 Hey there foundation staff shirm here. Welcome to our 2k subscriber bonus video number two Which is the editing crash course? So a quick note before we get started anybody in the live stream chat I am only focusing on the subject of editing today So if there are any questions about SCP in general, I'm not gonna fuss with those because we got a job to do today So we got to keep our focus So let me pull up the chat in case you guys have editing questions Now last time we did a 2k bonus it was for recording we went over all the recording equipment and such like that Now we are going to go over the editing process That way anybody who wants to get super good at making SCP videos you at least know what I go through now Remember I am not a professional editor. I am barely an amateur editor I learned all of this on my own or from Google Google's your best friend figure things out and I will show you guys myself talking to you. I'll also show you guys the computer for examples now Starting the editing process begins during recording During recording you need to make sure of a couple things First is you need to give yourself 30 seconds of silence at the beginning for noise correction So what you do is just For 30 seconds don't even breathe make zero noise and you'll be able to record that and check your mic levels If you see your mic levels go up and down you'll know that something happened So start your 30 seconds over because dead silence because what you're getting is not exactly dead silence What you're getting is room noise Because there's no such thing as dead silence So the room you're in has ambient noise even when there's no noise listen here the world has fuzz In sound so what happens is you get that 30 seconds of that sound And then you can use the noise reduction effect in audacity So i'll show you mine here I've got my let me zoom out So let me take you guys into the screen for a moment Orientation is locked turn that camera around So this is my audacity That whole blank area is 30 seconds of silence Now you can see here a little bump that means something did come in But most of it's clean. So that's going to be enough. So what i'm going to do right now Is highlight all of that silence Come up here to effect Come on down here to noise reduction. I will try and move less I apologize if i'm making you dizzy and i'll get noise profile All right, that's all I needed to show here So i'll put it back now back to our stand no one's going to go No crazy Now once i've got the noise profile of that 30 seconds of silence I select everything that I recorded And I do noise reduction again, but this time instead of hitting get noise profile. I hit okay And that takes away all that ambient noise from the entire recording So now you have a much crisper sound Without any background hum This doesn't remove errors So if like you bump a microphone or you make a weird noise or somewhat Or you hear a bird calling like you do right now outside my window Or I live kind of close to an airport. So there's always planes That stuff will not be renewed removed by noise reduction So you have to do an extra take if there's an actual sound error But noise reduction will take out ambient sound only Now after you've done your ambient sound removal, it's always good to normalize Normalizing sets one peak amplitude across the whole thing so that you don't spike above that So I go through and I normalize after my noise reduction. That's the first thing I do Before I start editing Now that I've done my noise reduction. I'm going to Remove that 30 seconds of silence from the beginning because that wouldn't be good in the reading Now we're going to talk about technology before I get into the actual editing Back when I started doing this and you'll hear this in seasons one and seasons two I did not use any sort of audio listening equipment when I was editing And that means that I was listening to really shoddy Laptop speakers and the sound doesn't come out the same way that it does in a tv or in a Headphones or some sort of you know nice audio because my they're just basic laptop speakers. So because of that Sometimes you miss different sounds that you would get if you had headphones so in season three After I started adding music And adding music made it much harder to tell the levels on a laptop So I'd have to upload it unlisted Listen to it and then re upload it so That was a hassle because I started doing that with murphy law and three nine nine nine So I uploaded three nine nine nine three different times to get the mixing right It was awful. It was awful uploading that hour long video three different times before I learned. Oh wait idiot Just use headphones so These are the initial headphones I used for my editing. They are just Normal sports headphones Uh, it's better than nothing if you've got better than nothing. That's better than nothing Uh since then since I got serious about the channel My wife did me a solid and for christmas. She got me some nice headphones So these are Nice high definition noise canceling headphones. So these are what I use now And you can really hear everything in your track So you get the cleanest audio because we're going for as close to professional as our skill will allow So once you've got your headphones in And because you guys can't hear my headphones, I'm not going to have headphones in so After I'm done with this sweep. I'm doing a short one. I'm going to go back in and do it all again For cleanup, but at least I can get you guys on task with me here So today we are doing So first thing I realize now this is an opinion piece Uh for me when I learned about audio book recording The people I learned from said that breath sounds are