 What's up everybody, welcome to SPM Buzz. My good name is Ms. Kithingi. As you can see, I am behind, you know, Ratha, I'm in front of a lift and I am waiting for an artist by the name Swagadon. Now he is visiting Kenya and he says that he is the African avatar. He has quite a lot of stories to tell us and we can't wait to see what Swagadon has to say today. Now we are waiting for them to actually, you know, come out of the lift and so it's a Congena Swagadon. So stay tuned and in case you haven't subscribed kindly, make sure you do because we are heading to 200K subscribers. My good name is Ms. Kithingi. Let's wait for Swagadon. There we go. Hello guys, everybody's there now. Hi. Hi Swagadon. Hi. How are you? We sit, we sit, we sit. This is how we say it. You know that? Yeah, Karibu. Karibu? Yes. What else have you learned? Asante Sana, Sawa. Asante Sana. All right, welcome to SPM Buzz. This is where we are. And you know, we are looking forward to having a conversation with you. I'm looking forward to that too. And just, you know, getting to understand what you do and what you are about. Yeah, so this is SPM. Karibu Sana, please, you know. Please, uh-huh. Please sign this for us. Welcome to our studio. I'm going to be. That's home of the great. Uh-huh, yeah. So it's the home of creativity. Yeah, this is where all creativity goes. You know, everyone consults with us. All right, welcome to SPM Buzz, Swagadon. Is it Swagadon or Swagadidon? There are two types. There's Swagadon and then there's Swagadidon. Some people say Swagadon. Some people say Swagadidon. I accept both of them. All right, great. That is actually Swagadon. That's the name of the brand. That's the name of the artist. That's the name of everything I do. How did you get to the name Swagadon? Because people are wondering, OK, well, we can't see his face. Let us know how did you get to that name? OK, right. Well, a lot of my friends and people who are associated with me like the way I dress before, during my other persuasions and other activities. And they say, you've got a lot of swag. And really, you are the don of swag. So Swagadon fits you because your dress style, your mannerism, the way you walk, the way you talk, you've got a lot of swag. So they came up and they branded me Swagadon. Now, also question is, why did you decide to go incognito? Like, we can't see who you are. OK, so the other aspect of me is the African avatar. I died four years ago and came back alive on the 9th of July 2019. And I came back as the African avatar, which, of course, now transforms the Swagadon as the active musician and messenger. But African avatar is really the person who came back with a renaissance for African music, African fashion, African culture, African tourism, everything African. It's all about promoting Africa in all its genres. Whether it's music, fashion, culture, food, our lifestyle, our way of carrying ourselves as Africans. So I'm promoting Africa in everything that I do as the African avatar. But the musician side of the African avatar is Swagadon. OK. Now, guys, in case you didn't hear what Swagadon said, he says that he died and resurrected. After how many days? Well, it was a matter of, I think, half an hour or so. Yeah, you know, my entire organs broke down. And I was already out in the cosmos. And then a voice came and spoke to me and said, you know, you'll be OK, you'll be all right now. And sent me back. It was a phenomenal experience. I saw my life coming back into my right hands and soft blue light. And then a breath came back into my mouth, which was very sweet. And then the voice that spoke to me was neither male nor female, but a combination of the two. I don't know how to explain that, but it was the Godhead or ancestors, whatever you want to call it. And I was back alive, but 98% of my organs had already died. You know, I had a heart attack, water fill lungs, kidney liver, bladder all broke down. My heart just kept beating. And literally I had a minute, a minute before my heart stopped. And then, you know, I came back alive. And it took me, what, about six weeks in ICU, four weeks warded before I regained, you know, life again. They said I wouldn't walk for about 10 months. I walked in 10 days. That is my commitment to not being in a wheelchair. And also they discovered I was born with one kidney. And then my kidneys came back functioning. You know, the doctor said 110%, they couldn't understand it. They said I was a miracle. Yeah. Yeah. I mean, just listening to this conversation, it definitely feels like a miracle for sure. But I know also it's quite controversial, because, you know, people are asking, how did he actually die? He might have not died. He probably became unconscious. How did you know that you actually died? And what really happened? I was already out in the cosmos. I had already left the earth and left my