 So the Lunar Calendar dictated 2023 and I don't have not been consistent with making videos a little bit tough with a whole lot of things going, trying to balance a whole couple of lots. And that has really influenced so much of what, of the inconsistency that has been going on with creating videos and making things for you guys. So I do hope to change a bit of that this year and see how I can take a more proactive approach. But no promises because we're just going to see how we can dive into a whole couple more. And I'm sure most of you have goals for the year, like some of you have made resolutions, some of you have made things that you hope to actually achieve. And this is our new space, by the way, our studio, so there's a whole lot of fun that we'll be having the ability to be able to test things, the ability to be able to show your techniques, the ability to be able to do a whole lot more, and we could also do a lot more. So a couple of the things that we could consider doing this year would be to do breakdowns of movie scenes, trial lighting techniques, go in depth about setting approach in terms of show lot design, in terms of the post production workflow, and using what we have, exploring other camera and workflow solutions that can be integrated into becoming a better storyteller. Because at the end of this day, everything is just tools. And if there's anything else that's most importantly above every other thing is to be thankful because it's because we are here, we can actually have the chance to talk about filmmaking, talk about creative art, talk about some main things. We hope that those who didn't cross over to this calendar and also to be grateful to those who gave us opportunities to be able to solve problems, whether they be film challenges, whether they be commercials, grateful to our clients, our producers, the team that believes in us to be able to give us the chance to be able to execute most of the things that we did. So just the whole gratitude mentality and not to take anything for granted because nothing is actually your right. It's actually a privilege that we have the chance to actually create most things we end up creating. So this year, we would explore more. There will be a lot of spec like things we get to create our own problems and try to solve a couple of short films, maybe a feature, but still not guarantees on more consistent video because I really do not yet know how everything could explode and just go. But I will do I'll put way more effort in actually trying to bring the conversation over to the other end. And if you do have something in mind that you actually like to learn or discuss about, to be great if you actually bring that to the front table so that we could integrate your suggestions and actually make things that are tailored to your specific needs as opposed to the direction and trajectory that I'm actually chasing at the moment. So a couple more things we will try and explore in the course of the year. We've got a couple of new tools and toys and there's also a lot more we're looking to also bring into the space that is tailored to my own problem solving approach in terms of camera techniques, camera language, emotion. Presently, we have like a same at Dolly and we would explore a couple of those where it's valid, where it's approachable, where you choose that over like a static camera approach. Using a gimbal setup to like fake a 3D setup, what it might work for and see how we can explore that even lighting techniques and how to test. Because that's what most people do not understand. Like when you're prepping for a film, how do you prep technically? You get what's your tech previous like? What's your previous like? What's your show Bible like? Your show. So God willing, all things being equal, I will give you my take on most of this dance that I've mentioned and we would actually dive into them. Hopefully most of them would be informative to you in your own story approach. And we can now explore lighting designs, why choose a Fresnel, why choose a spot, why is an ultra bounds, the reason why you do double diffusion or stuff like that you get. And all of this, we can take time out and explore. And we could just even take out scenes from like a specific film that I find inspirational and we'll just break down what we taught they use, what the framework was, what the lighting approach was and see how you can tie that into the DNA of some of your work in terms of approach and how you can improve the language you get. Even going across or extending it up to the point of discussing diffusions and adding texture to your image. So you're not like every available visuals out there. Basically, the entire aim is to fail a lot more because in failing with Lynn and doing all these things, we all grow together and explore the entire range of our cinematic language and the cinematic tools that are available to us. It may differ, some of the tools may differ because of what you have available. But yes, as you also know, we have like a rental house. So you could also play by, stop by, try some of the stands if you're in the Lagos area. If you're not, you can adapt it in any way that you can. Like we say, the whole mantra of improvise, adapt and overcome is actually built up on the fact that we take techniques that are useful to you and if they are not like one-to-one on your immediate surroundings, you find a way to adapt that knowledge and make it ingenious or relevant to your own situations and it becomes a way of contributing more value to your work, to your client and to your own sphere. And that's the entire idea behind that mantra. So taking it, adapting it and you produce great results and yeah, that's the entire spectrum. That's just basically, so it's basically happening on new space. There's no taught though, it's just like a very long space with like an office and like a post suite and like an eating area. So not much. And we'll get to like play around and try out a whole lot, a couple more things and we can actually test, fail and explore things. So until next time I see you, improvise, adapt and overcome.