 All right, so can you hear me, can you see me ? I will switch to the cover. I think it's working because I have a feedback. Do not hesitate to use the little chat. It's here. I will keep it on the screen all the time. So you can interact and you can see when I reply to something because last week I was replying to the chat on the second screen and when I see the playback it was really really difficult to see what I'm replying like I'm talking alone. Hello Andy. I will try to find, yes, a little picture. I am here in my room in Montauban. It's snowing outside. I will try to not show all the room every time. And I'm just organizing all the windows on this screen because with the chat I have the live stream. I have the OBS. I have everything and I am still a beginner with all of this. Ok, so the setup is good. I will keep it a little screen on the corner. Probably my face is not really useful. And I will turn it to my tablette and my keyboard. It's probably better. So you can see when I use a shortcut or something or the gesture I'm doing my face will be always the same. I'm not really an expressive person. So, yeah, frame it a bit better. And so let's start. I see many person in the chat. Thank you for watching. I'm really glad. Making tutorial of Krita. Thank you. Greetings from Spain. Good. So this windows will be always on the top. And I hope I will not grab it by accident but we will see that. So last week I made the lineart of this comic page. It's the page 3 of Pepper and Carrot. And since this time I didn't made a lot of progress. I focused a lot on the Pepper and Carrot website. And I focused also a lot on the brush presets for Krita. So I have this page still with only lineart and I just fillet the silhouette of the character and foreground when there is overlap. FG layer for foreground and car for character. It's because I'm lazy to type all the layer naming. And today I will try to color maybe this panel. Because I will not lie. It's a easy panel. I have a big source of light here. And I have a fantasy creature with good rendering on it. So I really want to see how this will turn in color. And there is the shading on this character. And she has really easy volume. So it's really easy to shader. So yes, I will not do something really hard for my first streaming. I did an experiment last week. But this is the official first one. I will just look at the chat because I see a lot of activities. Hey Frédéric! Oh Glecky! Good! Logebanistan. Thank you. So to start coloring this page. I will not keep this settings. It could be something useful maybe to just lock the color of the foreground and the character. And just paint directly on the background. Just taking like a big brush. Taking like this one. And start painting. Then painting the character. Then painting the foreground. But I don't like to work this way. Because I usually like to have an overview. So I like to work on all the floor at the same time. And if I split this floor it's to help me later to do some cleaning. It's not to work this way right now. So what I will do is I will select the foreground and the car. So this is just a mask for me. And I will group. Quick group. And I often name them cell. For selection. Because I'm using them to keep selection in memory. And I put them on the bottom. Even behind the background. So at any time when I'm working here. And when I'm painting character for example. I can paint background foreground. And when I need to clean the edge. I just have to right click on the character. Select opaque. And I will have the hands appearing of selection. And of course I'm not on the right layer. Because I pick the background layer. And I can paint on it. And clean later. So this will be my process. It's a process I like. Because I can be a bit creative about it. And I need to set up like a color scheme. Or even some gray value. Because I think I will use a gray value. And color them later for this. For the other panel. I don't want to be distracted. So I will add on the top. Just a frame. And I will fill it with. Here. We have a little color picker. That can pick on the screen. This color. And I will fill this. With this color. And this with this color. So yeah. I will probably work only on this one. I will just make a little low opacity. And this will name it mask. And I will give it a gray color. So I can move it later or something. Oh wow. A lot of people on the chat. Good. I am reading a bit. I hope everyone got good sound. And the video playback is smooth enough. I know that YouTube is not open source or libre platform. But right now I couldn't find a service. With open source live streaming. That can handle a lot of country. And a lot of browser. And everything. So I pick at YouTube. Because a lot of people manage to watch YouTube anyway. So it's not the ideal platform. Maybe I will change on the way. I have really good hope for Peartube. The project. But right now I will keep it every Wednesday on this platform. Yes, Crimson is right. YouTube doesn't archive the live comments. That's why I'm putting them on the screen. So you can watch it later. So they will be written on the video directly. Oh thank you for my webcomic. So let's start coloring. So for coloring I like to color at very very low zoom. So I'm 25% of the zoom. So I can see the world page. And here because I will do only a little panel. A single panel. I can do the full page. It would be a very long streaming. I don't want to. And I often pick just a basic brush. Like a round brush like that. So I will pick the right layer. My background, but I will rename it to paint. And on this layer I will paint just quick notes. So yes, even before basic, maybe I will just pick an airbrush. Because in this scene there is an obvious big point of light. Because this butterfly creature is made of light. So I will first start to tone down the scene. So I will be on the low value. My line art is brown. And it's in normal mode in the drawing stack. I will just turn it to multiply. So it will multiply with the background. I will manage to color the line later. So I can paint white. I