body. So I knew. And they knew too. The doctors just said the only thing that functioned was my heart, we just kept beating. But it had less than a minute to finally close off. So people, you know, I don't believe in these death experiences. But you better believe it, that I experience it. And there is a superior being. Because I was spoken to. And I was given back life. I was told I was going back to live. And that's a testimony in itself. If people don't want to, then they are just living unexisting. They're not living. They're existing. But now I live. So and I died. So I know the experience for sure. So how was it at the cosmos? You know, what was happening there? What did you see? You were like traveling your way out in the cosmos. And you were feeling a sense of, you know, you've left this, what I call this mortal world. And your spirit is free. And you now felt that, you know, you're going towards, whether it's a godhead or whether it's that superior life force. That's how I felt. And you know, you felt, you know, you felt OK. You felt good. You felt like I've left it. But also there was a determination for me to live to because I love my last daughter very, very well. And when I came back alive, they said I said two things. One, who would look after my daughter? And the second thing I said was my work on earth is not yet finished. So it meant that I had a reason for coming back. Two reasons. One for my baby daughter and the second one for completing what I didn't complete. So the godhead, the ancestors, the spiritual being that is in charge of all of us know when and how they want us to finish our time on earth. I'm quite convinced about that. OK. All right, guys. I know you're hearing this information for the first time. Same case applies to me. But I'm definitely, you know, wanting to know more from you, Swagadon now. When did these same case apply to you? Did you die and come back? What was your experience? When, when what? What was your experience? You said the same thing applies to you. No, like the same thing applies to me because I want to know what the rest want to know from you. That's what I meant. Yes. So are you originally from Africa? Well, I'm an African, but originally from the diaspora. I'm from the Caribbean. We are all Africans. We were brought over as slaves by the colonials. And now we are all heading back home. I'm one of those who are back home now. Yeah. You said you had a message for Africa, yeah? And that is one of the reasons as to why you actually came back to do, you know, to bring that message. What is that message and... Be African, you know. We have a renaissance now. The young, the youth have to now take back over the continent. We have to be what we are, do not imitate others. Be proud of our religion, be proud of our culture, be proud of our music, be proud of our fashion, be proud of who we are. We were kings and queens in ancient times and we still are. But we lost all that because we got colonized and we adopted our people's religion, other people's culture, other people's way of life. We want to dye our hair. We want to straighten our hair. We want to adopt their fashion. We want to lighten our skin. All those things, we are milling in people. And, you know, God put us here on this earth, you know, as different from these other people. We are the only ones who can procreate and they can't. You know, any one of us, any one of our seeds can create a human being, but theirs can't. You know, we are the only ones who, the sun doesn't affect us, but it does them. You know, we're the only ones that have rhythm, you know, and rhythm is part of all the way we walk, the way we talk, our talk is musical, our walk is rhythmic. You know, all those things are part of us as Africans. We must be proud of that. Don't try to accept and or allow other people to influence us anymore. Speak our own languages, go back to our own religion. This is not the time for African Renaissance and this is what I was told to go back and tell our people that dump all these other attributes of colonialism, the trappings of colonialism, and be African, not be Western, not be European. We are not. We can be what we are not. Let's be ourselves. Yeah. Now, you know, Swagger, we are so rich as Africans when it comes to, you know, the culture, to the minerals that we have. We literally probably just, you know, provide a lot for the world, but we are not yet a superpower. Do you think we have the capacity? Not the capacity. Do you have, we have a future on that? Yes, we have a future. It's the youth. You know, it's happening already in West Africa where Mali, where Bukina Faso, where Guinea, the young Africans who are militarized are now taking over their countries and now readjusting their resources for the benefit of their people. So the rest of Africa have to do the same. The youth has to militarize, have