Five dollar dances, hundred dollar bottles. All of that. On Tuesdays. Amateur night on Thursday, though. They don't remember that. I don't remember either, but I don't remember that. That way, man. Cause I had to stick with that before a lot of time. Then, then was sellers out there falling a lot of people out of stock about that. The rest of it, if somebody was selling a pussy in the pussy Original, everybody would show, everyone go? Pussy where on clearance. They fired all the push them a good button right now. Of course we gotta listen. You can't, you can't name. Mitch Atlanta without Penel. You know, that was a hand out near my knee and go to pen up. They're gonna be throwing stuff out that you shouldn't be saying stuff like that. I love pen up. Oh, that was back when it was guys and dog. When the father goes out, did they? Did they? Yeah. Yeah, I heard it caught on fire. Oh, pen up. Hold on. They're trying to turn pen us into like Oasis, like a white club. Like a white club. They getting gentrified? Yeah, they getting gentrified over there. You know, I have a story on that for y'all, you know. Share. Used to be a white girl? Never. Never. Let me know. My new mom, the Hellenic hood tour guy, so I'm an update y'all when it's in a pen. Let me know, let me know. And then there's the night, at least we got strokeers. That's not my first no-man stroke club, but I can't leave strokeers at. They would UNT's and shit be it. Yeah, they would UNT's and shit be it. Strokers was one of those places I visited. I think a nigga get killed in strokeers with an eye picking it in there. I was able to pay my rent that night when that nigga got killed. with so much money, I put all the money in it. I stole all the, the money was off the float. I was on Atlanta for that. You better ask BML. Ask BML about me. The man was about to say, man, and he said that like. Yeah, baby. This nigga still in the bag. We wouldn't have Summer Walker if we didn't have a striker. Blood on the dance floor. That's where she used to work. Summer Walker. I didn't know that. I didn't know that. I thought she was from Atlanta. No, she's from Atlanta. There's a Black History moment right now. Summer Walker dance the striker? Yeah. That's a Black History moment, bro. I thought she was from Atlanta. And that's a Black History. I'm sorry to give you all facts. It makes sense now, right? It makes sense now, right? That is a Black History moment. I never really thought it. I don't know why I thought she was from Atlanta. You know us all strippers, we in tune to be knowing everything. I love it. That was the final one, Lowe? That was it. Strippers are the heartbeat of Atlanta. What about Cheetah? Not no more. I don't think that's what you expect. I mean, Cheetah has been playing. She's going to play a role. That's a different class. She's the only person who's going in the daytime to get some food, man. But that's a different class. Everybody couldn't afford to go to Cheetah. That's a different class. The dancers were in shit, but the food was amazing. I ain't gonna lie. You want to go see a GTA, then you go to Cheetah. I made up. I thought when you go to Alton Cove, I think you're reaching. I did. Exactly. That dance like Bill Maum, excuse me, dude. The crazy part about it is they got polls now, and you can throw money at Cheetah. Oh, you can finally throw money at Cheetah? Yeah. Nah, for real. And you gotta take girls with tattoos with bad asses. It's different. Bad asses? Bad asses? Bad asses? Bad asses? Oh, they just switched it up? They got lots of certain things. I had messed up one time. I had some executives come down, because I was trying to get this record deal. And they was like, yo, you know, we want to go to the strip club. So I'm thinking, shoot, you know, I'm going to take them to Cheetah. You know what I'm saying? Nah, somewhere nice, Cheetah. Man, they want to go to the strip club. That's a hard one. That's a hard one. That's a hard one. That's a hard one. No, no, look, Cheetah. But now for real, I'm going to take someone nice. They want to go to the strip club. They want to go to the strip club. And we're getting them. So we're getting them. And I'm thinking, you know, hey, this what's up? Man, they were sold as a party club. Believe it. They wanted to go to, like, Blue Flame. They wanted to go to the strip club. You can't run into the