can paint black. Not black because multiplier doesn't work. But I can do that. And also I will refresh my vacuum setting. Because the GNOME desktop was in sleep mode during lunch. And I lost my keyboard shortcut. So I have a little icon to refresh everything. So I start with a strong vignette. So it's just darkening the border of the panel. It's a really common thing. And I just put some value on the two focus point. So comments. I reading the comments at the same time. Are you French? I was living in France. Yes I'm French. I'm from the north of France. But I live in Toulouse. And I lived in the past in Toulouse. And now I'm in the small city Montauban. And my English is very rusty. Because I'm practicing only once a week. During this weekly. And it's the first one. I had a little training last week. Can you recommend any particular tutorial video with Krita option explained? Official documentation didn't help a lot. The official documentation is very well done. But if you can check my website or my channel I have a lot of tutorials on it. And maybe other on the chat can show you some good link. Stephanie. Hello. How are you guys? I'm fine. Everything looks good. Good. On s'entend ton accent pour un coup. Mais je comprends l'anglais. Yes I will not speak too much in French. So I'm keeping the focus point. I'm keeping in black and white right now. Et je vais juste choisir la grande décision. De mettre un peu de lumière. Je ne veux pas aller à pure white. Parce que je dois garder un peu de range white pour mettre des accents de couleur plus tard. Et c'est la même chose pour black. Je n'ai pas mis de pure black. Si je prends cette couleur, vous voyez que je réserve cette arrière dans la valeur et cette arrière dans la valeur. J'ai souvent fait ça. Comme ça. Ici je vais avoir de l'air fort. Donc l'air de l'air n'a pas beaucoup d'air. Je vais choisir un bruit basique. Ici peut-être pas de l'air fort. Et pour moi c'est important de penser en termes de lumière. D'abord et de valeur. Ça m'a aidé. Si je commence à colorer, je peux faire de bonnes couleurs mais c'est souvent vraiment flat à la fin. Et si je commence de cette façon, j'ai souvent gagné beaucoup de temps. Merci Mathieu pour Pepe & Karat. Peut-être que vous pouvez voir l'attentation de la stream avec comment les commandes sont displays sur mes screens. Je n'ai pas d'idée. Peut-être que je répète juste 5 minutes après. Je vais essayer de calmer, parce que j'étais très excité de tout ce countdown et tout. J'ai encore besoin de beaucoup d'expérience dans la stream de vie. Donc je vais essayer de faire une lumière believable. Une pointe de lumière. C'est vraiment un petit jeu de bas et de fort. Peut-être que je vais commencer de mettre un peu de valeur blanche. Mais je suis à la hauteur. Je vais juste augmenter la valeur sur cette chose. Je ne vais pas spoiler l'histoire de ça. Mais, oui, Kumin a juste managé de summons un créateur. Et c'est la seule chose qu'il faut savoir sur cette partie de la histoire. C'est un régular stream. Oui, c'est le premier, mais je vais essayer de faire ça chaque matin. Et après, il y a une discussion technique sur Krita. Ou Ram. Oui, des bruches texturelles. Oui, je vais essayer. Je suis en train de flipper pour voir si c'est le M qui flippe. Et je veux juste voir si c'est en train de travailler sur l'autre côté. Ça m'a aidé à me refreshir Et à ce point, je commence à avoir un petit problème. Et ce petit problème c'est toute cette ligne black sur cette créature qui commence à faire des bruches et pousse la valeur sur ça. Et je veux être plus brillant. Pour ça, j'ai mon groupe dessin avec toute la ligne. Et je vais juste créer un layer sur le haut. Et je fais col pour couleur. Et je presse ce petit alpha ici, icône. C'est un alpha inérité. Toutes les choses que je vais mettre sur ce layer vont juste painting sur la ligne. Les deux là-bas. Et donc quand ceci est terminé je peux juste prendre la ligne. Les lignes sont encore multipliées. Donc juste en utilisant un gré suffisant. Et je suis encore en basse et avec un bruch basique. Comme ça. Donc oui, je vais aussi essayer de couper pour couper un peu les lignes. Toutes ces petites lignes qui sont directement en contact avec la source de lignes. Peut-être celui-ci. OK. Et maintenant je peux retourner à mon layer pour painting. J'ai zoomé un peu. Je suis à 33%. Je vais zoomer juste pour garder une overview globale. Comme ça. Le trap de l'an dernier live stream était archived. Je ne sais pas si on devrait prononcer le chef en anglais. Or archived. Mais oui, c'était archived. Je n'ai pas encore le lien sur YouTube. Et je vais essayer de partager le lien plus tard. Mais oui. Donc comme ça pour l'endement. Parce que nous avons un contact profond avec la source de lignes. Ça devrait être aussi dans les lignes. Et je vais essayer de solver seulement le problème de lignes. Et c'est déjà beaucoup de problèmes. C'est toujours comme un petit jeu. Oh, sorry. Caméra chacune. Comme ça, peut-être. Donc j'ai essayé de ne vraiment concentrer si mon caractère a un peu de rondeur sur le corps ou tout. C'est plus comme si j'ai la bonne valeur de gré ici. Je dois faire un peu ici. Juste pour faire de l'air plus visible. Même si cet oiseau n'est pas vraiment un oiseau real. Mais ça aide à lire un oiseau. Donc j'ai un petit oiseau casté ici, peut-être. Je peux aussi darken un peu le oiseau. Et pour le background, c'est ce que je vais faire aussi. Parce que j'ai exactement la même valeur de l'air et de l'air. J'ai plus de weight sur le silhouette. J'ai besoin de faire cette partie aussi un peu, un peu plus brillant. C'est ce que je vais faire un peu plus et plus de contraste. Maintenant, ce n'est pas vraiment contrasté. Ça m'a aidé à couper le fond du oiseau. Donc quelle version de Krita j'ai utilisé. 