military communities in every of their community and protect their resources for themselves and for the benefit of their communities in the country or rather the nation state, you know, or that they are in, because we are nations. We're not countries. These countries were created by the colonials and separated us. So, you know, you have brothers and sisters who are separated because they put a border and say, you can't go here and you can't go there and you need a visa to do that. No, we have to get rid of all that, remove the borders and let all the communities now work towards having the resources for themselves. Let people who want to come, let them come and partner with us. They bring their training, they bring their equipment and we share the profits as shareholders. So the communities become shareholders, not employees. We don't want employment because the resources are ours. We want shareholdings. We want part of the dividends. We want part of the profit and that's what we need to do. So all this is part of the message I'm giving. Yeah. Now, you see the kind of message you're giving might not sit well with some people, maybe colonizers. Old outdated antiquated leaders. We need young leaders like yourselves, people who are now young, vibrant, digital and can be fooled. So that's what we need. Get rid of the old antiquated leaders because they are keeping back the continent. They are thinking only of themselves and their families. They're not thinking of the communities or the nation states that they so-called govern. Get rid of them by any means necessary. Yeah. You know, like I was saying earlier, the kind of message that you're bringing out there might not sit well with some organizations, some colonizers, you know, because they're probably benefiting. The question is, let me ask the question, the question is, is that why you wish to remain incognito to a point where people cannot recognize the messenger? No, no, no, no, no, no. That's not the point. I am sent back as an avatar and as an avatar. An African avatar, I am portraying even a mask as part of African culture. I either wear a mask physically or I paint on. And if I paint on that symbolism of Africa, we wear masks as part of our culture. We paint our faces, even our hands, ladies, our palms, our bodies. That's part of African culture. So what I'm portraying is African culture. I don't have to wear a mask to say what I'm saying, right? And it doesn't sit well with who, you know? Colonials have had their day. They've rape plundered the continent. It's time for us now to have restitution. It's time for us now to have our culture back and intact. Dump all colonial cultures that have kept us back because all of that kept us back. Their culture, their religion, they give us a Bible and a con. And they took everything away from us, you know? And we were fooled to dump your religion, dump your names, dump everything. And what has that done for us? It has kept us back and made us enslaved. Religion has been very impactful, especially in Africa, since it was introduced. But what are your thoughts about the kind of impact it has done? And do you think it's actually easy to just get people not to believe in it? The youth that I said have to change it. The old ones who are very steeped in this old religious nonsense, it's difficult to change them. But the youth now can embrace African religion and culture and say, no, this is what we have, is what we had, and we are now going to re-embrace that. And all these false preachers, you know, God never said or God had never said, that you need them to come to me. You know, they are using the poverty element of Africans, the fact that they are not being productive and they are wishing for a child, they are wishing for a job, and they use that against their own people. They are running it as a business. Every corner now there is a preacher, there is some church with a name that, you know, has nothing to do with the people's productivity. If you look at all the countries in the world that are moving ahead fast with the production, industrialization, they don't have preachers on every corner telling them that call me in the morning before you go for a job, I'll tell you what clothes to wear, and then come and pay tithes. And they use the tithes to enrich themselves. They have cars, they have jets, they have houses, and the poor man coming every day, every day to church, come overnight, stay overnight, and their shoes are like this, yawning, and they have nothing to feed, but they will be giving the preacher. This is nonsense. We've got to stop that as well too. Because these people are continuing what I call neocolonialism by new religion. It is not religion of the Africans. Before everybody else came, we had our own religion. We prayed to our own gods. We had Ubuntu. We looked after everybody in the