okay Because human beings breathe when they talk So if you breathe in between sentences, it makes you seem more like a person Now I know there are some recorders who are like, I will never have a breath sound in my video And that's a preference thing. Maybe maybe it's not a preference. Maybe you should never have a breath sound And I'm just doing it wrong. Maybe I'll find that out one day. But until then I use breath sounds in my readings But then when I'm doing a robot voice Like my Like my skip net voice or pesterbot. I take out the breaths. So it sounds more unnatural So my human characters breathe My robot characters do not breathe and that's kind of a difference I make in audio To kind of build the characters a little deeper. It's a little more immersive Now I do like breath sounds The air of breathing, but when you talk in a microphone You get a lot of mouth sounds like spit sounds And I hate those so much Oh, they're disgusting when I hear spit sounds. I'm so grossed out I can't stand it So throughout the video You're gonna hear me stopping a lot because every time I breathe I'm fine But every time I hear a smack I take it out Now you have two options for removing things that you don't like in the video You can just delete it But sometimes that takes away the amount of space in between words And since you want to keep doing Since you want to sound natural in your reading You don't want the gaps in between phrases to sound too short or too long. Let me show you what I mean So since then I came back And let's just say I cut that phrase out or that breath out So let's hear that again. This is the wrong way So without a break in between the sentence that doesn't sound natural So I have to make sure that I leave the proper amount of space in between phrases And because of that Sometimes you want to delete the smack And sometimes you just want to silence it There is an option in audacity Called silence audio where you select a portion and you silence that It's a little dangerous to use Because it takes away all ambient noise. It's just completely science is a thing So your flow Might not sound right if you have like ambient noise cutoff comes back up So you've got to make sure that when you're cutting in between things that you don't make an audio glitch So Oh, yes, and the last thing about that before I get down to like the nitty gritty editing here is Most of those in between sounds Can be covered up with music You'll notice in seasons one and two I never had Any music because I was recording more for voice demos So this is me reading a story. I didn't want to cloud that up with my voice But murphy law was the first video I did Where I was like, well, you know what this is a film noir. It needs to have film noir music And since then I saw the light of how important music is to bringing immersion and Covering up mistakes. It can be so from that on always use music Uh royalty free music that you credit in your description. So you don't get copyrighted or sued Or taken down Or demonetized The perils of youtube oh god so Before that Now let's get into let's hear for some mistakes Okay, so we have a small little clip there a Sound before item number You'll often find those spit sounds when you take breaths or at the end or beginning of words. So let's get rid of that All right, so I think that gap is a little too big compared to the first one So i'm going to close it in a little bit Uh consistency is key When it comes to formatting so item number scp blah blah blah blah object class blah I don't want the gap between item number and the number to be bigger or smaller than the gap between object class and the object class Because that doesn't fit. So let's see how that sounds smooth wise now So I made that in between object class is now a little too short It feels like it like I did not take a breath there or something I caught a little bit of a clippy mouth sound. So i'm going to get rid of that So a personal flair for me When strike through happens in an scp document now, this is specific to scp You can use this knowledge. I am granting you ha ha ha to edit anything you want Uh any sort of audio reading you want to do But there will be things I throw in there specifically for scp readers that are my style A lot of people do things differently So in this case strike throughs Are something I do where I turn the pitch down about 15 percent 15 to 30 when there's a strike through Because I'm showing that this has been deleted and redone so It's like someone came in later To correct it So I have to go a little bit further Don't correct. There we go. So 26 m is where that ends So let's get that there now. We're going to go to the effects. We're going to change pitch Down let's hear what it sounds like at 15 percent That's all we need 15 percent. Don't go too crazy because it makes your voice all Gravely when you when you edit the sound too far You'll often change you'll degrade the quality So you want to make sure you only make small tweaks If you have to go lower then the tweak can do nice then you ought to rerecord it I did not do that one. Let's fix that as well. So Okay, so yes, that's right. Let's continue Now that's a footnote Sometimes a lot of the time in my scp readings I don't use footnotes because they often break the flow of the story And normally they're not super necessary To know what's going on But if there is one that's particularly necessary, I put it in and calling them strangle fruits I thought was funny enough to put in I'm going to teach that footnote the same way I do a correction. So I'm going to Lower that I went too far. Let's fix that The undo key is your favorite key in the world control z is amazing at everything