4.0 de compilé source ce matin. C'est la plus fresh version que vous pouvez avoir. Je suis sûr que si je compile maintenant je peux encore compile quelque chose de nouveau. Et sur cette version depuis l'hier j'ai mis un nouveau thème. Donc le thème Krita Darker pour faire un très dark UI en interface. Ça ressemble bien avec tout le menu en noir. J'aime ça. C'est très cinématique. Je vais le garder un peu. Donc, c'est ce qu'il va devenir dans peut-être quelques semaines Krita 4.0. Comment important est la shade grise versus la couleur régulière ? C'est très important parce que l'anheise réacte beaucoup à la scale grise. Elle réacte beaucoup plus à la scale grise que à la couleur. Et vous pouvez faire beaucoup de sens sur la picture avec la scale grise, noir et blanc. C'est pourquoi la première photo était en noir et blanc et la première couleur TV était en noir et blanc. Ce n'est pas parce que par design. Bien sûr, ils préfèrent le faire directement par couleur. Si vous avez quelque chose à choisir pour montrer le volume et pour montrer presque tout, avec noir et blanc vous pouvez faire 80% de votre travail. Oui, j'ai vu des photos où vous retirez tous les valeurs sur les photos et vous gardez seulement la couleur. Vous ne pouvez pas même imaginer ce que la picture est allée seulement la couleur n'est pas réveillante pour la information. Donc, si vous fixez la shade de la picture c'est déjà beaucoup, beaucoup, beaucoup déjà déjà fait. Ici, je ne vais pas essayer de faire parfaitement la shading et puis de les garder tout le temps. Je vais juste essayer de commencer par coloriser comme ça. Donc, de cette façon je commence à designer la source de lumière. Pour exemple, ici il y a un sky et je pense que je veux une petite source de lumière secondaire. Donc, tout ça, je peux décider plus tard. Bien sûr, toutes les couleurs seront bleues et la haine aussi, tous les valeurs vont changer plus tard. Mais ici, je vais juste essayer de brainstormer et voir quelle partie je vais shade, comment et si ça fonctionne. Donc, cette créature se lit et je pense que je vais faire beaucoup de travail en avec la paix. Alors quand la couleur sera bien faite autrement sur la radicule parce que j'ai pas envie de garder tout ce petit maitre. Ils étaient nombreux à en exprimer la haine mais ils ne pourront pas devenir vraiment bien en couleur. Je suis sûr. J'ai envie de faire something Donc je suis retourné, j'ai ici une hausse, ici la hausse du thème, ici une hausse plus forte. Mais c'est une bonne base pour commencer à se considérer un peu l'ambiance de la pannelle. Maintenant j'ai vu la source de lumière, j'ai vu que l'arrière sera comme un corona, un halo de lumière. Et j'ai vu comment mon caractère sera brisé, je n'ai pas besoin d'aller plus loin, en détailant le gris. Bonjour Antonio, merci. Il y a beaucoup de contributeurs de papier et de carotte ici, ils font un bon travail sur la translation. Je suis très heureux de voir tout ça. Je suis juste broussé un peu la chute parce que j'ai vu que c'est toujours en train de bouger. Qu'est-ce que c'est votre préféré du film Star Wars ? C'est une grande question. Je pense que c'est le premier film que j'ai vu quand j'étais enfant. Je ne suis pas un fan du Star Wars, mais le premier film que j'ai vu quand j'étais enfant, j'étais un fan instantiel comme enfant. Et quand j'ai vécu, c'était un peu moins et moins de fun. C'était le dernier Star Wars et tout. J'ai vu ça maintenant comme une chute de Disney, donc je ne suis pas vraiment intéressé d'aller plus loin. Qu'est-ce que c'est une question ? Est-ce qu'on a un plan pour achever ? Oui, je l'ai déjà vu. Donc, on va continuer. Pour couler ce gris, j'ai un petit outil très bon. Je vais juste sélectionner cette partie. Je vais faire Ctrl C, Ctrl V, parce que j'ai envie de comparer. Donc j'ai envie d'avoir un lait avec seulement le gris. Et de ne pas exécuter un filtre sur toute la page. Je vais sélectionner. Je vais sauver un petit contrôle S. Oh, oui. Je vais sauver un critère en background maintenant. Et je l'ai toujours utilisé pour voir un dialogue pop-up et tout. Donc chaque fois que je t'ai essayé de trouver si j'ai sauvé mon travail ou pas. Parce que tout ressemble ici en background. Et c'est très bien fait. Je dois être utilisé pour ça. Et je vais commencer Gimmick. Donc Gimmick est ici. Et je vais utiliser l'équaliser. J'ai des presets, mais je ne vais pas utiliser mes presets pour ce live stream. Je vais peindre le live. Je vais juste voir le overall ici. Resizing un peu. Et... C'est un filtre pour coloriser la picture black et white. Mais ce n'est pas pour faire une couleur finale. Mais juste pour coloriser des bandes. Vous avez ici la black. Nous n'avons pas de black dans cette picture. Nous avons de très près de black. Je vais commencer à coloriser juste de près de black. Je vais mettre la saturation. Et si je mets la saturation, la black sera transformée dans une couleur. Donc je peux juste sélectionner la couleur. Je veux cette couleur de près de black pour être. Je pense que je vais aller pour une couleur très classique, et une couleur très warm. Parce que c'est un filtre de feu. Je veux des oranges. Je veux des bleus ici. Parce que orange et bleu ont une couleur complémentaire qui est pour le bleu, le violet. Je veux aller au violet. C'est vraiment classique. Je ne toucherai pas la valeur, parce que c'est le travail de gray que j'ai fait. Et je vais juste mettre la même saturation. Et un pink ici, peut-être. Juste de transition très bien de l'orange au pink au violet. Ici, il sera comme un petit band. Un petit range en bleu. Ou comme en couleur salmone. Ici, je pense. Vous voyez, je fais avec un bleu un petit range. Et je vais au orange. Mais ce n'est pas... C'est déjà trop bleu. Je veux aller au orange comme ça. Donc, oui. Un autre orange. Peut-être celui-ci un peu plus bleu. Ça commence à prendre forme. Comme ça. Plus bleu. Plus bleu. Oh, c'est trop bleu. Je vais le garder sur ce range. Et tous les valeurs de l'oeil, je pense, seraient les mêmes. Comme en bleu, bleu, bleu. Peut-être de haute saturation. Oui. De haute saturation. Et ici, pour le blanc. Oui. Je peux coloriser un peu le blanc avec la couleur. Je vais aussi retirer la saturation sur le château, parce que tout l'oeil est trop saturé. Maintenant. Boom. Comme ça. C'est bien. Parce qu'on peut voir clairement, maintenant, si je zoom un peu la bande, ici, entre les valeurs, le range, je vais le mettre à 