community. We looked after each one, old to young. Old were embraced as an integral part of the community. Young were taken care of by a village. We used to say a village grew a child. And an old person, right, was an integral, respected part of our community. Now instead, they want you to do like they do. They dump their grandmothers, their mothers into homes, and they forget about them. That is not African. Africans don't live like that. We have and take care of every aspect and everyone in our communities. So we've got to the young. I've got to imbibe that in themselves now and say, okay, we are changing. We are going to our old way of living and re-embracing and dumping everything that was brought here to keep us back. And that's what they do. They tell the guide and they tell it automatically take you into their sphere. And that's how they control you. They tell you control you. Yeah, because their education, their religion, everything. You don't learn about mathematics for engineering. They don't tell you, okay, learn production, learn industrialization, learn mining. Instead, they just want you to learn how to serve them, be a civil servant. No, so we've got to dump that. We have resources, we need to learn mining. We have gas and oil. We need to learn oil and gas engineering. Those are the things that we need to do. We need to look at what we have and align our skills to assist ourselves, to maximize and monetize what we've got and sell it back to them. We can sell and export after we've taken care of our own communities and our own resources. Not they, come and exploit it and then just give us or give the leaders some money and then go with the rest. No, it hasn't got to continue like that. We've got to stop that. There you had it from Swagadon. Swagadon, let me ask you, do you believe in the God of the Bible and Quran? Well, you know, all of the religions, if you really think about it, and that's why we need to go back to the Ankh and the Ethiopian Cross. Go back to these two sources of the religions that came out of them. Judaism, Christianity, Islam, all of them came out from the same root and it was Africans who had that root and teaching. And most of what they teach you today has not come out clearly from the source. What they do, most of them have just manipulated it to manipulate us. Do you know that the real Bible is in the Vatican and it's hidden? The teachings that just take the chapters that they want that will telecontrol you, right? But you know, the Ark of the Covenant, which is in Ethiopia, go and research and go back to the Ark of the Covenant, go back to the real cross, the real shape of the cross, for example, is very significant. You know, these are things that, with the Ankh from Egypt, those are all part of our religiosity and our symbols, but they removed those from us and told you to believe in this, believe in that because this is what they constructed to hypnotize is what I will call it, to hypnotize us as people. So it's not about belief. Believing is what is the right thing to believe or what is the right teachings. We have gone away from our right teachings because we were taught by our colonials and colonial masters, whether they were Arabs, whether they were Europeans, they reconstructed what was our own religiosity and twisted it. So over time, they told us, this is what you've got to accept. This is what you have to accept as Islamic. This is what you have to accept as Judaism. This is what you have to accept as Christianity. The real source, the real source, they have it hidden. And we need to go back and research those things and move away from what they've given us. Okay, now let's also talk about, you're coming to Kenya at a time where just a few months ago, the king of the UK, King Charles and Queen came to visit Kenya. What are your thoughts about that? Why should Kenya, having been a colonial entity, be entertaining anyone at this point in time who have replanted the nation state of Kenya, the Mao-Mos, et cetera, and have it accepted as it's okay and of what do I call it, of decency. They have not been decent to us. I think that should not have been the order of the day for any country in Africa to be entertaining now more than what I call feudal lords who raped and plundered the continent. Yes, you can have visitors, but not to be rolling all the red carpet and there's no reparation. There's no apologies. You know, what was the purpose? What was the purpose of the visit? It's okay for any king from anywhere to visit, but when you have someone who has rape and plundered your nation state and your people, before they come, you have to engage with them. Are you coming back to give us reparation? Are you going to make a payment to those who suffered? Are you going to apologize? Those should have been the key things that a president should have said to someone coming