party. Yeah, they wanted to. We had to leave. We had to leave there to go to, like, a whole. Well, you think about Atlanta. You think about those skinny bitches on stage. Well, no. They wanted to go to Magic City. They wanted to go to Magic City, Blue Flame. They wanted to go to the strip. Some of the skinny bitches. You got a big old boot. No, no. Come on now. Booty big is Connecticut. I think of Atlanta before I moved to Atlanta. And I thought about Atlanta. All I think about was them big booty bitches. Freak out, Dillis. You know, that's Atlanta. That's where we got the skinny hoes. Atlanta got skinny hoes. Big booty hoes. It is a variety. It is. It is. Yeah, but them dancing bitches, I want to see them big booty. Big booty. I like it. That's what girls at Magic City, they don't make money, boy. Right. You wonder why people come to this club. Man, one night, man, I'm sitting there. Somebody go up over my head and I can hear the boots clinking. Pop, pop. And I look up, man, she's swinging. Beautiful thing. Over there. And I'm like... Wow. But it's not getting concerned, but they don't fall or nothing. They got a head down, packed. And the crazy part about it is they don't practice none of this shit. They practice as they go. It's not a talent. That's talent. That's why people come here to see them. They start tripping me out when they started doing the little fire store with the fire. They don't scare me, bro. They don't give me anxiety, bro. I'm like, oh, my God. Me too. You know, when they open their eyes and then they see them. Girl, you got that thaya. Boy, I be like, oh, my God. Remember that kind of thaya. That thaya. That thaya. Oh, Lord, you got that thaya. That thaya. My first trip to the club, though, you know what I'm saying? When I was 18, I went to Montreal. Montreal! I was born with peaches of Atlanta. Peaches of Atlanta! Well, before it was... West End. West End. Well, you got to know somebody. I got to keep that. You can't just go to that club. No, you can't. Queen City! This is what he talking about right now. This club right here, peaches and... You got to know somebody. No matter what club it is. Don't go over there. You don't know nobody. No, we wouldn't know. We had a fake-out issue. We had a fake-out issue. We had a fake-out issue. You can pull up to anytime you want, you know, with your squad or whatever. But when you go in certain areas, like, what that club is, nah, don't go over there. Where the one off from Metropolitan, nah, don't just go to Metropolitan. Metropolitan. They know that you can pull up. Which one? They got... No, no, no, no. No, no, no. Pleasers. He's talking about pleasers. He's talking about pleasers. He's talking about pleasers. He's talking about when you pull up the side of the road. The pleasers? You gotta teach me some shit. I ain't no son of a... Pony, Pony. Yeah, P, Pony, that's my mother. Go over there, think you can see them white girls you want to. Yo, we had a fake-out deal. Yeah, we had a fake-out deal. But see, when I was, you know what I'm saying, going at my trades, I always looked like I was older anyway. So it was like, they ain't need me. They ain't need me. They ain't need me. They ain't need me. I went to my trade, and my time got robbed. You got robbed. I was supposed to meet a dude outside to sell a gun. And... You were selling the gun. How you didn't mind if you sell a gun? Sell a cigarette, sell a ketchup and a gun. I didn't tell you. The gun didn't have no clip. Oh. So, he said, let me see it. I never seen it. I said, it's a bullet in the chain. He's turning around again. I said, it's a well-bought gun. Get the fuck off. What you do? I don't like these clubs. They need security. He got me so good. I charge to the guy. You can't do shit a one-way. You got that one. You got me good. You got one-way. It wasn't in chamber right there. It wasn't in chamber. That's for me. This fable on my saddle is absolutely delicious. Thank you. Oh, there you go. You don't need to sell a gun. I don't need to sell a gun. I'm... You better promote, handy. Yeah, you better promote. I'm just saying. Turn to my left. This is good. Shout-out fable. Shout-out to everybody. New Jacks for this guy that gold. Got my vision like Jacks right now. Right now, just stop by a store and grab some coffee. That's all right. Hey, so, you know, we talked about strip