100% comme ça. Je vais demander la couleur de l'oeil, ici, pour obtenir un soft transition. Et puis, quand tout est OK, je presserai OK. Boom. Et j'ai tous mes grains transformés dans une couleur base. Ce n'est pas une meilleure couleur, mais ça m'a aidé d'avoir le mode set-up. Vous avez toujours aimé l'oeil? Oh, depuis que j'étais enfant, j'ai commencé vraiment à aimer l'oeil plus que l'autre enfant, environ probablement 11 ans. Je pense que c'est à l'âge que tous les autres enfants ont commencé à arrêter d'arrêter, et j'ai juste continué. Je n'étais pas spécialement gifte à cette période de ma vie, mais j'étais juste en train d'arrêter comme l'autre enfant. Mais j'ai juste gardé en train. Et puis, bien sûr, durant l'âge teen d'arrêter de faire expérience et de nouvelles skills et tout, donc oui. Je n'ai pas vraiment le monde, mais c'est facile de construire l'illusion qu'il y a quelque chose plus que un skill, alors que c'est juste beaucoup d'entraînement. Mais quand vous êtes un enfant, quand vous êtes un enfant et vous arrêtes beaucoup, il y a des années d'practice de trois fois, c'est vraiment cool. Je pense que j'ai fait un bon usage de cette période, ou pas, je ne sais pas. Alors, maintenant, je suis un peu fixé ce que je ressens, ce que je ressens, ce que je ressens peut être problématique. Alors, maintenant, la lumière est très forte et je ne veux pas ce set-up. Je veux voir des couleurs, c'est une très forte lumière quand il y a une haine qui est bleue, pour exemple, et le bleu de la haine pourrait aller à un très haut valeur. Alors, je vais commencer à prendre un autre brush, peut-être celui que j'ai, celui-là pourrait aller aussi, celui-là, et juste à la haine d'opposité, parce que je veux garder des informations, mais je veux aussi construire des nouvelles informations à l'intérieur. Je vais prendre cette couleur et je vais tomber juste un peu la haine, juste pour obtenir la vraie couleur, parce que la haine de cette haine est bleue, bon. Pour cette partie. Donc, oui, la lumière, de cette façon, n'affecte pas exactement la même haine et la haine. Je ne travaille pas vraiment clean, comme vous le voyez, je veux avoir l'overhaul et puis, c'est toujours facile de prendre un petit brush et de cleaner toutes ces petites choses. Ce n'est pas un grand travail. Cleaning, j'ai préféré garder la liberté et je vais essayer beaucoup de choses. Mais, oui, j'ai souvent préféré painting comme ça. Je vais réduire un peu l'opposité de mon dessin, parce que la haine est vraiment bleue. Donc, quelque chose comme ça, peut-être. Oui. Donc, je vais avoir plus et plus de rômes pour painting. Oups. Je sélectionne la bonne laitre et je vais regarder un peu à la vue de chat. Alors, Hello David, Will there be a recording of this stream on your channel later? Yes, yes. Maybe not on my channel, maybe I will use a playlist or a similar system to not mix the streaming video with the normal video because I want to do this streaming weekly and maybe I will have a lot of video of streaming and I don't like when I visit a YouTube channel and there is more streaming video than real video. So maybe I will try to clean up and do something. David, do you have Instagram? No, I don't have Instagram. I think it's a bit duplicated of Facebook and Twitter and everything. So I do the effort to have a Twitter and Facebook mostly to reach more person for the open source and for my work on the pepper and carrot. But this is not the type of social network I like. I really like Mastodon. I really want to follow you and thank you for your amazing tutorial. Thank you Mauritio. I will just scroll back. Maxime, hey! Did you like Japan Impact? It was really good and if you are the Maxime or if you've ever heard the Wheel of the Car or maybe another Maxime it was very fun, remember. Speaking of color, any good color theory book color and light is too academic and doesn't go much in the practice aspect of using what's in there. Crimson, there is no really books I think that are good for telling you you should put this color here or there. It's all about knowing how light is working and then color is a matter of taste. Yeah, it's just taste for color and make the light more or less correct or still is it. And I catch up with all the questions. So this is really gray. I have grayish value here on her face and more and more I am fixing this type of map and more and more that it's the drawing who guide me. I see the part that should be lighted. I see the part that should be just shaded. You can change a lot of anatomy of a face with shading only. So it's always tricky to to shade it well. I will turn back to very high zoom back. So I can spot the first issue. And I want more color on this. So being high value is not just the thing that I really want. And this pass is good for doing experimentation. So it's good if you can bring a prototype really quickly of coloring a picture. So with the hover all you directly see what is wrong, what is not working and you can correct. But when I'm coloring area by area I can't do this. And I have very often a lot of problems with fixing things later. Since I want to be more black like that. I want also more color on a face. We are a bit distant from and maybe I want a little shading but maybe I saturated on the butterfly things. Yes, maybe like that. It's always hard to decide I want more bright in her eyes. She has white hair but this is too strong. Like that. It's okay. And the halo of light around doesn't look good at all. I have to use a blender brush. I will lower the opacity and just try to blend a bit the color. Yeah, this type of brush is very resource intensive. And now her hair looks very gray. She has almost white hair. So they probably catch up the light very quickly. Like that. Yes, I think it's working better. But the butterfly needs a little bit more saturation. So I'm picking this type of brush. The dodge things. And I will just dodge a bit the color to something more saturated with the yes. Now it looks like shining a bit more. I'm reading a bit. It's about training on paper on computer. My best. That's a big topic. I