from a nation or a country that has rape plundered your brothers and sisters. In other words, you are showing, just like the Belgian king did in Congo, you are showing them that it was okay to kill our people. What nonsense? No, that should not have been accepted at all. He should have engaged on what I would call a one-to-one. Mr. King, you're coming, right? If you are of England, you're coming to Kenya, right? And when you're coming, it's just the same that you do with governments when you negotiate. When you're coming, this is what I want. You've mentioned a few things that we should have done before the king visited Kenya. Do you think, do you? Not just this. Yes, any colonial, yeah? Regime. You know, any colonial regime that comes to any nation state on the African continent should be coming not to give out and dish out safaris and show off and, you know, give tokenism. They should come with apologies, reparations, restitution and engage the people who they have committed these atrocities against our people, Africans. Yeah. Do you think that we are actually free from the colonialists? Do you think that? Well, if you have near-colonialists, which are leaders who run to the European countries whenever they call them and put them into buses and treat them like little children, then no, we are not free from colonialism. What has to happen is like what Margot Fouly said, nobody is leaving Tanzania to go anywhere. Everyone stays at home. And if you want to see us, come and see us here. And that is what should be happening. So if the people are running when, you know, Germany says come, China says come, U.S. says come, U.K. says come, and they all run, run, run, run fast to go there, then yeah, they are still under colonial rule because your master calls you, you have to come. You have to be now full of what I call, sorry to use the word, full of balls to say no, we are not coming anywhere. You want to see us, come here. Come on our turf, speak to us here. We will receive you and we will discuss with you. It is our ground, not as soon as you are summoned, China summit, China Africa summit, German Africa summit, U.S. Africa summit, British Africa summit, what nonsense is that? That will be an Africa Africa summit and we invite people and the African Union has a role to play there. The African Union should be the ones engage in any of these entities and let them come to Ethiopia and sit down with the African Union and discuss, not individual nation states. That's why you have an African Union. The European Union, you know, does the same. So we should be doing the same. Come and talk to us as a body, as a continent, as a united continent, not an individual nation state. I'm not calling it a country because these were arbitrarily borders that were drawn to call us countries, but we are not because you have people of the same tribe split among even three of these countries they created. But they were nation states. We are nations, you know, the Kikuyu nation, the Mao Mao, you know, the Luo, the Luas, you know, the Zulus, the Bantus, they're all nations, not countries and we've got to stop that nonsense. Go back to the Renaissance and that's why I'm here. How easy or how hard is it to stop it because is there something we have to lose and what is that? We have to go back, as I said, to the youth. The youth now are the empowerment of the future. 80% of the continent is youths, isn't it, between the ages of 18 and 25. So they now have to ditch all these old men and whether it's Cameroon, whether it's in Gabon, wherever, these idiots, I have to call them idiots because they don't think about their people. They're thinking of how much dinners they're going to have in Paris and going to run about in a hotel in Paris and take all their money there and they're giving it to the French or to the British or to the Americans, you know. They've got to stop that nonsense, you know. Do as these young men in Mali, Burkina Faso, Niger, Guinea are doing, you know, revolutionize their nation state. Go back to their own languages and take care of their resources which is what they are doing now in West Africa and the rest of Africa has to follow that rule. The Arkango, Kagami in Rwanda, everybody has to now go that route. Dump the colonial ex-colonial masses and dump the new colonialists, you know, those who are carrying out the persecution of their own people on the basis and on the cause of these colonials who are teleguiding them, puppeteers. Get rid of them. By any means necessary. Now, looking at, you know, the African, you know, leaders that we have, is there any country that you feel like is probably going to follow suit what the likes of Gabon are doing? Well, Gabon, we don't know yet. The story is not out yet on really where Gabon is going. But follow suit what Niger, Mali, Burkina Faso and Guinea are doing. Follow