 All right, let's play this in full. Yay! It's cute. It's very cute. Kind of looking at the the mechanics of the kid. It's very cute. My question for you is there's a slight feeling that the feet are always looking forward, like in a very default fashion. Meaning like that it could be pointed outwards a bit more. There's my lens here. It's pointed this way. Even when it's just like that, just point it out a bit more. It just feels... you're not gonna tipo, you have the character, and then the feet just kind of are straight at camera. That's kind of how it feels like they're... it's hard to see I guess with the pants and the shirt, but I think it has enough hip stuff. I'm just wondering if some of the rotations could be pushed a bit, but should be okay. You got an offset there. Cute bounces with the head. You got some cute looks. I think one thing that's a bit of a bummer is that how high the brows are on the same color. It always has the hair, but it's just something where they kind of blend in and here they're completely lost. And it's almost bringing them just lower. So then when it looks over here, you can bring them higher a bit. And this guy, you know, it would be just a bit higher here. So you get that bigger opening for that look like this. And you have a bit of a change in the eyebrows. We kind of lose them. Because then when it's back here, it's cute. This is super cute. I like this, but I'm wondering, and I know if that's the camera angle. Because this seems all pretty straight on and the way he is. I mean, I know we're from below, but there's just something where he seems to, he seems just off balance through all of this. I almost wish that, you know, he'll be further back. That looks off balance now though, but, you know, not as far, but it's just a bit more further back, even through this, where if you got your legs, that the body will be, you know, just a bit more straight down in terms of the balance. You can let me know how it is in the scene. It really might just be the angle and the camera, but there's just something about this feeling throughout for quite some time off balance this way. It's such a big head and the feet here. But let me know how it is in the scene. Super picky, but I'll probably bring that hand down so you can see the thumb here or bring that arm up to have a bigger separation between the two. It's a bit of a bummer that this kind of flows into one there. But overall, I think that whole beginning is really cute. He got on the big guy. He's got all the steps there. I feel all the steps and then a little adjustment as he goes down. That's cute. It's a bit here as he gets into this, he looks at him and he goes and it kind of holds that pose. It's a bit too, I wouldn't say post to post because there is an offset, but it still has a slight feeling of everything just kind of stops. And I think he's looking a bit high there, looking a bit high. And with all that movement, I don't see any darts. Like he's not adjusting. If you look at his eyes, see how there was kind of put. I would just make sure that he kind of keeps on focusing and has some more eye darts there. He seems a bit spaced out there. Grab is cute. That's cute. I would just... I know he's in that flying thing, but it ends up being so twinned that I would just break it up a bit. And also with this, not that it forms like a massive tangent because it's so broken up in terms of the visuals, but there's something where I just bring this down a bit and you can bring one arm a bit here. And then we know one arm could be just a bit broken up just to change that a bit. And then he looks like he's looking at us almost. He's trying to look to the left. Watch out for that. Again, it might just be the angle or the lighting. I don't know. We see too much white there. I mean, and you are mentioning that this is in Polish past. So I'm just sticking to detail things. And there's something if you could, it's a bit tricky, but just as I was thinking out loud, as he gets into this, he goes into and it feels like he hops, hops, and then gets into this. I'm about to jump versus hop, hop. All right. And ready to jump up like where it's kind of it starts to speed up like the energy starts to go up here where he goes down and then like throughout here, the tapping, all of this gets faster, faster, faster and then gets into this. Just kind of push that energy. Maybe it could be like that's cute. We especially see it underneath the chin. That hand doesn't grow out as a face. I just wish I know if you want to go like this far, this might be too much in terms of how you bring out arms apart or keeping that arm a bit here. There's something a bit of a bummer in terms of silhouettes because it's also the color. It's obviously the same difference with the skin, but we're kind of missing that arm for a bit. I just wish that pose, we could read this strong or just for a glimpse. And even if it's, what is he doing here? He jumps. Supposedly once look at his dad. It's not like he can bring up the chin higher, but it's almost like you want to see arms out like this. Maybe you can just reach more for his dad. So we have a bit of a hold there to read the finger silhouette. So just for that moment you reach deep. I'm coming for you. And then we get into this. Just thinking out loud. Kind of like when you do this, you really read both arms and it's cute. If the impact is cute, you got some offset fingers there. That's all cute. It's just something about, and I know what you mean here. I mean, what I'm assuming trying to do with the flying and the wings and everything. Again, I would offset those arms a bit more. It's very cute though. I like how he holds onto his hand. Just make sure that as you go up and down, you got that crazy up and down in the elbow and everything that you have enough wrist movement. But it seems to be actually pretty good. Meaning that as the forearm angle changes from here to here, the wrist, at least the connection part here will go up and down as well. It seems pretty good. I'm kind of reacting to that thumb staying pretty much the same, but till there's some good movement there. That has a bit of a... This seems like an IK arm. Even though there's a slight rotation like this in the wrist, there's a slight disconnect in this movement, the distance here, and then in the wrist movement. Where it just feels a bit IK. And the same thing here on that rotation there. Well, the connection here is nice when the elbow drops. So, I don't know. It could just be the way it's animated. And it's an FK arm. I'm assuming an IK arm would have been easier here. Yeah, I mean lots of tiny, tiny, picky things as you start going through. But I would say upon first viewing, the thing that stood out was the straight nature of the legs. So it could just be messier since it's a kid. Then this fell off balance upon first viewing. And the twinning aspect there. And then upon second viewing, because I was looking at him all the time, then watching him the second time, him just stopping. That was the bigger thing. And then all the silly details that I'm looking at. Eyelines and stuff like that. Eyebrows on the kid and everything. It's very, very cute. Very cute indeed. Even like it'll changes on the orientation of the foot here as it goes up and goes somewhere else. That's pretty neat. Toast stuff there too. Yeah, there's already lots of cool detail stuff. So food for thought. You know how much you want to add. That's about it. Thank you. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.