personally had a lot of opinion about it. Traditional or digital learning on what. Training on what and everything. I know that it's difficult for everyone who practice drawing. And everyone is not made with the same with the same material. I would say. We are not wired internally the same. So I tend to to go for the cheesy advice of whatever work for you is good for you. And there is no general rules. You have always to explore and maybe you are the exception that works totally differently of the other. For me there is a lot of academic rules that I don't use anymore. And probably I should but maybe they don't work with me. Maybe I prefer to lose time and do something else. The most important is to catch the rendering you want. And this takes time and years. And it's really fragile. So if you manage to do it even if it takes hours and everything even if it's on a traditional or digital or anything it will be good. I start to have overall good color for this panel. So when I say good color it looks crappy the character doesn't have pink on cheeks or not color red the chain is not there is a lot of color bleeding everywhere but the overall if I look it at this scale looks almost like what I wanted. So I know that when I cross this part all the other side are easier and easier after. All the other step sorry. Bring a little blue here. Just to complete a bit with the saturation there is something maybe cool to do. And for the aura of this I will start to clean up the background now. And to clean up the background that's now my selection thing will start to be useful. You see that all the shape so if I do right click on it and select opaque it will select all my character and if I select opaque a second layer it will by default do addition of the selection so now I have all the shape selected of my characters and I can just go to select invert selection or control shift E no not E I and then I selected only the background so I can hide the little hands here with control H so I can still paint now I will just duplicate this layer just to keep my color sketch so now I can paint only on the background and this is really useful to do some cleaning especially for the background and there is a view mode I really like on Krita it's here on the corner maybe it's under the webcam so I will turn off the webcam nope oh yes this is turning off the webcam and this is a little button here on the corner if you press it it will show you a mask view so here it doesn't show anything because I'm in control H to hide the selection so and this mask is just a plain color and you can configure this plain color I will save before starting because I'm on a alpha version configure Krita and I think it's in display yes the selection overlay color you can choose the opacity and the color I will maybe pick just a little bit darker one oh this is not in RGB but this one darker color and maybe with more opacity I will wait a bit maybe I need to turn it oh maybe I need to restart Krita for this type of setting to be registered but if you hide like this a part you can see the part you selected and the part is not selected and it can also help to not focus a lot and focus only on cleaning up the background so that's why I'm liking this masking feature because it's not really a mask but a quick clean mask and I will take just a hair brush and just start to clean up the background so also here I have a circular shape that looks right now like a big potatoes bleu bleu bleu bleu so I'm trying to to make it a little bit better but with the hair brush it's a bit complicated because the hair brush tends to make everything looks a bit dead because it's too perfect and I like to have some painterly little detail some accident some life I like to see where a human was in the painting not where a computer was yes I'm leaving intentionally little accident here and there to get this type of effect sometime this is hard because on my portfolio on my previous time you can see a lot of pictures where I spent like 20 or 30 hours smoothing everything by default I'm someone who likes to smooth I was using a blender telling it and I should use maybe more expressive blender like that and here I have a transition of background so here I have a little bit of light and here it doesn't appear so I have to fix that a bit it will fix the continuity ok I will press CTRL H to see it clean a bit the background so now I will do the reverse but for the reverse I like to keep the background visible so I just switch to ENTH mode I will bring back the webcam now and I press CTRL H again now I press CTRL E A, nootie sorry there is a cat that was sitting on my keyboard and moving my microphone so I wanted to select only the character and to leave the background now unselected so I'm just checking here and pressing CTRL SHIFT I so now I've reverted CTRL H so I select only the character and now I will just smooth a bit and control the internal edge so for example here the hair meet the the hat so there is like a little edge a edge is a transition between it can be to volume to color and you need to to split them because if they bleed like that it doesn't look clean so that's usually my workflow I work on a quick version really speed painting and then I clean I clean I clean I will look at the chat while I'm cleaning because I'm focusing on this part I'm not focusing here do you prefer color dodge or addition I prefer color dodge addition is really good in a lot of situation but color dodge also produce a lot of saturation and when I'm doing highlight I usually prefer to have all this saturation and all this high burn effect but addition is really good for linear lighting what I love about Krita is allowing me to draw digitally the way I do on paper that's good for me I still have really the feeling that I draw on paper and this is like a like a full I just want to say that paper and Krita for me are still both really different but not because of the practice but because of the device of it's mostly the vacuum device I still I still feel that I need the texture of paper I need the fact I can have a lot