those. That is the plan. That's the master plan for what needs to be done. Take control of your country. Kick out the colonialists. Take control of your resources and start to think inwardly. You know, Margot Fully from Tanzania was doing it. And unfortunately, he was taken out. But we have to see the note is not out yet on how the person who was his vice president is going. Although we see that she's siding up with a lot of Europeans who are telling her what to do. I hope she doesn't get too caught up in there. A matter of near colonialism being embedded into her again. You know, she's got to keep a straight and narrow focus on what Margot Fully has left as a legacy. Yeah. Let's talk about music. Come, baby, come. Rivers of Babylon. I mean, quite a number of them there. Tell us about your music. What kind of music do you do? I do all genres. You see, this is where Africa comes in again. You know, Africa has been the bedrock and the mother of music. Whether people like it or not. If you think about music that, let's say, came out of the United States. Jazz, soul, blues, gospel. You know, a pop rhythm and blues. They all came out of Africa because the slaves brought African music when they came there. And whether they were singing to get back home, gospel or blues, they were missing Africa. They were working in the cotton fields. Those were all African music and African messages that they were singing from their heart and their soul because we sing from the heart and the soul. And so my music combines all of that. There's no one genre. I am promoting, creating, and integrating and merging all the different genres of our music as Africans. So you'll find Afropop. You'll find soul. You'll find reggae. You'll have soccer from Trinidad and Tobago. You will have a gengetone. You'll have an a piano. You'll have Afrobeat. You know, I'm integrating all of those as part of our musicality. And I'm promoting that. I'm promoting African music in all its entirety. So every single song that you'd hear that I'm doing has different genres and integrated as well. So you've got to tell me what you've heard and what do you like. I mean, let's say about Rivers of Babylon. What genre was that again? Rivers of Babylon, right? Which I recreated. Now Rivers of Babylon was sung as a pop song from Bonyam. It was original, a gospel, church song, the original was in Jamaica. So that was a Jamaica reggae gospel, I would say. But now I have created an African version of Rivers of Babylon. So it has what I would call an African spiritual genre, what I created. Because in the beginning, at the start of the song, you'd notice that I put a spiritual story about our ancestors calling us back home. And then we break into the song. It has in it a bell, which is part of what we call spiritual baptists using the bell, right? And then you'll hear the tones of marimba. You'll hear the tones of a talking drum. You'll hear the tones of drumming because drumming is part of our culture. So it has a very African spiritual aspect to it, which is taking it to another level and integrating African genre of music, and musicality and percussion in it. There's percussion, there's the spirituality of the drums and the bell, you know. And there's the prelude telling the story of us as Africans, rejecting Babylon, you know. If we want to catch your music, where is it, tell the guys that would like to watch it? Yeah, just go to Swaggadon, Swaggadon, Swagga underscore don or Swaggadon and there is a YouTube, and you can find some of the songs like Ali Ali, which was a spiritual song given to me a year ago on the 1st of January, 2022 at 3 a.m. A host of angels, almost a thousand angels came and sang Ali Ali to me and tell me to sing it to the world and to Africa that there's a force, a spiritual force coming back to it, that is going to be our salvation, you know. So Ali Ali is on YouTube. Lorraine, which is a soccer remake of a very famous soccer song from Trinidad. There is a beautiful Buja speaking about the beauty of a Buja in Nigeria. There is Carpenter, there's African Tongue Ship, they are all there and they can go on YouTube and also on any of the social media platforms and Swaggadon and they will get it. As we wind up, we have to talk about ancestors because as Africans, some people, of course, you know, understand what ancestors do in their life and the kind of role that they play, but others also do not and I also read somewhere that you speak to, ancestors speak to you directly. Tell us about that and also tell us the role of ancestors in our lives. Right, well, I just give you one example that on January 1st, 2022, at 3 a.m., our ancestors came to me and brought to me. I mean, it was a beautiful feeling. Woke me up and sang to me, Ali Ali. Now this is our spiritual ancestors who are guiding us all the time. You know, the Kalulians try to cut that off