 So, yeah, everybody knows the British Museum, but who knows Caldwell-Amtlauwek? I think not so many of you have ever heard of this museum. And so I want to introduce you to the museum and to a small special exhibition we have launched there this year. Also, I think about quite the same topic like you did, but I think on a completely different terrain, because it was in Germany, and in Germany we don't have this debate, like the scientific community in the Great Britain or on the British Isles has about, yeah, would we like to question our common opinion how the Calds or this Cald tribe moved and what they were doing? So it was quite risky for me as a scientist to do this. But, yeah, let's have a look at how we did it and what people say to it. First of all, I wanted to tell you a little bit about my background, as Phyllis already told. My PhD was on museums, and I did quite a similar thing on German museums ten years ago. And I also had some kind of form in which I visited 122 museums, and I did also literature and online research on another 250 museums. So I covered a large part of the German archaeological museums landscape in my survey that I did for my PhD. So you can see here the map where I mapped. I think I hope you can see all the dots of the museum that present archaeology, because I didn't only use or employ the archaeological museums, but also, of course, many museums like Small Heritage Museum who present a little bit of archaeology. I also tried to include those. There was a bit of statistic of what I was doing, how to separate different themes of the museum, or display, oh, that's the first one. How would I get that? Yeah, yeah. So, yeah, this is what I was doing. I also tried to have a look at the displays and, yeah, somehow categorize them and see what the difference of the various museums was. And what I was also doing was how one of my larger topics was how archaeology was presented in these museums, because mostly we show the nice exhibits, the nice objects, but a lot of museums don't talk about how archaeology is working. So this was one of my topics and what I also wanted to explore, or more intensively to explore was how do we engage with the present times, and these are just two examples from the Hamburg Museum above and the Museum at Nibra where this Bronze Age disc was found. There's a very nice museum as well and they tried to engage present times with the use of waste. The left picture above, the right picture above is modern waste and compared to ancient waste. And also the other museum is very much engaged with looting because the disc was found by looters and had to be retrieved from the antique market very spectacularly. This is what I'm normally doing. I'm a landscape archaeologist so it's completely different, but I'm engaged in British-ized archaeology and also in Iron Age archaeology in Germany and so I'm quite familiar with the debate and what's going on. And of course there's not only big, large exhibitions in Great Britain there's also a lot of Celtic exhibitions in Germany like for example the big exhibition in Stuttgart and there was also a larger exhibition in Verklinger-Hütte that's somewhere in the west of Germany and both exhibitions raised about 200,000 visitors each so it's some different things than we do at the Celtic event. So of course Julia always told and I think some of us like the quite similar there's a lot of literature, we know everything about the Celts and the public can read everything and all the things we want them to read and also the things we don't want them to read like for example the Celts and discoveries and there's covering the Middle-Earth or something like that and there's also of course this large community of modern Celts who find their identification by being Celts especially in the United States and in Canada and this quote I liked quite a lot that there are yeah I just read it, it's not that important at the moment so and of course all these modern recreations and it's not only happening the one image is familiar of the Celtic languages but it's also happening in Germany because in Germany and all the German speaking countries of Austria and Germany and Switzerland they have got a society that is called Ketten-Belten and this is all museums that deal mainly with Celtic archaeology or objects so and of course the Ketten-Belten is part of this Ketten-Belten Celtic worlds and so we are also they are quite in some kind of network about displaying Celts for the public so this is finally the Celtic world at the Glauberg and you see it quite well in the museum and it's based, you can see it here it's based a tiny bit, 40 kilometers in the northeast of Frankfurt so it's quite central in Germany but of course it's remote you have, even from Frankfurt you have to drive about an hour there and yeah just in the landscape and it's at the side, but of course wait a second, I'm going to show this one first of course it has got, the statue finds like the statue, the sandstone statue of this man that was found in the vicinity of one of two big burials and in these two burials were three burials with a lot of really really fantastic finds and people go there just because of these spectacular things and the very unique things at the Kettenberg it's all original, they don't have the copies but they, the community they argued a lot with the state of Hesse where they live and they finally were allowed to present everything at the place and that's quite unique and it's really a fantastic museum go there if you're in Germany and of course being in the countryside is different than being in a big city and they have to do a lot of commercials and I try to, I love this bag for bread actually I hope you get the notion if the kids from the Kettenberg had the bread from this special bakery they would be still