 Alrighty, let's watch this whole thing, your sound. So let me go through here. So the main thing, as you said here in your email that you added a walk to make it a bit more interesting and to add a challenge. Walks are definitely a challenge for sure. I think the main impression that I have from the walk, which are there's some moments where as the foot is like a small technical thing, but as it goes up, this is a moment of up, and then it kind of locks just two frames here, and then it goes back up. And if you watch this, it has a bit of a want to hiccup. It's not too bad. It kind of almost like adds like a little pause. So the thing is, it still feels like a cycle. So it gets a bit, it just gets a bit hiccuppy there. But this is obviously extremely not the first thing you should look at. The main thing, and this is, that's a tough note because it would change a lot. Like the main thing is that he feels very labored. So, okay, I carried this W over here. It's really heavy. So it doesn't quite match the personality of his voice. So that's problem number one. Not problem as in like, this is a problem where it ruins the whole thing. My note is a problem because it would necessitate a huge change. The second note is a bigger change. That's a bigger problem is that if you listen just to the voice through all of this, there's some moments where it could be, you know, even if you have like a bit of a faster walk, like this would be maybe a moment where he's really standing on that one leg and maybe one leg goes up a bit more and goes hello and then then couple steps. So well with your reading you've learned and that could be a moment reading and then he would turn look like the way you have it here and then change the tempo of the walk a little bit. You've learned lots of letters like W and that could be a little moment again where he could either lean in and pause a little bit. So that's I was thinking it's a bigger problem. It's hard already to do a walk and then it looks like you have it on a cycle but now you would have to stop and go, stop and go. That's does that major changes. But as a way to throw that out there in an ideal world if you had, you know, infinite time that would be kind of needs to add that. If we ignore that and just look at that aspect of it that feels maybe a bit generic. Just that it could be a bit of a like a faster hello again like matching the energy and kind of the hello, the little hello things imagine he waves almost not exactly with that rhythm but it feels like it would be like a little faster more active wave. And this feels more like a well with your reading. It's like, all right, you come on. I didn't order this coffee like you come on versus reading and this could be maybe arms to get for a little clap or something like a little fist and like, yeah, you made it like something that's again, a bit more, a bit less relaxed in a way. Something that it's more about congratulations. I'm rooting for you. You did well. I'm proud of you. If that makes sense. You've learned lots of letters like W same thing here where this feels more like a like W. Like, yeah, okay. The carrot is over. Look at it like this could be, you know, this could be an active point potentially obviously pointing here but like W like or you go up holds for long dissipation then bam W like, you know, this is this is what we're talking about. I mean, that could work. Why not? This has a bit more energy. Like that's cool. Like that to me feels more in line with the energy and how he says it like that. Like that's great. And I know then it will be a repeat. So you have to find something different than this but that's nice there. You can always have this for this one and this one would be holds the arm with a closed kind of like the the Italian, you know, like fingers together and then it's like an arm up and the fingers open like the hand opens like this. Like he almost brings it up and activate the camera here. So when he does what it would be arm like so it would be up and go what like he could bring that the hand out and go like the W comes out of his hands in a way. I think that's okay because it's a longer gesture for a longer, you know, coming into frame thing. It's cute. Watch out. There's a little bit of a hiccupy thing in the body right there. Right there. Watch out as he goes forward. Hits this wall right through there. That's a big pop there or like a hiccup. Yeah. Like that's okay. There's a slight, I know if you want to go more in like a chin stroking like, or type of thing. This feels a bit more like type of thing. If the mouth was done here. I really like the the active body and head here, the accents. Sometimes a bit harsh in like that. Check the move over and watch out. It feels like you're moving the body over this way and countering with the head almost perfectly. It gets a bit of a sticky frame if I put onion skin in here. You can see how that nose is suddenly stuck in screen space there and then it suddenly pops to the left. And the same thing, the body is a bit harsh. But it's cute though. Overall, I like it. And then careful here. It gets maybe a bit complicated because you have a gesture here and then another one right there. I think I would just do one. That's probably okay. You just got the right structure. We still see the finger silhouette. I'll probably go, I mean, again, target audience. You definitely can afford a point because they feel a bit more involved. So I'll probably take this out just because this is just a general gesture that's always everywhere. Arm out with arms out of the hand and fingers out like that. This is a bit even in timing. This guy going up. All right. So I would just screen go up, slow up faster. So basically, you know, you go up, hold it a little bit and a bit faster. Watch out. This is a bit tricky, but this is like one of those IK arm things. So it feels like there's a cut here. So you got the orientation of the forearm with the hand and then it moves over and now it's suddenly there. Put the onion skin back there. And you know, the wrist is in the same orientation. You can see this here. How much of this is moving. So you would have to, if you do that, you would have to rotate that wrist as well while this stays put from the index, at least. Although this feels really elevated up. I think it just feels more comfortable if it was more like that generally. Just goes there. Yeah. I would just keep that arm more like that. It feels a bit more comfortable. And that's cute. That's all great too. I love that little just coming out. It's great energy. I like how that arm shoots out as well. But then, but then over shooting comes back. It's not a hard stop. This has a really nice, nice energy feeling. I love that that pull takes this handle with it and back. It's great. And then he does this again. And I know we just said it's okay. I don't know if you want it twice. It could just be one of those. If you didn't do before where it's more like, you know, like just like you or like just like you like a different you like something a bit of a different gesture than you. I found you're the guilty one. So maybe I could different variation of that point. And that's that. It's really cute. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.