of precision on paper I don't really like the nib in plastic I also like the physical object and this no no computer can bring it back so yes I have the feeling that drawing on computer is really another word I like both words but with more and more I tend to do one or the other switch from time to time mix them some time but when I started taking some skill into one field I hardly convert this skill into the other David do you have a discord server no I don't have a discord server but I'm on IRC and you can find it on the paper and carrot community page it's on the website paper and carrot and we have IRC and we have a lot of bridge to the channel it's easy to find I think discord is like a chat with video with everything like that oh yes it's very ok reply it thank you very ok for all the work of moderating you're doing good job thank you all ok so now I'm fixing the volume of the hair so right now I consider them like big block as you can see I consider them like block of plaster and I'm just trying to put everything into dual shading so the part where there is light and the part where there is shadow I usually do this when I struggle with the volume and then I pick a part reduce the opacity again and I just blend a bit to break this shell shading aspect but yes that's what I'm doing with the with the cleaning so I will reuse here for the shadow this grey violet pink thing and here for top shadow so the hair do a strong casted shadow oh yes but the light sources are not his hand the light source are the bird the butterfly yes like that so the nose is a part where the light can go through and with a strong light like this you can see on the shadow the blood going through it this type of effect that make the shading look a bit more believable but it will increase with time and I also want her because that's part of her design to get a sort of blushing permanently the scene is in winter so she's outside and she probably have the cheeks maybe this part the cheeks the cheeks a bit reddish pinkish and she have the eye white but with a little bit shading like that time for saving so for the butterfly for the butterfly I'll probably go with a brush a bit more expressive like on does a little dot and everything and I will probably just un hide the selection des select and just select the foreground because I have a a selection for the butterfly only I will pick this adjustment first and I want to make the border a bit more reddish a bit more orange I don't know, there is just something that doesn't look good for me so I'm trying to put the finger on it maybe like that I like this high u I think it should have a lot of contrast on this thing especially if it's made of fire or something I'll probably even not not put it down I want to tone it a bit down like that and then work with a dodge orange very low but very high saturated brown and to get some flaming things inside it so right now it's just the color that I want to to get maybe not this is an effect too classic like this yes the reddish was a bit too burn I don't really like the color of this for H ok I have only this selected so I will do a little experimentation I'm calling the u saturation panel yes it really needs to be higher value I'm not in the green and more in pink and reddish I sort of like this because all the magic of the chaos in my comic so far has a lot of violet on it when they start to summon some creature violet or red so maybe before yes, this is an improvement so I will keep this David, do you prefer painting in this with big monitor or Cintiq with 3 13 HD I'm using right now the Cintiq but I'm using it as just as a tablette, I don't have the eyes on the Cintiq right now I'm looking at the screen and I have a 9 ATP screen that is mapped to this surface so it's like if I'm using a large tablette I'm using only the Cintiq and watch the Cintiq only when I do the inking when I do color I don't like the color on the Cintiq the screen the surface is glossy and the color doesn't look really good so it's really hard to work color on the Cintiq in my opinion but I saw a lot of artists going really fine with it so I might be not the best to play this game of getting good color on the Cintiq so I'm keeping using it like a Intuos Large most of the time like really 80 of the time 80% so this creature has a logo on the wings that is important for the story not really important but it's a nice detail I say and it's the infinity symbol that is also the the magic of pepper it's the magic of the chaos and that's a nice detail to show Cumen doing some chaos magic I will not spoil the story but so far the witches, the old we didn't saw them we didn't see them a lot using the magic and in this episode they will do so I was happy so now I'm sketching more local this creature trying to make it work it looks ok but it doesn't look like this creature emit a lot of light at the same time oops hey Razvan so I will check if there is other question thank you for the comments ok time to deselect this and now I think I will split or because right now if I isolate this layer you can see that I start to have a good painting so I can more and more don't use the line art and this is important but I want to split the character the foreground and the background at this step and not use only the selection as on the fly selection so select opaque I will turn the visibility because this is hidden selecting opaque this also and here I will just do control c, control v now I have my character I can go back to car for character and I will flat all of this thing this was the previous version and so I have now character and background and I can lock at this step now the two of them so this will be helpful because now I would like to texture a bit the background because this is really flat I use a lot of flat brush and it does means a lot of little things happening like splatter or everything so if I put some splat like that for example on the background what I would do is I would duplicate the background so if my effect is too strong I can still erase it and go back to the previous version this is