 Alrighty, let's watch this here. There's sound. I want this brigand found. Star them out! Slaughter them out! Take their livestock! I want Loxley's own people fighting to bring his head in. Haha, nice. I haven't seen this before. I want this brigand found. So, what I would say, I'm gonna go down a bit by it with the sound level here. I want this brigand found. This just feels a bit floaty. So, I know this is early on, so as you continue, I will give this a bit more weight, a bit more side to side. And it's also a bit soft in the head. He's very tense throughout the whole thing. So to me, it would have a couple sharper head accents. And then you can also play around a bit with loosening and tightening the fingers and the wrists. And as you do any head accents involved, there's the chest a bit more. Like that type of stuff is great. But it's right at the beginning when we almost kind of lose it. And it seems like it's looking almost like me here. Watch out. And I think it's tricky with this nose to bring in a pupil. I'm not sure how you would have to tweak this. Maybe bring in that change of nose a bit. And cheat that pupil out there so we can see a little bit more. I want this brigand found. I mean, he does look at me all the time here. Star them out! This, I will probably star them out. I have less of a flexing in out, but more of a tension. And then we'll probably bring that arm down back and this one up front so that it's only one arm doing this. So it's not that somewhat twin. I know it's offset here, but it's just it's a bit that double arm out thing. You see a bit everywhere. That's cool. All that's in here. I would reflect that a bit more in here. I mean, you know, you can also do that type of out and dissipation. Star them up, but then shoulders up and arms down, fists out. And it's just all just contain like that if you don't want to have any arms. And then you can bring those arms out into that out into that. Right? I do love this here. But the other thing to is that once you get into here, it's a bit different towards the end here, but I'm still going to draw that box where you have that's a horrible thing. Hold on. I'm adjusting my tablet here when you have this here until he he walks. He is just in that box. But even then always kind of trapped in that same orientation. So what I would try to do so start them out like that and then slot, you might, you know, go back a bit more into this so that you can have that a bit more of a spine change from here to here, right? So from here to here. And then, oh, then you can go maybe back a little bit. And then take their lives. Maybe it could also be something we're going to wait, where it's actually just thinking out a lot might not work, but maybe you go instead of that. I understand why you go up, but what if he goes, wait, and it's more skimish, you know, body down, shoulders up, arm up, way to that. Then back, you can go back up here for contrast. And again, same thing here. It just feels floaty and soft in the body. I think you can do to treat that a little bit. And also it could also be a moment there, I say, where he's always addressing myself here, someone back there, right? Bam over there, over there. You can also give the character moment to look away. No, this is the moment where I wait. And then he looks kind of up this way, take their lives. And then it's more like he's already managing. Oh, no, no, it needs to be this. And he's actually looking this way and maybe even takes a step this way. And then fighting. Then you can go back into this, right? To kind of play around also with the direction. So it's not always towards that one character there or wherever he's talking to off-screen. And that's kind of that. It's really cool. I like the line. Is that it? Slaughter that no one locks his own. Locksley, is that Robin Hood? Sounds like Alan Rickman. Whatever. Anyway, it's great. I like it. It's little tweaks here and there. Let me know what you think. I know some of these changes are bigger in nature, so totally fine with what you want to do. And that is that. Thanks. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.