from us, our link between our ancestors, the ancestral rim, the physical plane and what we have to do on Earth. They have always been there with us and they are sitting on our shoulders and always guiding us. That's why sometimes, okay, let's give you an example. In days of old, we knew about what's up. Do you know that? Yeah, why? Why am I saying that? You in Eldorad and your mother and father may be in Mombasa and your mother sends out a signal. Betty, I want to see you. That time there's no telephone, there's no drums. You get the telepathic message and say, hey, I've got to leave, my mother wants to see me. People never would doubt that at that point in time. I say, oh, okay, yeah, go ahead. And when you go, you say, oh, mom, you sent for me. She said, yes, I sent for you. What took you so long, for example? The same what we call waves, right? Now that you use for WhatsApp, use for radar, use frequency, use for radio, we have it. We have it in us. And in those days, all they had to do is to tune in to you because you are linked to them. So they'll tune in, it's Betty, right? They'll say, Betty, your dad will say, I'm sick, I'm not well, please come to see me. You would rush. You would say, oh, I just got a feeling that my mother or my father was calling me. It wasn't, they sent a message. The message came straight to you. And that's our ancestry. That's part of our ancestors, they talked to us. And we were able to communicate, you know, without telephones, without letters, without anything. And they just used to pick, you used to pick it up, your, your spirit on your vehicle, which is your body, we'll pick it up and translate it, say, oh, mom is calling me, I need to get home. I need to get home fast. Or something tells you, don't go that way, go this way. Then you followed after, when you followed what you call your mind, which is really your ancestral spirits talking to you, that something happened on the way where you were going to pass, isn't it? We call it instinct, et cetera. But it's our ancestors, they talked to us, they guide us. And, you know, that spiritual connection that we have and still have and had, you know, we had that interference. It's like interfering with a signal by the people who broke our connection with our ancestors. So our ancestors speak to us. They speak to me, and when they speak to me, I listen. Yeah, and it's real. So does it mean like, you know, just everyone can be spoken to by the ancestors? And how do they know? Yeah, if you tune yourself in, you know, you... How do you tune yourself? You just go back to what you know, right? How do you go back to what you know? You listen to your parents. You listen to your grandparents. You sit down, you know. Our culture is that we use the spoken word, right? We use the spoken word. They call our history, you know, the history of the greats we use to sing messages and tongue cryers and all of that. We talk through vocal, right? Of course, we have the hieroglyphics in the Egypt, which is also part of our culture, writing, symbolism. But our main thing is and has always been the ability to communicate spiritually through our sixth sense, you want to call it, third eye, we want to call it, but we had that and we still have it. So all we have to do is to go back into ourselves, spend time, you know, half an hour a day and just close off everything else and start to concentrate on ourselves, our inner voice, I call it, our inner voice, and talk. Then we pick you up and then you start to get connected to that ancestral line and that spiritual line, which once you strengthen it, it cannot be broken anymore. But it's broken now because we've had so much interference in the signals by what they teach us, you know, and they teach us to worship them, worship theirs, and you lose focus of your ancestry and then tell you that it's witches and they tell you that it's witchcraft. Because the witchcraft was our ability to be able to communicate to each other without having any, you know, written form. They call that witchcraft because we can be able to send signals and pick up the signals too. Yeah. Guys, what are your thoughts about what Swagadon is saying? Please make sure to leave a comment down below because hey, there's a lot of questions I am very sure about that. Now, also, let us know, what is, are you also able to know like the purpose that you were meant to, you know, what's your purpose in the world? Is someone able to know that for the people that actually would want to find out? Yes, because, you know, we all have a purpose and this is finding that purpose. So part of what I just told you there about internalizing yourself will give you your purpose in life. You know, if you internalize yourself and start to reach into your inner soul and your inner spiritualism, you start to find out. It comes, the messages are there. I tell