alive and of course they also do a lot of promotion in other ways and you can already see that it's not always helping the case of being a bit more critical to what we display because of course equalizing what we find in the state or German state of Hesse with the Gauls in France is a complicated thing so this is the entrance to our exhibition that we launched in the Kettenberg and yeah, there is no reason actually for this museum to present an exhibition in this direction but they wanted to because visitors were asking them a lot of questions for example things like why don't you display things from Ireland we thought Ireland are the Celts and in Ireland are the Celts and how does this connect and all of these things so the guides in the museum were quite annoyed and wanted an exhibition about this and then I thought ok this is my hour this is my time and I can put all my things into this exhibition as well and so we did and yeah, of course we did have not as much room as the British Museum we were limited to 100 square meters so it's like one floor in another one family house or something and we had to reduce anything and of course the budget was much lower and so we could not borrow fancy things from anywhere but fortunately we had the Wermisch Germeister Zentral Museum in Mainz at our display and they have got copies of everything and for the fancy clients of the world they made copies and very very good copies couldn't tell the original from the copies in most cases so what we were doing the middle part was maybe about things that connected to the reverse of the Celtic notion in the 19th century a studio already referred to we had a lot of history resizing imagery in there to make this place and of course we had all these beautiful finds the talk of tristing I think most of the things were displayed at your places the hand from the tree and we didn't do much about the archaeological explanations like what the designs are we just displayed them and showed them to people and the outer space of the walls were covered with these kind of flanks and we divided them in four parts and they got all different cuts so that people would know different things start there we started with ancient sources and what the historians say about that of course in Germany we have two who had quite concrete ideas about what the Celtics were and that they would never have been able to build a nation that because they were only into war and into espy and things like that so that was quite interesting the designers reduced me to very very limited space of text and that was a really good thing because in the end with evaluation we would see that this was still too long but yeah the next part was about the languages and since I was studying Celtic studies I had a good idea so I could also capture this area as well and we covered the archaeogenetics and in the course the archaeology got a larger space and we were concentrating mainly on what archaeologists opinions of Celtics are and what we mostly wanted to display is what archaeologists know that they are not so much interested in the nationality of people or anything but they want to study things in their local surrounding in their environment so that's what we were doing with the things and of course in the end there was a larger part of the modern count because that's also something that interested people very much and then there was of course at the things we display there was always a short notion that there would be more explanation in other media stations so we had two media displays where people could explore very deeply into different topics and we were astonished that a lot of people would do oh I think I'm in the wrong presentation actually okay I don't have time anyway I wanted to tell you that we also did a small evaluation we evaluated 100 127 visitors and asked them about their opinion and I would skip all the part of the formal things and come mainly to what they think they thought our texts were much too long or still much too long or at least 30% of them thought they were too long and they also thought that we were that the objects were chosen quite well and that also the topic was very interesting to them and in the end I think that's a crucial thing is we asked them two questions which they could choose what they learned from the exhibition because we wanted to be very short and didn't want to disturb people to belong with this survey and we asked them I think it was something I have written it on the slide something like cats were people an ethnic group that covered large parts of Europe was one of the things and they nowadays present still present in the western parts of Europe and the other thing was that we said we don't know what cats are but because different disciplines have got different opinion of what they are and check 75% really check the second box so at least this goal was achieved with the exhibition and it got a lot of media in press and social media and of course there was a large framework program about it we destroyed all our nice things we taught people because we had a Celtic folk band so everything was right and the main thing that I learned from how to present this topic to people in a way that they can understand what we are talking about is that it also had a lot of people working at the museum because they now have a much better notion of what they are telling and really or in the brainstorming before the exhibition we really talked about everything and every misconception they had themselves because of course the guide they are not archaeologists or anything so we could really work out a lot for the museum itself this exhibition we got a lot of requests for the exhibition to go on trams and in parts of the exhibition we also go into the new exhibition at the flower sorry for the time