a little contrast I like to do often to have something texture red like the background and the character less texture red or the reverse like that maybe but for background the texture is a bit high definition for the moment compared to the low definition of the character and I prefer to blur a bit this because it's only a sort of energy it's not really splat I just want a little vibration now the texture is sort of working sort of maybe here apply the filter again good but now I will just erase here to retrieve a bit of quality oops not here so I can compare without and it's okay on the character on her hand this is too violent probably need to go this that you use it to do some concept art not long ago right but you are not doing that anymore are you I still do concept art but very less than before before it was very very often when I had commission it was like 2 concept art a day or something so it's very good to to finish picture everyday on comic and on paper carat it's longer it's doing a lot of line art than doing a lot of coloring and not finishing project daily or finishing a picture daily I miss finishing a picture daily but yes this year I work on on the spring project and it's a project by produce set by the blender foundation and directed by Andy Goralshik so I'm doing the concept art for this movie and you can find it on the blender cloud but I'm doing it I did a little bit of work on january and I did a lot of work on october but that's really a side work most of my time is on paper and carat and on crita right now I like the variety of little stroke on this creature but it doesn't really convey that it's lighting there is all there is the light but the creature itself doesn't really show that so maybe I will change the color of the of the line art I have my color here on the top of my drawing saturation a bit so yes this is just a big stain here of pink to color the line a bit more and on the character I will just quickly select the butterfly I'll just have a overlap here so it's easy to and I'll probably bring the curve the lightness and I will probably just boost the lightness while keeping the low detail like that yes it's bleach a bit the effect that's not what I want I will probably use just the RGB because the RGB also keeps a lot of saturation a lot and this is too low I really need to to push the low value so this is the low value of the picture you can see this gradient so I'm putting them a bit up so the the dark red is not dark anymore if I turn you can see it and I push the mid value and the high value very high so that's why I have this offset now but I prefer it works better I will also call the the color balance control B and in the mid tone so maybe this part I want it to be a bit more violet I feel that it's better like that just a tiny bit and I lost a bit of saturation now it looks really white so control U and I will go to the Lumar and put the saturation a bit more like that maybe yes it works better now but oops I don't know why the chat still had the focus but any tips for printing your digital art oh this is a big topic and to to make it on a live streaming and painting at the same time it's a bit complicated but in general if you are printing something and it means in 19% of the case that you are not the printer yourself so in this case I advise to get a good relation with your printer and so you can get for example the color profile of your printer and you can enter the color profile in Krita so you can get a close simulation of what the color will be and your printer will also tell you for example the margin if you need to trim a picture if it's 5mm or 3mm there is always a lot of parameters like that that you can only guess or get with your printer directly and any change from one printer to the other so if you work with a publisher the publisher very often has the spec from the printer so you don't you don't talk to the printer directly you just get the specification from the publisher but but that the way you you work for printing if you want some general rules just to follow just to be to be sure you you will not do some problem here I'm working with RGB and it's not the best color space as everyone knows for making good hard for printing but it's good for being on screen and on screen of chip monitor paper and carot is designed to be a webcomic first so I'm keeping the RGB and what I'm trying to do is not going for example applying this type of color see this one very saturated here so this is the type of color you will never see me applying in the comic same for this one and same for this one because even a plain red is almost ok but doesn't render well but this very saturated color never prints really well because they are not in the colorimetric space of the printer so I'm trying just to avoid using this type of color because I know that they never print well but if you want to take a green for this one this one will prints really fine so yes just avoiding this corner and then you can always do the view soft proofing if you have a color space of your printer it will show a simulation of the color here it's only the default of Krita so it will show you all this type of color that prints really well so you can just do a quick dj after with your brush to put this color down put this color up I have the feeling that modern printers this is a question of crimson or this is more like a note I have the feeling that modern printers nowadays are giving you less and less choice in configuring it especially the home ones yes and the modern printers I have to admit they are better and better are knowing what to do with printing RGB also it will be never perfect because it's automatic conversion but they sort of do well I don't like this edge on the nose I'm watching it and this part also now it looks like her face is made of wax so I have to put also a bit of blood inside it under the skin this is putting some ketchup under the skin and this part is very flat also so I see a part very flat when the color from here from here from here are the same and you can read the volume only by the