 Hey guys, I'm here. I'm going to see what we're supposed to get as much as we can and see how much ground we can cover for a lot of things that we have to do. So let's go check a couple of things out. So yeah, so we're diving to the whole straight away. First, there was a Lupo Sufo panel. I got to see the Lupo Ultra panel pro with their full color 30, which was interesting and also the full color 60 which is like the one by two panel. And it was interesting that the output of those panels were comparable to the native output of the new released SkyPanel X. But without the only difference that we got was that the SkyPanel X had the additional enhancer which actually turned the soft light to a very hard source that could actually go far. At that period, it's only at that point that the SkyPanel X would perform the Lupo Sufo panel. There was also the Aladdin battling lights. And that was interesting, but it was not too interesting because there are other materials. I mean, there are other manufacturers who actually also had this technology like Pipelight and Lightstar also had like bottleneck technology. Then we had a very interesting vendor which was like Black Lightning Console that actually democratized CRMX across different brands without actually using a specific gateway. It was actually software sold on an iPad and it actually spoke like a router, a controller that could actually speak to every light and make them programmable given each of them. I believe they sold it via a unit versus and each universe had the ability to program the SkyPanel with its full DMX capabilities for about 25 units of this kind of fixtures. There was Lightstar. They were showing the 2500 watt with a 25 degree beam and it was actually, I'm kept in a 4 array grid and that was very interesting because it had like this glass lens system that actually had focus through and put together in the 4 array grid. I could see what the possibilities were, but there were no photometrics for me to actually understand much of the value in terms of to compare it to regular fixtures or what it can compare to. They also had like 9 degrees barrel lenses that was also available for their fixtures and their units. So I guess that's like a new system. We'll probably get to see more when they will put out more information and I think they're very popular in the Europe region, maybe not in America, but in the Europe region. Past that we actually got to see 9 solutions and checked out the grip solutions and the C-Panel which is actually quite interesting for tabletop and the current C-Panel that I actually captured in this video like the grip solutions were available. Also could handle like payloads up to 5.5 kilograms that's somewhere like an AUSA G2 with like a Canon CNE and your V-Lock battery and can actually do a proper counterbalance. You could use it for like your product shots and some other things. So then there was the DZO film that went to the DZO board and we checked out the couple, saw the Pavel which actually is a Super 35 anamorphic that covers full frame with vignetting and it was interesting. I had like a couple of experiences and I found some of it pretty interesting from what I saw. And we did get to see the genesis, the other range of lenses that existed, the tangles which were quite heavy and they were like a couple of more lenses I got to see and try out for the phone. I was really impressed with the DZO retro. It didn't feel any person, nothing jumped out at me. Then we went to the DJI board for a bit, checked out the transmission system. Then there was like the Athena company which was from NISI checked out their lenses, their combination with the running 40 and so many other things that was listed in terms of like adapters like using like PLD or adapters to be able to get it forward. It was like a comfort system. It was interesting. I got to like run it into the digital photo pro cine steadicam. I got to try it out. It was interesting, surprising. The amp can actually support about 25KG, that's about 70 pounds. And that was like a fun surprise. This led everything was not a lot more standard than the pro cine X. Then I got to try out the airy trinity. Now, a word of question. The rig is quite heavy. You have to have balance fit because in a steadicam mode the weight is usually towards you. But perting the airy trinity it keeps the weight and the javelin mode away from you. So it could be you could run into situations where you're being pulled by the weight and if you're not careful you could lose your balance if you don't have like great fits. If you're like a steadicam operator you would know this, but you would really feel the weight transferring. The airy trinity can take up to the alexa 65 but I think it's where you ask yourself what can you do, what can you take and how can you pet phone. And something interesting is that all the rules of steadicam goes out the window. When you know you have a normal steadicam you're using gravity to balance you control your movement, you control your breathing but the airy trinity has a gimbal head that actually levels the horizon takes care of the balancing so it's almost like a gimbal and all you just focus is the grip and how you actually use it and how you actually can move. If you even get to like when you get to work right you have like your watching controls that allows you to like do rolls, do tilts and do pants independently so you can actually do that and have like a work session where you actually going into like you can go through spaces, you can go through people you could actually do a lot. So everyone when you actually get to like use it in javelin mode and flip the camera and actually like look back and try to do a donno one it actually just goes seamlessly without thinking of it everything just cuts, cuts, cuts, cuts very seamlessly. So it's quite interesting to actually see that that was actually possible like using the rig so it actually opens a couple of possible interesting possibilities but that now said it is quite heavy, what I mean quite heavy, quite heavy if I was supposed to compare it I would say a 240 watt battery on an Amira that is a balanced and steady camera that has two more 240 watt battery and a 10 battery that's like the weight range I believe the trinity so you should be prepared for that kind of weight that you can that's not the same what you can carry because the lady who was beside was also a goofy operator and she also operated the trinity so there's also the getting used to it and maybe worrying for the first time just being shocked by the amount of weight after the trinity we stopped that I stopped by Techno Crane's boot, the Techno 22 and also like the Techno 17 and Super Techno 45 and we had like a conversation with understanding the process and a lot of things that I think were which was quite interesting. Interestingly I stopped by Godox's boot and they actually just released the 2400 by which is actually 2600 watt pull-in fixture that is constant throughout the range of Thompson to Daylight putting out constant power and that was very interesting, they do not have a price for it yet it's actually comparable to like a 4K power