So now I can shorten that gap in between that sentence because I left it too long for some reason Probably result in frustration on part. All right, there's a little click there. I'm going to delete As of the 12th of May 2014 All staffer advised to not attempt to emulate scp 237 speech patterns in its presence And are assured that scp 237 understands some degree of human english description scp 237 is a male corn creak genus crax crax It is sapient sentient and capable of speech All of its vocalizations are extremely loud with a minimum observed volume of 90 decibels and maximum of redacted Okay redacted Now a lot of people have different styles for their redactions Uh, because there's three different kinds of redactions. There's blackout Then redacted and then there's Data expunged so All of us different readers have different styles of doing our redactions I do the same sound effect for redacted as I do for blackout Because they're similar enough for me that I don't differentiate between them too hard Data expunged is the ones where I have now I used to do them the exact same way But back when we had our first guest contributor Eric Peabody He made some redacted sounds for his own and his beeps were way better than my beeps So I took his beeps Uh, I say took he lent them to me because he's a nice guy And so now I use those as my redacted tones as well Because if you look in season one and two my redacted sounds are kind of ugly sounding And nobody liked those redacted sounds. It's much better now that I have uh erics Redacted sound so that's just the love of collaboration We all build each other up So I will put that in so now it's Rhyme and arbitrary insertions of the word as such scp2337 will answer to the name Dr. Spanko Initial reports of scp2337 came from unusual noises from a field near Sussex So yes, you'll hear When I see the blackout in a screen to make sure I remember it and this is actually a really good example So We're going to look at the screen again for a second. I'm going to flip you guys around now This section here is a boop I use the word boop when I am going to do a redaction Now that is easier to see because you see how it's a rectangle on the top While everything else is squiggly line That rectangle on the top is called peaking P-e-a-k-i-n-g So when you're uh, when you're peaking you're going to notice the microphone on the top turns red When you hit red your microphone starts giving static and distraction So if you peak something like this You're done you have to re-record it Because it is too loud and there's a way to fix it because you're all staticky Uh Peaking your recording is not good. However, I will use peaking like boop To bookmark something so I don't forget to fix it because I have in the past Left a boop in the recording and that was silly someone's like, hey, sure. I mean you left a boop in there and I was like, oh no So yes, I see the boops because they are bad on the waveform and then I can fix them But I know vulgan does like some garble static for his redacted Some people just say redacted Uh, I know scp illustrated tries to improv and like make up what's in there or something like that Everyone's got a different way of doing it So continuing on in the article A mouth sound I'm gonna fix that because that's gross and I hate it So here's a good tip looking at the screen again Check this out This is how small A mouth sound can be So it's just that little tick On the marker So let me zoom in a little bit Oh it moved to the center So that tiny little speck Is a spit sound Now that right there near the end. That's the end of a word A spit sound and then that little bit bigger on the right side of the screen That is a breath. You don't need to worry about breaths, but I mean, you don't have to worry about spit sounds either, but I hate them So I worry about them and this one is getting deleted So there's a big one Sometimes it's like three of them in a row and then my life is awful and I hate everything Let's back up and make sure this flows Okay, I must have left it all on a different track There we go. Okay, let's So When I edit So there's two main styles of editing that I have noticed There are people who will go through the entire reading no matter what Like every time they make a mistake, they just start again and keep going And they leave the mic recording the whole time Then when they get to the end, they have say it's a two minute reading, but you have 20 minutes of audio I hope you didn't mess up that many times But you have more audio and then you trim it down until you have only the good stuff I Hate editing. I think it's boring I hate it with a passion I should have warned you guys before we get started that I think this episode is going to be super boring because editing Is super boring, but it has to be done and you got to learn how to do it So what I do is every time I make a mistake. I stop the take I restart the take Hit it correctly and then I chop that back in line with the original good stuff So that at the end I only have the good takes Followed by a little bit of cleanup and it shortens the editing process So it lengthens the recording process But it shortens the editing and I don't mind the recording as much as I mind the editing. So That's my personal preference I have friends who just record a long string and then edit it down from there and it takes longer and it drives me What did I do here? Okay, so I recorded a thing weirdly and I need to check the notes on the scp To make sure that I did not screw something up Always have the scp script in your hand while you're editing So you can look at it and be like, what did that? Did I miss a word? Because I have like had to go