 How was it with you zero and easy, man? Because we was family. Yeah, we on boss talk one on one. When you when you feel like dealing with how is the creative process with the chemistry? How was it with you zero and easy, man? Because we was family, we family. That she was easy. We was niggas who was broke, struggling. And Rakesh was in this bitch cranking up fire as beats. And we was just in that hotel and I were paying a story from the streets on these beats. And that was the easy part. Making the music was easy. You know what I mean? Yeah. It was it was it was us not knowing the business so we could get the motherfucking money. Oh, really? That was the problem. What about the show money and stuff? It didn't ever come through. No, we got show money. I mean, like I said, like I said, all other interviews that I did, I never set up no shows. I never knew how much we was getting paid and none of that shit. All I know is when my niggas said, hey, Dougie, we got a show here. Nigga, build up. Nigga, that's what I did. I build up and then when the money got broke, I just put my hand up and they put it in my hand and I put it in my pocket and onto the next. Yeah, that's but you trust that's why these my niggas I don't I'm going to go back to the house, go to work, sell something because I'm a hustler. I'm going to have me some hustles, man. That's what I'm going to do. But even if they're your friends and stuff like that, you supposed to always. These was more than friends. These niggas I think we broke bread with somebody split chimichans with and just slept in my house and slept with your house. But you still supposed to just know what's going on. These were my niggas, man. So OK, so if you're advising a kid back then, OK, 19, you get out there, you see them going down the same road that you went down. Yeah. What would you add? They're in the group. Know your business, man. I don't give a damn who you it. I don't give a fucking if it's your brothers or whoever the fuck know your business. So that way, at least you can tell you can tell them. Say, bro, look here. We really supposed to be getting a lot of bread. Like we need to copyright this shit. We need to get our publishing. We need to make sure we own the masters and shit. We need to know the business, bro. So we can get the money and keep the money. Everybody want to be in the videos, holding up the money and the stats and shit. That's cool cash and shit. That's cool, but you got to keep that shit because these folks see your ad getting that money and they start hitting your ad with you weird ass charges and cases and niggas be trying to get at your dick and shit. You out here spending your money on lawyers and born and dumb ass shit. Buy more guns and drugs and shit, man. Like that shit be crazy. I think that's why a lot more artists are going independent because they have that knowledge to know about the business. You win like that though. You win like that. And the majors don't like that shit too though. And I think that's why a lot of niggas begin to take down a lot of successful independent niggas. They be trying to take them down because niggas is thinking outside the box and getting their own money. And their motherfuckers, like at first, they probably went to the majors on some, just give me an idea. And the majors were like, nah. And the niggas were like, fuck you then. Bitch, I'm finna go out here and turn up. And when it turned up, and now they're getting all this independent money and them folks looking like, wait a minute, bitch, you getting too much money. We won't end. And then they're like, hell nah, bitch, I'm good with what I'm doing. Yeah, we on Boss Talk 101.