club, man. And you said before that if you really want to test your shit at, you got to have the club. Your song ain't shit unless the strip dance to it. Man, talk to me about the strip club, Trivia. Man, like I said. You know, like to iterate on what you said, yeah, you have to have that strip club song or that song for the strip. It's too dance to it. But like I say, when I used to come off the road, you know what I'm saying? My Trivia days, coming back off the road, getting that money. I used to come back and just... Donate. With all my... With all my goddamn people. He was a philanthropist. He was a philanthropist. A philanthropist by himself. Oh, no, for real. Like, he would force me to go by himself. I ain't never seen anything like it before. You get back. Like I said, my Tri's turned me out when I was 18. Yeah. Ever seen it then? It was on. I never been turned. I was on the street. I ain't know nothing about the strip club. I shoot. 17 for me too. Real talk, real talk. 17 years old, man. You turned out at Montray. Yep, Montray, man. And I never seen it then. I went to a strip club tour. First, Magic City. You know what I'm saying? Went, please. Went, uh, you know... He ain't lying, but... Please, I didn't know. I didn't know. I didn't know. What in the world are you doing? That is... He just brought up the chat. How do you know what he was calling? Remember Body Chat? Yep, Body Chat before it was Vivid. Before Vivid? Yeah. He was a few things. Uh, Skeletto. You know, you know the strip club when you know the old names and the new names. We did from the windows to the wall. We did that in the towel. I was in that video from the window to the wall. We were at the towel. We don't go in there and tell. You can't, you can't mention the old strip club when I, uh, talk them by jazz and T's. Hey, man. Hey, man. You can't say jazz and T's. I used to always leave jazz and T's with my fingers stinking. Hey, man. Bruh. And that DJ boom used to nigga the drama, good job. Smell this. What, what you, how your finger gets stinking? Wrong ho, wrong ho, for a while. Not real, this is going fuck up. To the third number, absolute and cigarettes in. Yeah, it did, limited selection. But yeah, you just, I ain't putting your fingers in bitches butt. Yes, I ain't licking my fingers. Hold on, he's talking to me. Yes, yes, yes, yes. I'm gonna say. We do chicken right. I want to end me. One time my partner told me. Yes, yes, yes, yes. My partner. I don't have chicken, I don't have chicken, I don't have chicken. I ain't got to see it no more. You know, here's a professional, before you answer any questions, you want to give yourself one to three seconds. All right, one, two, three. I do it. It's a married game. I'm here for that. I'm not a nasty nigga. Come on, man. Get a room. Now my partner did tell me a story about a dude who had stuck his finger in a chick. Hold on, wait, they still on the fingers? And then that person had rolled their eyes. They got crabs, they got crabs in their eyes. And their eyes swung up to the sides of a golf ball on me. Hey, who was it? What? Where you play too much? Oh my God. Was that clearance? Was that clearance? I'm finna go. Oh my goodness. Here I am. I'm finna go for this. Oh my goodness. Now that's pretty. Man. They got a big ass style in his eyes. Oh shit. That's what told the most epic story in the world. I swear, man. The nigga rolled his eye, he got crabs in his eye, and his eye really was like a golf ball. How do you get crabs in your eye? Stuck your finger in the girl, and then he rolled his eye, and he got crabs in his eye. And crabs before. But not the one that Jack got in his eye. Oh shit. Yeah. Oh. Shots fired. Shots fired. I just said I heard somebody. I didn't know who it was. I didn't have a name with the story, you know. For the seafood loving you. Red lobster. Had the shrimp as feast in my eye. The ultimate. Man, you know they were crabs though. It could have been anything. A doctor don't know if it's crabs. The doctor said. The doctor said. When the doctor said. They had to like get it off. They had to get it off. Put your butt to sleep, walk her up around wine. Yeah. Crabs was quite normal. It was super normal back then. I don't know. I grew up in church, girl. I never had that stuff. Man, who? Man, I was in church. I didn't. I didn't have SUV. I knew SUV. See, all this stuff. I