you, this is what you have to do and they give you a focus. It's like me coming back. I was told that my work on it is not yet finished and I have to go back and talk about renaissance. That's why I'm fearless in what I'm saying. Talk about our renaissance. Talk about our African culture. Talk about everything that is African and what Africans have to do and carry the message. So although Swagadon is a musical entity and he can sing like any other African can do, you know, which is fun, love, whatever, you know, there's also messages that he also has to convey as Swagadon. Okay, Swagadon, please let, you know, the people know your final message and you know, everything that brought you to Nairobi, Kenya, please give them your final message. So what brought me to Nairobi? I was in Mombasa. I came to Mombasa because I had a media tour. One of my songs, Video Lover, was number one for nine weeks among the radio stations there. I saw Tupwani was the main baraka and kaya radio and they wanted me to do a tour of Mombasa and Kuali, which was very nice. We had two yachts and we entertained all of the media. I wish we had known you, we would have brought you down as well. We had the bloggers and everybody there and it was a good 10 days in Mombasa. And now in Nairobi, and I want to thank Guamgeshi from Getru Radio and DJ Carter, who is my DJ now and all the other media people in Nairobi who wanted me to come. And we had an interview with KBC, Y254 last Friday, I go on launching the song Mendo Swagger and then Getru Radio on Sunday and now I'm going to be with Citizens Kokomoto on Thursday and you today. I think they want me now to be known in Nairobi and I'm happy to meet and greet with everybody in Nairobi. So that's what brought me to Nairobi now. The media, radio and TV I would like me to be known to their fans in Nairobi throughout the entire Kenya. So you are now one of those who I find to be special to me. So I'd like to give you a little gift for bringing me here and if I can ask DJ Carter or Guamgeshi to bring it for me. I'd like to hand it over to you. Yeah. There's a token. All right, all right, I see that, nice. Ladies like to wear their t-shirts in large. Yes, yes, yes. So that is the Africa Navata Afro Star. Very nice. Okay, I love it. So you also have a different, you know, masks or, you know, painting that you... As I said, Africa wear masks. So the painted or the physical I am wearing now is all part of what I portray. We wear masks. We put on masks. We have paints, you know. All that is African culture. If you notice, you know, my wear is all African. The drum is symbolic. The runga. Which is your runga here? Mm-hmm. Where is it? Okay. It's on there. It's gone down? Oh yeah, it's this here. You can pick it from here. Here? Mm-hmm. It's good. Yeah. So as you can see, I've got my runga. I've got the drum, talking drum and drums. African fashion, you know, African mask. It's all a package. Yeah. So this is the Kenyan flag. Do you always change the runga when you visit other countries or do you work with this? I'm promoting Kenya. So this is very... I'm happy to have this to promote Kenya because part of what I'm doing now is collaborating with a lot of Kenyan musicians and producers so that I can promote Kenyan music whether it's Gengatone, Bongo, Engala, Rumba from DRC, et cetera. I'm taking in all the genres but I love this so that I can promote, you know, when I hold this, I'm promoting Kenya. Yes. All right, your final message? My final message, be African. Be African in all that you do. In your persona, in your character, in your selling of yourself and selling of your continent, be African. Don't try to, you know, imitate anybody else. You're not American, you're not British, you're not German, you're African. So promote Africa in all that you do. Okay. Yeah. All right, Swaggadon, thank you so much for coming to SPM Buzz and, you know, giving us your message. We love it. And you know, the people are gonna, of course, listen and give us some comments and let us know what they think about what you've just said. Yeah, we'll be happy to have them look at the music and we have some competitions coming up soon. We want some TikTok challenges, choose the songs that they like and then do some TikToks. Who knows, we'll surprise them with some prizes and some, you know, some appreciation put it that way. So we'll be happy to have Swaggadon fans throughout Kenya. Come on, let's go. All right, guys, that was Swaggadon. Make sure to catch his music on YouTube and follow him across all social media platforms in case you want to consume more of his music and more of his content. See you in Munase Magi, where Kenya, eh? Leave a comment down below in the comments section. But thank you so much for watching Buzz with stars. My good name is Miss Kithingi. Until next time, it's goodbye. Goodbye. Eskimo, bye, bye, bye.