and it's mind-numbing that these cobs are just getting bigger and stronger and you can take like the spot fixtures, you can take those type of intensifiers that could actually intensify the output of the beam so it's just interesting how things are growing pretty fast, it's very interesting and that is more specific because of the technology and how you could use like battery power solutions to be able to like get a lot out of it you get a phoenix hat like a 2400 watt battery that could actually run that unit for like an R so if you're like working at 50% then maybe you get 12 hours of it out of it if you work with 50% of these intensifiers it will like get more punch out of it it's interesting, Goddus also had like a new prototype CRLX reflector system that had like divisions from like 1 to 4 that you could use just like CRLX from Light Bridge, a company actually also made it so it was interesting, they had like a full kit some of the pitfalls that most people are talking about in CRLX which is like the clamps that are like plastic they fixed it in the ass and made the ass aluminum to show the prototype, I didn't get to test it in the future but from what I saw I think it's quite interesting maybe it looks a little bit rough around the edges but there's a lot of interesting potential so I do not know if we just like a patent or whatever but clearly they can actually compete in that space and be able to like introduce that kind of material into the industry in terms of and they could like run from the 7 inch to like a 100 by 100 often custom sized compared to your orders so after that we did get to check out the 9000 dollar director if you find that which is quite cool and quite interesting which can also like be adapted to PL and EF that also happened and we saw cheap lenses that had like close focus for like 10 inches they are like lenses that you could use for like macro close focus and this was also interesting to quickly look at then we quickly stopped by NanLite boot which had like the regulars the four light kits and all the regulars that existed in the NanLux line after that there was Pipeline which was like the sister to the other didn't buy NanLite they actually existed that came across at the beginning of the show and they demoed their own inflatable light and how light it was to read like an 8 by 8 to read like the 12 by 12 wall which we saw there was like the 1 by 4 there was like 2 by 4 and this was interesting because of the applications you could use them how light they were and easy and safe you could actually like read them to several solutions it was interesting to see the quality of light and how rapid it is and it looks like it had like zones when you looked at them when you programmed them with DMX because they had like different channels and it channels like a 100 watts so if you can count the ripple lights and the balance you could probably almost guess how many watts each light source is and it does have like the entire cloud fixture too that also you could use in bringing in soft diffusion into the room so that was actually like interesting to actually see and actually know then we went to Angel Nudex which and they actually showed their optical system that they could take apart, replace, customize or then change the iris and interestingly they had a different approach of using spherical glass to actually achieve oval bulking which is different from the Payton system that the Hawks have you could actually install internal diffusions into your glass and you could do it like on your walk bench in a clean environment but maybe not in the field but in a clean environment you could introduce like diffusion fields into the lens you could introduce microcontracts ability you can change the iris shape from like a normal iris to like a triangular iris to be able to give you like a triangular bulking and you can also introduce like they have like a rare filtration system which you can also put more interesting fields like streaks ultra contrast or open clear glass so that was that and we also spoke like some of the veterans who was speaking from the explaining perspective of the lens while the engineer also was actually tearing apart the lens showing us how easy it was to be able to take it apart and actually run or customize there's a lot to your specification I guess most of the expense of the lens comes from the fact that it's been designed in such a way that anybody who is interested enough and bold enough would be able to like take advantage and actually customize the glass into something that is a lot more fun and that could actually like work and also the value that a lens carries was a camera that would actually lose its value every three years so those kind of conversations happen for a bit and it was interesting to hear other perspectives of professionals in the industry then we actually have grip renec factory GFM we saw their dollies and their lightweight cranes which is quite interesting and the dollar was rated to be able to pick up about 250K so that's like a single operator a camera and some more and it could actually get really super compact because it's actually a tall call of dollies so it was quite interesting to see some of these things and how they work and you could actually program your speed where you could do repeatable moves and stuff like that, that was actually interesting then there was a company called, I think it's called Rocky I forgot the name, but they actually created a show that allows you to like plug in your RS3 Pro which can carry up to like a 670 and probably a CNA lens on it, I think it was interesting, this is the first iteration I can see how this would be great for people who do reality TV work and how it would be to actually work for them so we actually got to like try it out a little bit and in front of me we just got to like experience it I think it still needs to be like cleaned up because there's so much jerry rigging that's happening that I feel it's still like in the first iteration maybe on the version 2 it's a lot more mature there's a lot of streamlines that would actually happen or when that happens so after that I went to Flanderside Football then also Cannons Boot and we explored the DPV 2720 and they had like a contrast ratio of like 200,000 to one and the other DPV 31 series had like a contrast ratio of 1,000,000 to one then I briefly dived into the virtual production Cannons offering and how they were using their cine flex zooms to like take the lens data into the lens and actually send like the focus the iris, the zoom information to actually match what already Angie was doing so I can trust in the conversation to see how that played out and by the time I was done they got really got fast for me and it was actually ended so today is day 2 I'll go about Cannons Boot and get like check out a lot more things and hopefully we'll be able to like have more fun and see what can happen okay so that's like day 1 IBC and until next time I see you improvise, adapt and over go it's been a fun experience talking to most of these manufacturers letting you perspective, letting you set in applications and yeah it's been amazing so far