 anticipating a stop. When you anticipate in your stop, how would you say you're doing it? There's several different ways you can do it. You're not doing it. So you may not be reading the cow. So if you're not reading the cow, that's the only time you want to be the cow. You don't want to be the cow in the turn. You want to be the cow in the stop. Because when you go to stop, you want to know when that cow is going to stop. You want to sit before that, before that, before you need to. You see what I'm saying? You want to sit. You want to be there, but you want to sit before you're ready to, to give that horse that that cue to sit down. You know me? Sure don't want to be riding. So I would say that goes along with reading the cow. And you need to be cow-y. You need to watch that cow. Just think about this. If your horse ain't watching that cow, it ain't no fun if your horse goes like this and turns its head like that. We've all had it happen, right? So when you do, you think about getting your ears up on the cow. I know it may sound silly or whatever, but you take it as you want to. You'll get something out of it, okay? And you take yourself and you're like, okay, I'm gonna watch that cow as in 10 as my horse. On the showmanship part of it, you want to sell yourself. All we are is trying to sell ourselves to those judges. Those five guys up there, all we're doing is we're selling ourselves just as smooth and clear as a picture being painted, okay? And that's going to be our showmanship. Never look like it's on your cuts. It is very crucial. To me, a weekend show is the hardest place to get showed there is. But there's a way we can surely get around it. I want to bring something to you about what the butt does, what the left shoulder does, what the right shoulder does, and what the head does. Because those four things on a cow, dicks takes your cut. Does anybody have any clue what I'm talking about right there? What's the butt do?