told her. You started getting geeked up. We over here drinking the fable. Don't ask me nothing crazy. Don't ask me nothing crazy. See, let me just straighten all this out. To sum it all up. Ladies. Ladies. Come back. Come back. Lock in. What it is, hoe. What's up. Come on in. Stop. The story. How did it start? Right there. That way it started it. Well. Shout out and rest in peace to my girl. You know what I'm saying? She died? Yeah, she died. Around the time we wrote the song. She was a dancer? No, she wasn't a dancer. But she was a rapper. She was a old cold rapper. When we had the beat CD. That was the first one that got to us. That shit hard. She came up with the first hook. We were drinking that Moscato. Let me back up. We were drinking Smirnoff Apple. Smirnoff Apple. Smirnoff Apple. That one flavor started to come out. We were drinking that. From there, we wrote the hook. Then I wrote my verse. I just wrote the whole song. From there. We presented it to Lil Jon when we got to Sound Lab. Shout out to Sound Lab. South Cop. Once I presented it. Cobb County is Atlanta. I don't even fuck with her. Let me fuck that song. I'm on the cake. It's shitty Atlanta. We in Atlanta now. Monroe is Atlanta. I didn't get to share your story. I didn't give them the whole goddamn thing. She got to share all the places he got to come to. I just heard it this morning. He's by like thousands. Before we do that. Let's go after that. It was just fun, man. We were wild back then, and we was on the road with the never-ever. And we needed a female record. Because we were so crank and just throwing bowls, and like y'all talking, fighting and stuff. What we noticed was we had a really big female audience. And we were like, man, we got to have a female record. Female will fight like that? Yeah, female will fight, too. They will fight the most. Fightin' over a baby dance move? What female fight? I'll give you a buck with them. So after I come in the club, check in my dress, they give them ride up, and then they had the never-ever. But they had a serial crew back then. Yeah, it was crazy. They scrapped the hat, you know, the head busts up. Yeah, I remember that. Them barbers on the road with that package. Yeah, so we hit them. So you know, the song was done, then we threw the bass squeak on there, and the rest of the history. On the bass, we can't lie? Yeah, the bass, we can't lie. Like, that's the craziest part of the song. Yeah. Yeah, and then it just kept getting sampled and sampled and sampled. And then Drake sampled it, Russ and Bia sampled it, and then Fabulous sampled it. That one hurt a lot of times. You didn't have to reach out to y'all? Yeah, yeah, yeah, yeah. Okay, I got a clear one. Yeah, yeah, yeah. So who did that track? Lil' John. Lil' John did that track. When you gave y'all like a beat CD, and you just had them on the beat CD. Yeah, yeah, yeah. Lil' John gave me a beat CD. One time, it took all the sounds out the beat. He told me that. He told me that. That was a real story. That's what's happening. What's up? You know, I wanted them to make a two-journ, you know? And we had a little battle in there, but, you know, I won. What's happening? What's up? What's up? What's up? I can't hear myself think when he first gave me the track. And when I gave it back to him, he was like, turn the camera to the studio, you know? Sit down and talk to him. And I came over there, and we ended up doing about two more songs. We did Gucci, like, because we ended up talking. And he was like, okay, we'll listen to this, you know? Because he went going in that song was already hard. I had a Bo Hagen on it. I had Lil' Hagen on it. Hey, Bo Hagen, I need you on the show, bro. I had a whole crew on the song, really, you know what I mean? But yeah, we ended up doing the I'm a J. I was just all that shit with me and Gucci. When I used to make beats for you, you was always just creative. Like you was always a part of the process of the beat making the sounds and all that. We just go in there and just go crazy, you know what I mean? They'll be doing the same stuff, man. I'm still the same way. Five, six songs a day. Shout out to Dochi, too, man. You know what I'm saying? That's the song she was talking about. The What It Is record, you know what I'm saying? We just performed it at the BT Awards. It was crazy. So that was love, too, you know what