back and rerecord because I missed a word and it was super frustrating Uh, okay, so I need to cut one scp337 To get back to That so let's go back here cut this Now cutting in between sentences is really hard there's a There's a lot of difficulty in cutting words From sentences together Because you got to match the wavelength perfectly otherwise you get clipping and you get little pop sounds from where things don't match So it's important That it's first it's important that you get the sentence, right? We got to see if I can cut this It's like indiana jones in raiders of the lost arc. He's about to switch the sandbag I might have to go rerecord this if it does not fit But this time it did work I have been known to avoid rerecording by hunting down a word in later in the scp And then trying to shoehorn it into a sentence And if it sounds natural then the holy grail has graced you and you don't have to rerecord There's a mouth click there. We're gonna get rid of it because I hate those All right, so now we're on to the interview log So let me cut that long gap in there because I don't know why I left that in there Okay, so I did that in a I did that in a super high voice That's what it sounds like when I'm trying to do robot voice or skip net voice So when I do my skip net voice I do a high voice like this And then I go into the change pitch And I put it up 15 percent I either go up 15 or down 15 depending on what I'm doing. I don't normally go further than that Whoa, why do I sound like helium? That's too far. Maybe I did something weird there Okay, let's try 10 percent 5 percent Okay, so apparently I did a way higher voice than I usually do because it doesn't normally sound that Chipmunk ish when I change my pitch. That's unusual But the second thing I do for any robot voice Is I change the equalization So if you look at the equalization tab in audacity You'll have this I'm gonna turn it around don't throw up for motion sickness So you'll get this graph Now this is a particular equalization that I learned from the web series red versus blue What this is is this is the equalization they use When they want to make their voices come out of helmets So it sounds like walkie talkies So I do this anytime I have a robot or an artificial voice And that makes it This line where it's you want it to be from 100 hertz Straight up to the line Go across and straight Down somewhere around your voice sound like it's coming out of a walkie talkie or uh Helmet to speech thing And so when I do that So here's before Here's after a little gap that's there because we don't need that There's more. Okay. So there's an encryption key. So I need to put in a keyboard. What's this? Oh my gosh, there's so much stuff here. Okay. So let's add the equalization to this Let's change the pitch that same 5% Let's add a redacted beep there God no not that So we need a redacted beep in that spot for the doctor's name because they Everyone loves redacting the doctor's name All right, so let's go back and see what it sounds like Now when there's an encryption key like that I like to put little keyboard tapi tapi sound effect noises in So I'm going to wait until I finish all of the dialogue to do that with the noise sound and now Because of the difficulty in doing dr. Spanko's voice as a character What I did for this one is I went through and did all of his lines in character And then I came back Or I did all the doctors first and then I did Spanko's lines in a separate track So now I'm going to have to cut and paste Every one of Spanko's lines Into the text. So this is going to be Arduous that's the worst thing about editing editing is not hard It's not difficult. You can teach yourself pretty easily But it is time consuming. So here we go. So it starts in the right place So now let's go find the first line from Dr. Spanko flex All right, so that track is empty so we can get rid of it Now let's See if I can just take so that's three sets of that Now let's start here and let's bring this all the way back So I can so it's closer to what I'm doing So that I don't have to cut and paste as far Okay, so that is stage direction. We'll put that in later. All right, let's add in the boot That is quickly sedated with a tranquilizer dart and Dr. Boop suffers only minor Let's put that boop in while we're here Suffers only minor scratches. This has been noted the only time that scp 2337 has displayed hostility Okay, so we can cut and paste this on to the next piece and we can tack this onto the ending So let's cut that back And let's cut this up to here Perfect. So that gets rid of two more tracks of dialogue Not there in order And now it's time to spanko. So let's get our first line. All right, so we'll take that and move it To the beginning of this interview. Where's the interview start? All right, so 313 is where this is And let's cut that a little smaller and after thank you and how So that and how Is at 323. So now we go find that and how And we cut it And bring it back to 323 See See jobs is one of the weird ones. He's like, I like editing. I hate editing. This is not my thing All right, so anyhow, listen scp 2337 So now draws a prolonged gasp And then it's me solo Oh, wait, I have two and house Are there two and house? And how it kick and how Maybe I did that out of order or No, I just did it for two different takes. So I want to listen to The first one back at 323 and see if that's the and how I want I recorded two takes so I could find out. Oh, so that is thank you Or it could be Thank you Followed by I like the second one. That's why I recorded a second one because I liked it better Gotta think about that sometimes Okay, so we're back here. We replace that with this boom It's a