line and this is not good for me the line should almost disappear so this line describes more drop shadow maybe put more shade on her neck a bit more reddish for the now you see that even in my ready high value here I'm still keeping here the going to white and this is because I'm liking to take a little brush like this one and add some accent you can see like accent of white like this so I need this little area but I will do it later this is a a nice little touching point to finish it and it makes it a bit more graphics also so I like to keep this room and same I don't like to go to black so I keep a bit away of black now I will enter in a long step of cleaning not really long long long but I want to bring this panel to final final but now it's it's almost 4 o'clock here so it's only it's almost 1h30 that the streaming started and this is normal for my for my color sketch process normal time budget I mean it's normal sorry I'm trying to think about my artwork and speak at the same time it's difficult so what I'm doing is often I'm doing all the panel like that and then I do another review with with a small brush and this review with all the little detail like all the little white color as I show you going like that and adding and here trying to see the shadow and the little chain but this is really easy because all the picture is now set up and now I see that this light I just have to fix it a bit here this is the step I like where you can put a headset music and just spend like 3 or 2 or 3 hours just in fixing the and cleaning the picture but I will not do it in live streaming because it would be boring but that's how I'm coloring and that's how I'm putting the base color so I will try probably to wrap up this live streaming I will look at your question if you want it's a bit a last time to ask some question for this week and I will scroll a bit and read I think you work it on Sintel and I see here yes yes I was working on Sintel ah ah yes any tips for printing I read this one need music yes that's always a little problem I don't know if I should put a little background music or let people to choose their own music at home I know there is people that follow this streaming and just listen to it while drawing or while doing this and they prefer to listen to their own music so it's really hard to put also a playlist and get no copyright infringement with the playlist even if I'm picking only public domain or even creative commons music sometimes there is just a loop of sample in the music and the youtube boat take it and just put a problem I had a lot of things like that with my video and with my creative commons music it's really difficult so maybe I will keep this format without music oh thank you very ok for replying why not streaming on twitch MrRevoy that's a good question it's because I probably don't know a lot of twitch and I know that the youtube had this feature with follower and I have a follower on my channel so I thought that maybe people prefer to see my work on youtube and also there is something with the player and with the flash player I don't know if twitch is html5 I know that youtube play back correctly so I thought maybe I could do it on youtube it would be simpler for everything but feel free to reply in the chat why you would prefer twitch what is the reason but I feel it's just another platform right now I don't see the the benefit oops jump please make tutorial about the filters and gimp plugin it's the hardest thing for me in crita oh that's a good suggestion I will try but when I do a tutorial I have to spend like 2 or 3 days and right now I'm really busy doing the preset of the next crita so I will take a glass of water so sorry maybe it will take time but I'm notting it I'm notting it in my future to-do list right now it's finishing the preset of crita and finishing this episode of pepper and carrot that's my big priority on my list this was awesome thank you very much David I need your advice in drawing at me bad painting it turns out soap and it is not felt sharpness and texture how much already I draw and painting does not vary you have to do just practice just do the same thing thousand time and you will get better there is a general advice check your volume check your shadows and check your color theory hmm it is easier to draw with the tablet flat on your desk or proped up here you can see that I put it on a book I have a slight little angle and I put on the book my keyboard so I will try to zoom out and put the full screen here sorry it's very hard with the cable of the usb webcam so here is the tablet and I put it like that on a big book and I put my keyboard on it so that's how I have my a little angle it's better for the back because I don't like to be banded over the desk all the time and yes my glass of water, microphone and of course the cat sleeping next to the heater and double screen with OBS and here I put the camera back yeah camera in front I already have four copyright claim by just using live fm in one stream yes and thank you Yanin for the support on patreon if someone is being twitch partner, they are not allowed to do both at the same time oh, you speaking about twitch and question from Moebius hi David you can use picartto to for streaming it's a stream service focused on artist the thing I don't know is how behave on stream with other platform I was to do it but it looks working on youtube things working are very rare so I like it right now will you also follow this trend and open up a discord or do you already have one I don't have a discord and I think it's another proprietary software or proprietary chat things I have an IRC channel and I'm fine with it I don't think I will in general I'm not following any trend I'm doing my things on my corner and sometimes it works sometimes it doesn't so that's all for the question I'm losing my voice that was a very pleasant time I will close this video and thank you again I will put the end credits and so there will be only my voice and thank you again for following this streaming and I can tell only one thing see you next week bye