I'm saying? Yeah, y'all look good up there, too, but y'all represented, too. Yeah, everybody said it was too short. I was like, yeah, it was short. I represent it. Man, look, man. All the motherfuckers who were talking about it were too short. You'll add it, man, because you went there. You went there. I mean, I mean, but that's good, though, because you was there. That's good, because they got to bring it back, because the people want to do it. In 50 years of hip-hop, in 50 years, you got to squeeze it in, yeah. Yeah. But it was cool, though, Dochi. Yeah, she, that song is crazy right now. I want to tell them about it. It was like number one in radio. You know my song. I keep it up, I keep it up, I keep it up, I keep it up. Are you taking it to the tree or something? Man, her full head, the club go crazy. I'm sitting there ducking in the door and something. I'm like, Jax. You know, Jax is the blueprint for all these young niggas that are doing it now. 100% Exactly. I seen Shiggy do it. I thought I said Shiggy. It's your life, Monday, because I'm telling you, man. You just might make it out the club. Come on, you ain't going to get it back. That niggas are, mm. No, just put the camera over there. Cool lady, man. Get your cool lady. Bust through the walls. Man, we all have been about fun, party, just love, man. Just, you know what I mean? Just turn it up, man. That's just what we all have been about. Yeah, having a good time, putting on for the city, man. Just having fun. That's what we all have been about. Yeah, man. Y'all had it popping, man. I remember with the whole adjourn wave, kind of, you know, he had, it was dying down a little bit, you know, and y'all just came out of nowhere, like left feeling. Left feeling. And then he came back with E40 and Too Short and all of these people, like it just like, y'all re-vigorated the whole scene. Yeah, we did. It was me and Vince Phillips, man, because, you know, it's just, yeah, yeah. Hey, look, I used to go sit on the spot when I was going to Washington High School. I do remember my high school. Was the high school, yeah. Hit right around the corner. Off the right around the corner. So I used to go around the corner, like, I'm trying to figure out, you know, my situation. So stay fresh, stay them bankies. Stay friends. Yeah, shout out to stay friends. So I used to see stay fresh over there, like, you know what I mean? The trap went right in the back of the floor, it was done. Right there around the corner, like, you know, boom. So I used to come over to the office. Man, I walked down there, man. I'm sitting on this boy on the porch and Vince come out there to me. Y'all need to go to school. Y'all need to be in school. Get on, get on, get on. Like, put us out of the sports every day or whatever. But I can't come back, though. I can't, man. Every day. I came to that office every day until we got on. I can't come back. Yeah, yeah. You can't go to school, though. So make me understand this. Why they made you and Lil Scrappy do the split album? I don't understand. It was the first of its kind. Yeah, it was. It was a good marketing. It was a good marketing. I mean, if you did two albums with one budget, I mean, you saved the money. Yeah, you do save the money. You make a dope of the money and you only spend. When you first heard that. I mean, it sounds like you heard on that album. Yeah, it was. We had like six, six a piece. Oh, wow. Plus the, like, interludes and stuff. Yeah. You know what I'm saying? Yeah. So when y'all first heard that they were going to do that shit to y'all, like, was you like, man, what the fuck is this? Nah, nah, nah. I was trying to cross over. Why don't these niggas ever cross over to us? Nah, nah, I'ma tell you, I'ma tell you what it really was. I'ma tell you some real stuff though. John had artists before us, right? Yeah, Bo Hagen, China White, Ubi. China White. None of them ever came out. And they was with him for years. I the one who convinced everybody to actually put somebody else out besides Lil' Joe. And I was just like, hey, listen, bro, like this, people love this record. I just came from Clark Atlanta University. It's somebody from Minnesota who like this music. CAU, it's somebody from New York like this music. People from Texas like our music. So I convinced Vince, I said, listen, bro, hey, I know y'all like to do the independent