better response to thank you Now we have a prolonged gasp And it me kak. Let's go back to three something 337 all right, so delete that little mouth noise Delete that little mouth noise And add in boom too long a break Back to 336 So it's taking a little bit of a long time for me to go back and forth between Where my dialogue is and where I am in break So I'm cutting the phrase of dialogue closer so that there's less back and forth These are things you can do to speed up your editing. So now All right, so now please elaborate on the exact nature Let's go here Okay, that might have been a mistake take mistake take So yeah, you can hear that I left in some takes to just keep going on There we go the and how t-shirt That's site 42 and how I like it. I like it. That's that's good right there cut it closer All right, so we got that now Please repeat that statement I enjoy the amount of annoyance I had I put into this doctor's voice. It pleases me immensely I I know that feeling of oh, please repeat that statement 10 4 x lax All right, so 10 4 x lax A little bit closer. Oh, we gotta add in the yodeling now. Oh god. We gotta end in the yodeling Here it comes So now what I'm gonna do. All right. Are you ready? Here's the yodeling So what I'm gonna do is it says three minutes of yodeling. I don't want to do three minutes of yodeling So what I'm going to do instead is I'm going to put that in and over it I'm going to now decrease the Amplification so you can go to the amplify And it took me an embarrassing amount of time to realize that amplify could also Make it smaller So I'm going to make this quieter so the yodeling exists and then I'm going to Over it. I'm going to put extraneous yodeling redacted which I recorded So let's cut that down and now let's go get the uh Please discontinue yodeling comes after that but I need to find where it says Excessive yodeling redacted. So now we cut that and we can put it over the yodeling so now Let's cut and paste this here. Let's cut and paste this here And let's cut and paste this here. So now it'll sound like this Yes, perfect And now the next line for our good friend air dr. Spenkelflex mcac make more sense So now let's cut the mcac make more sense And put it in line By the way, I'm going to save this project as to now normally in audacity you save things as an audacity project And then you export the audio when you're done But what i'm going to do real quick is i'm going to Save this as two three three seven in progress and that's because I don't want to lose the original takes of my dr. Spenkel Because like I just reduced the volume on that yodeling for effect But I want to keep the old project so I can come back And get the proper yodel later on So now if I open scp two three three seven I should still have The original version before I started editing Which will include Everything at original text for spenko because I don't want to lose spenko's Good stuff because yeah, I can make I can now take spenko and I can make these like you guys joke about having Uh normally or I'm reading the chat you guys joke about having like ring tone and notification of 10 for x-lax But actually that's a patreon reward is I'll send you a file of that And you can have that as a ring tone for any character that I've done before and so I I thought about that because my pesterbot is pretty funny But I could do dr. Spenko voice text alerts ring tones Yodels and I could send those out as ring tone files Explain your in a coherent way mitochondria the molasses All right, so let's go with Oh god darn it. Okay. What did I say before? Versus Yeah, okay, I gotta use that one because he's a little more English and I forgot to make him English in that sense Boundary the molasses So now Too close Need a little more space before he starts talking. All right next one All right, so that's gone. All right, so now we have that And we can cut that into the conversation above it Here can be are you all right? It's uh Ba-da-bing, ba-da-boom check the chat real quick Where was what vulgan showed? Oh That is actually that the site 42 response team car is cyan truce Who's in the site 40 tour? That's a cyan truce That's his car I all of their skips are also Site 42 just for the heck of it. That's kind of a cannon thing sigh does so That's why sigh found me on tumblr Because they're like, oh site 42. I do site 42 stuff. Welcome to site 42. Oh eastward bound A found disappointment Yay You have a thoratator explainer rate How serious can you speak in spanko voice? We cut this A little less. I need some space for it And then and now we're going to just leave a whole bunch of cacks under this conversation All right, so that is the end of scp 2337 We have made it to the end. We've got the interview in line So now let's listen to the interview because we started Doing this we want to make sure that it sounds flows like a conversation. So here we go Oh no, I added an extra word there It's mcack more sense not mcack make more sense There we go And this is why you have to listen to it again and again and read the script because you're going to find things that don't fit And that could stand to be a little closer Space and attempts to peck his eyes out scp 2337 is quickly sedated with a tranquilizer dart and dr Suffers only minor scratches. This has been noted the only time that scp 2337 has displayed hostility Brilliant. Okay. So now we fix that word that saved that now The last thing we're going to do is early before that interview started We have a Sound effect to add in So let me find that sound effect to add in It's right here That's not it. All right. So at three minutes and two seconds Now when it comes to sound effects, first of all, you always