 This one's called Porca Missaria by the German lighting designer Ingo Maurer. What he does is he takes china and just breaks it. So you have cutlery pieces of ceramic tableware, which he breaks and shapes and grinds down these sharp ends and then assembles them on these rods that are attached to a metal armature that holds the lighting source, in this case the halogen bowl. His company only makes about ten of these a year. It's done on commission. And it takes Maurer's staff, several people, like about five people, about a week to do one of these, because it's all this assemblage of different parts that he puts together very carefully to get what looks like a very random effect. But it's far from random. He showed one of these at the Uraluche Lighting Fair and apparently an Italian visitor saw it and exclaimed Porca Missaria, which is literally a miserable pig that translates into something like Holy Cow or what a disaster. And he liked that name so much he kept it for the lighting piece. You're actually looking at it at a bit of a high angle. Normally it would be a pendant lamp that hangs above you, so you'd actually be looking up at it. But for storage we have it, I think, in a much more accessible way, both for storage and conservation. Explosion all the time. The idea of depicting chaos. Yeah, for this object vibration, it's a very obvious vibration problem that we've got here. If you gave two pieces of ceramic, they hit together and they might break. Some other reasons why you might not want vibration is an area that's adhered. If there's too much vibration over time, that adhesive may break down or the vibration may contribute to that. Each of these little wires has been supported with a piece of foam. The foam is a specially chosen one, which is a closed cell polyethylene foam, which if it's cut it's still soft on the edge. It's not abrasive. It's called backer rod. It's actually used to insulate log cabins, so this little thing, which is in between your log cabins, and then it's an insulation. We use lots of different materials for our conservation purposes, and this is a different use of it. But it's very good for us because we can pop it on here and then it's stabilizing that piece. You know, it's fun. Like a conservator, a design object that's made of lots of broken pieces is fun.