thing. I said, bro, I want to be signed to Delf Jam. That's what I told him. I said, I want a big deal with Delf Jam. I said, a Sony or a Capitol or whoever. I ain't even know Warner Brothers had a label. Then that thing, you know, he came back with Warner Brothers. I said, that's a big company. He said, yeah, that's a big company. It's Warner Brothers. I said, well, give me Warner Brothers. I said, I want to go to Warner Brothers. I think our type of music deserve to be on a big scale with a big label. And then once everybody's seen that the big labels was messing with that type of music, it was a trickle down effect. Then you had crime, then you had scrappy, then you had franchise. Then they start giving everybody with any kind of buzz big deals instead of them just being local and big or regional and big and being on independence. The big labels actually swoop in and start giving folks money. But they wasn't doing it before. And that's a fact. And then if they did get a big deal, they changed their sound. Like Troy had a deal with Universal, but he didn't come out with the same type of thing. He did a song with Timberland called, Are We Cutting It? No, he changed his sound. Are we cutting it? Yeah, it was hard, but he changed his sound to be on the big label. You know what I'm saying? I want, no, it was hard, but it wasn't that quump sound. We didn't want to change nothing. I wanted to keep that sound on a big label. And then that's what kept our authenticity. I think in certain situations, like when you out here and you're an artist or whatever, I don't think we understand the business of it at first or whatever and how much money is spent into us, you know, to put us on these majors platforms or whatever. I remember, you know, when T.I. on Sears came out, I remember all of them songs, but I felt like when he went to, he changed his sound to bring them out. But he brought the world in like, you got to think that you're regional or you're local. And then once you bring the whole world in, it's like you can do what you want to do. It's like, I need to introduce you to the world so I can put a bigger budget behind you and you can make more money. But see, I wanted to introduce the world to us. Yeah, yeah, but what I'm saying is, the way you do, like, okay, safe for instance, us. When we came out BET, we didn't play my music. Like I couldn't go hear my song on the regular radio station. I was so big, the moment I came out with Laffy Taffy, that my song was already on VH1 and they wouldn't even play it on the rock and roll. Like you see what I'm saying? The MTV jams all day long running the commercials. Like I get the radio station, like you're number one here. I don't even know what number one means. So what I'm saying is, like, all the rise was totally different. Like when you came in, but people didn't know I had been out for a year. Before that, you know, already on the road, which y'all already doing, bitch can't do it like me. And to, you know, the labels, they didn't sign us off, bitch can't do it like me because, like you said, two men and niggas was getting bills off of that one hidden done song. They wanted to know what else you had. So we came with the Laffy Taffy and the Do It Like Me Baby and all the other songs. But what I'm saying is, like, if you're artists out there, some of these A&Rs can take your craft to another level. And then once you're introducing the world to you, you giving them so much more too, because they pull some shit out of you in the studio time, the studio that you never even knew you had. Get them dudes off and around you, put you somewhere in LA, run DJ quick and 30 other producers and now Dr. Dre and all that. Now you're gonna come out with a masterpiece. So yeah, the world gonna get to hear you anyway. Facts, yes, facts, real tough, real tough. Agreed. Yeah, that's real tough. Okay. Yeah, yeah. And I just, I wanted to just keep it authentic. I wanted to bring, you know, everybody to us. You know, I got tired of, you know, listening to, you know, all the other people on the radio, you know, cause they were bringing all that New York stuff to us. We had to listen through Wu Tang and listen to Ta-Li and Kuali and listen to, I don't know, nothing but a Barrow or a Bronx or nothing. But it's all on my radio stuff. I was trying to help. You know what I'm saying? I