have to make sure that they are the right volume Because you don't want them to be too loud or too quiet Um, I get most of my sound effects royalty free sound effects from youtube I will search for youtube for whatever i'm looking for and then I will Take a youtube to mp3 ripper to download the sound effect To mp3 format and then I will Put it in the place So let's say right here. I need a keyboard sound effect. So I already have this one from a previous scp so now I just Pull that it up Delete all the extraneous stuff pick only the parts you need And then you get So now we have an encryption key sound effect All I've got to do now is add some music and again royalty free songs where you Whatever song you feel best foods foods the mid of the piece Uh fits the mood of the piece Which I think My typical scary sound effects aren't going to be the right kind of sound effect for this but I have to think about what song I want to use for this because it's scp. Everything's always kind of spoopy anyways But I also consider that I could just do some What's the phrase i'm looking for? Because I have a bunch of film noir music from murphy law I have a bunch of ragtime music from when I did the scp 3999 because I wanted the aristocrats to be a ragtime piece Uh, I've got some banjo background music from instigator. That was pretty funny I have some weird like classical music and like industrial goth Stuff that I use for things I think Okay, so let's let's do a mood check If I put My standard spoopy music behind it and let the dialogue do the talking And so this is the last phase is picking the music It doesn't necessarily fit But it's not bad Or I could go full comedy and let you know exactly what you're getting into Tickle the ivories tickle the ivories Yeah, I just think that We're gonna go with standard spoopy music because that's kind of the vibe that every scp has and You can't do the funny with the Like document the documents too serious for the funny stuff So I think our standard Standard music is going to be the way to go Now thankfully because I've done this so many times I know exactly what volume my songs are supposed to be Uh when you look in audacity You'll see A plus or minus on the left side of every track that is the gain And depending on your background music you might have to adjust the gain so it's not louder or quieter than your Dialogue because sometimes it's too loud and then you can't even hear the piece you're doing So And what I'm gonna do is this video is getting past the point where we we know what's going on now final creative decisions I'll get to later But to end out do you guys have any questions about the editing process? That you want me to answer before we end out because this is your opportunity to Help yourself do the scp projects you want to do So far we've got noise reducing normalizing Editing your tracks in the correct order Making sure you have enough space in between words Making sure the dialogue sounds natural and conversational Making sure there's not extraneous background noises make sure There's no mouth sounds because those are gross and terrible and the worst thing that's ever happened Breathing sounds are optional. I like them unless they're robots Uh, we talked about a little bit of sound effects Uh cjups accent asks about my sound card now When I get to the point of youtubeing Where Like I have a budget and I build a studio I might invest in a computer that has a sound card But i'm just using a standard refurbished laptop With the standard equipment So I do not have any sort of sound upgrades or anything like that for my editing Normalizing as far up as I can go as long as it doesn't start clipping Sat that is the correct answer Make sure you're staying Yellow is the farthest I think you want to go You can risk orange sometimes And sometimes I'm too lazy to do a take because A retake and I'll leave in like a pinch of red But I try to get as little red as possible But you remember that is mainly done in recording You want to be watching your Levels while you record and if you see red That means retake because if you get to the editing phase, you're in trouble. You're already out and done Red cannot be saved in editing. That's an important concept is You can't you just like if you're editing a photo you need a high enough quality photo You can't Upgrade the quality of bad sound Bad recording cannot be made good in editing. You can't fix it in post So yeah Because we're going to go with that creepy music We are done with scp 2337 and that is ready to be released as well And uh, so yeah, thank you guys for hanging out. This has been The editing tutorial to go alongside the recording tutorial So now you guys know everything about site 42's recording equipment, you know everything about site 42's editing process You guys can now contribute voices Make your own guest contributions as long as you guys get the equipment and are willing to just kind of sit here and Tap it out. This is a five minute skip uh, it would have taken about I'd say 15 to 30 minutes to edit were I not talking to you guys so taking an hour to explain myself seems like it makes sense Uh, yeah, so if you like what we're doing at site 42 Do all the like share and subscribe stuff Patreon I've gotten new merch coming out soon I commissioned some artists to do some cool things in some different styles because I wanted to update that a little bit Make it cool I will probably do an site 42 and how shirt just for funsies I need to figure out how I want that to look because I don't want to do like the tea spring clip art anymore I want to like up the game But that'll be funny. So yep. See you next time foundation staff. Cheers face poke face