 That's right, I put the brakes on and I got to go the other direction. To get control of this guy, I got to work back, to cut off his angle. I'm going to cut off his angle in that position. He started trying to circle, but I'm starting to lose that position. I'm going to keep that hand high, trap that, elbow in tight. I keep his head pinched in, I don't want that head slipping out on him. My elbows got to stay tight. I'm going to change levels. Instead of bouncing circle in that way, I'm going to move back and kind of drag this guy. I'm going to go into his angle, cut him off. I'm going to square him up again. Once I square him up again, I'm going to go back to my tack. Okay? So I'm just working this. You need this guy to get a good feel. He's got to control your elbow. He's got to try to create an angle. Take your angle away. Bounce in here. I'm going to start to lose it. Change that direction. Change levels with your hips. Get those hips down. Move back into the angle he's trying to create. Drag those hips down. And I'm immediately going to shorten up that arm again. It's a race. I'm coming back to my angle. I'm pulling that elbow up. Okay? Now as I pull that elbow up, one thing I'm going to do is throw corners. I'm going to change this grip. Okay? He's got a great grip. I'm going to do my elbow like this. So once I bounce him and I get control of the position again, I'm going to turn my thumb the other way. I'm going to turn my thumb the other way. I'm going to pull my elbow towards the front. Pull it up. Okay? So it changes his grip on my elbow. If I turn my elbow a little bit, I start swimming it up. Feel my elbow. My hand just turns a little underneath. Pressure him way down. Again, circle. I'm trying to get to that hamstring. He's starting to lose his hand. He's going to change direction. Oh, this guy back down. Shorten up that elbow. He's probably trying to build up. Bounce him again. Get to that hamstring. Right back to that attack. Shorten up that elbow. Okay? Okay, Scott? But we will. We will do a side change. That will be coming. This one I don't necessarily need to change my head. I must. He's really got a D. He's starting to fret. I have to move on to that, though. That's a great question. Good guy. Give him some sets of three. One, two, three.