wanted to, okay, well that's the case. We're gonna bring Bankhead to New York. And y'all gonna hear about Bankhead and y'all gonna hear about the Cater. And y'all gonna hear about this side of it. N***a will not. I'm talking with New York N***a back then, right? It's cool. Yeah. The North is okay. No, we're cool. Yeah, yeah, yeah. Oh, we know you're cool now. But we, Oh, we know you're cool now. We're cool now, too. Yeah, I'm cool now, too. I'm cool. The streets working in the left intact. A couple backboard... I'm sorry. They don't, I'm sorry. They don't know that. They know how to do that. They know how to begin it. They know how to begin it. I said, I said, hold on. You've been fooled, y'all. What's messed up with me, fold. I'm the team. Yeah, this is the fault of this. I don't do that. Hey, you know what? Now I can say this much better. We only listen to Kilo. Come on now. Yep.озмistr, take us out to Kilo. Yep. When I'm sitting out of these big major interviews now, they say like, oh, did you know about Utah? You know, we knew about Utah, but I couldn't relate to that. That's what I said, I couldn't relate to that. Like, I'm from the Southwest, sunny and hot all the time. All right, let's call him your daddy. I always gotta take him. Nick is always aggressive. Nick is always aggressive. Yeah. They need to be aggressive with him. I'm like, nigga, it's sunny beaches and shit. It ain't nothing against him, but that wasn't our thing. I'm so up with my boxer shot song and stuff. With the fan in the wonder. Yeah. I got the fan in the wonder. We lose the salmon sound on that. So we know who from New York. No, but I just think. I think when I first went to New York, when I first went to New York, we laughed at that. We just got laughed off the whole shit. We had to literally do radio because niggas didn't know who we were. Like, nigga, from back here, everybody knew it. Like, boom. So we get there. We in New York, we going around. And no matter what club we perform at, it's like, yo son, who's these niggas? Yeah. Yo son. Yo V. Niggas is a mad country, yo. Country mad, yo V. So you know, you know, we hit the block. We hit the block. We start moving around on the block. We need to know where we can get everything we needed at. So we went to moving around. Like, we supposed to. And niggas started to say, okay, these ain't who we thought we were. They not who we thought they were. And so we ended up getting Buster Rhymes on the song from just moving around in the streets. Like, it went, we did radio. We talking to niggas. We talking to radio personnel. I didn't make you do shit. You know what I mean? So you're going to fall in love regardless, baby. I'm lovable. Check this out. Now, it's people don't understand what they don't know. Yeah, yeah, that's bad. So once we start moving around, that's when you see, you know, later on, even Shablo had songs with, you know, Jim Jones and all that, you know, because we was in the streets. Like, I felt like trying to move in the circles that we didn't know. It wasn't going to get us nowhere. So we ended up getting twist on the song. Buster Rhymes on laughing taffy. All of that. And when they start playing the Buster Rhymes version. Ah, how they do you? How they do you now? We came back to New York. Yeah. Every show was packed out. Yeah, yeah, yeah. We were warming everywhere. Like, you know, our second one in New York was excellent. Yeah. Out there, out there, everybody got on the rug. Connecticut is like New York. But not... But listen, listen, it was a lot of people. I had to have one out of Blend Up in New York. I had to have one goddamn out of Blend Up in New York. They ain't going to claim... Don't get it twisted. They ain't going to claim no committee. They don't even claim to stay in the islands. New York don't claim shit. How long you stayed in New York though? I never stayed in New York. Pray for Jesus. You putting up such a hard stance. Nah, nah, nah. I'm just from the North. But don't get it twisted. It was a lot of people that know us that that paid away to us. Let's pivot. Let's pivot. But the same space. How was your experience in New York? Oh, it was crazy. Oh, we had a bled. Oh, we had a bled. I ain't gonna lie. Folk Festival Flex ignored the hell out of us. He wasn't even... He wasn't even sitting there. We doing a whole interview. That my dude though, but he ain't even see us, bro. He was looking over... Country nigga, yo. Hey, country nigga. Look, he talking to everybody else but us. He like, yeah, so how y'all doing? We like... Yeah, so anyway, I'm like, yeah. But no, what's crazy is when we went to the club that night. Club Speed. Man, them folks went crazy when we did that show. I'm talking about... I mean, they went insane. Like the box pit you were talking about, they went crazy, bro. And that just goes to everybody just always working. It's a million people before us. I don't take no credit for nothing in Atlanta. I'm just saying just my part. It was eight ball MJG. You had so many people before us, good John and Sam and Sam. You had so many people... Speaking of UGK, Trialville, UGK, you see what I'm going with this? Oh, yeah, yeah, no. That was a crazy situation in the beginning. Tell me what I'm talking about because they don't know what I'm talking about. No, no, so UG... So Pimp C... Outspoken. And then he get mad at everybody. If Pimp C don't get mad at you, then he don't love you. That's right. So when we first came out with Trialville and one day we was on 106th Park and they were like, hey, who y'all listen to? And I think I would like good at mom and I think he said outcast or something like that. And then he said, like, rock him. Trying to be different. You know what I'm saying? No, no, he probably did. He probably did listen to rock him. So anyway, Pimp C heard he got mad. No damn, well, they listen to rock him. They don't get damn well. I'm with Pimp. I'm with Pimp. I'm with Pimp. I don't listen to rock him. I don't think anybody listen to rock him. I don't think anybody listen to rock him. But he listen to rock him. Yeah, not that they went. I think he did. You probably did. So there's two people listen to rock him. Out of everybody. Your cousin rock him. I don't listen to rock him. I don't listen to rock him. I ain't talking about me. I didn't say nothing about him. I'm talking about Pimp C. I'm talking about Pimp C. So Pimp C said. Hold on, hold on, hold on. T-Ray, how old was you when you talking about you saying Green Brown 5? How old was you? How old was you? Never? I ain't know but I said Pimp C. Alright, so Pimp C Pimp C said You know damn well you listen to Not done Pimp C. He said, you know damn well you listen to So he got, he was kind of hot about that. Because we didn't mention UGK. Because of the trail. Well, you know back in the day, we doing 106. It's like a podcast where I can go on and on. You know what I'm saying? It was quick. We had to go quick. So we had to go quick. Anyway, long story short, Bun B called. He was like, hey man, you know I was like, well get Bun on the phone. Because Pimp was saying something to us. I was like, get Bun on the phone, Bun get on the phone. Hey man, you know Trio come from Texas Word and it come from folks doing beads without snitching. You know what I'm saying? They do their home time and then they get out. I said, oh, well I like that. I said, I ain't know what it meant. I said appreciate it. We got three of us. You know what I'm saying? Me and Bun, you know, we gonna chop it up plenty of times, you know what I'm saying? You know what I'm saying? No, no, no, no. Do it again. Do it again. Do it again. Do it again. Y'all went to Texas. Y'all went to Texas. He was going there. You called an airplane. He throw the bad parties in the world. You called an airplane. For the new niggas, for the new niggas. No, Piffy Keen flew him out and Bun be with her and they chopped it up. Alright, first of all. Hey, hey, hey, hey, oh, candy. Sit your ass down now. Hold on, y'all making some way. Candy, sit your ass down. No, no, no, no, no. Nah, nah, nah, nah, nah, nah, nah, nah, nah. I'll let you tell y'all. You know what I'm saying? We chopped it up, you know what I'm saying? Milwaukee, shot, Piffy Keen, man. DeBrat, rest in peace, gangsta boo. You know what I'm talking about? Yeah, man, we chopped it up plenty of times. So, shout out to Bun, R.P., Pimp, C. Cormo, what's happening? Cormo, what's happening, man? Hey, Cormo, you better start tagging me and shit, bro. Cormo, I don't know if you fuck with me, man. But, nigga, tag me and shit, bro. Hey, yo, y'all give it up for Trio Villa one more time, man. I'll check it for you. New Jack Thriller City. Let's take some pictures. Let's go. Cormo. Let's go.