 Alright, so let's play this in full first and there is sound and what's gonna happen if I don't brush my teeth will fall out They're gonna fall out anyway, and what's gonna happen all right? So there's definitely progress in there that's good stuff I got some comments about some of the weights on opposing also objective of course as always so Right off the bat. I would look at like who is she talking to we have some direction this way where you have Bit of a to me too much cut off there on the pupil and then right and then Right there. We are now something where it's almost looking at camera And then is that something you know you have to look at when is she talking make it clear and when is she talking to herself and thinking This seems more like okay. She's not contemplating things But then she's kind of locked with those eyes and it still seems like I love your I box is close by I would move it Further away. This is a bit of a weird look of the eyeballs are there But then that whole skull everything is kind of moving and you can see how The lids and the and the whole head go up and down, but then the eyeballs see here kind of stay stuck You have to kind of counter that so it looks less Like you know one big eyeball in here with those two eyes and then the skull slides around That one ball if that makes sense It's a bit of a strange look there Then we're getting to she's looking down here Because she is somewhat Freaking out that's my question to you But then we're going back to looking this way cutting this off a lot And then we're back to like a big move where we are looking straight at camera For quite some time. It's a bit. It's a bit wall light going this way as well and Then at the end only three now we're back to looking this way Where it's a bit to the left So that to me was the main impression if we're going to any type of Body mechanics or anything. It's just what is going on in terms of who she talking to and When is she talking to herself? Why is there a switch between this way? And do you want it to be? Is this the parent filming and is she addressing or whoever is filming her? So that would be my first thing the other thing in terms of eyes is that I would look at What is the thought process? So right now and what I like this right? This is all cool. Just make sure that we know where she's talking again, but then this It's a bit of a thinking Thinking process up there will blinks. That's cute. But then she goes Brush, okay now she's thinking but the thing is in the face if you go after this here It's just kind of left in that staring mode where then the eye almost gets back to looking at us and Then she just keeps on staring no blinking into this so to me it feels like you'll be something where you have this And then she's thinking and Then once you have that you could have a few more darts where to me feels like she needs to process things That she just figured is out wait. What if I don't brush? processing processing darting maybe even some blinks and in that My teeth is that a question she is asking herself. Is that just a statement? Can you show that with a bit more maybe a squinty face or looking in a different direction because she just made a conclusion, right? Where she's thinking looking this way The process I darts and now she made a conclusion. So that's a change in her brain Maybe she looks somewhere else while she says all this but then This is now her her end conclusion Well, they're gonna fall out anyway So to me after this you definitely would have some darts and blinks and a switch and where she's looking because it's a different She's in a different headspace where wait a minute. It doesn't really matter And that's okay if you fall into that but then again, then it feels like she just goes up And says that like I'm only three is that now do you want to play this as she's just randomly saying things? Is that some profound statement on her end? Does that mean that she would again dart around maybe open her eyes and you can show the thought process? That leads into this so these are my all my questions to you I mean you can play this however you want to it's your shot I would just ask yourself is this just a random ramble Is this a conclusion that you want to show that she was thinking about and comes to that conclusion? While you know looking again how much you cut off the eyes and where we're gonna look at so that to me was The biggest thing to look at Other things are Just watch out you got 20 moves on arms the wrists kind of lift up where it doesn't quite feel like they're they're Set on that table feel some twinning and then you got some moments where that Dies the big was you're asking about polish so this feels very much like an IK arm where that hand is not moving at all While the rest is moving So watch out for that If you have movements like this again, it feels cut off I can hands. There's no pressure on the fingers So to me I would look at things like that was you already have details like on this the spreading on the toes here So just keep going on some of the details and overall. There's some just some pops and arms and Legs as you move as you move throughout the shot the other thing and you can see this here The other thing was when you're back here Actually going back to the same thing about the head I will personally stabilize the head and not go so big until maybe this move in there It's right off the bat. She has a ginormous head and he goes Just keeps on moving and to me it feels like Like you could keep it still wait a minute. What's gonna happen? And then what if I do this and then dies like it's it's in a way a a Moment for the audience to understand where we are Seeing the character and looking at their eyes was go to the eyes and then she can have This move over into that as opposed to we start the shot and we made immediately have this big thing moving around That's kind of my subjective view on that one. This feels Bit wonky there watch out in your in your path and Then has a slight feel IK would nice only straight again So watch out for your spacing and your curvature I'm sure if you want to go this close to the mouth either you probably have room to bring this lower here for clean silhouette And then you're gonna have to kind of work a bit on this kind of fold the ear just for details again Since you ask for polish, but the bigger thing in terms of mechanics I don't quite feel like that head move is Enough to bring her into a balanced pose like this since she's leaning so far back to me it would be a combination of Moving this this leg is already going back Pushing off with this or changing his arm pose where she is pushing herself off as right now It's this is doing nothing. This is kind of moving with the head almost as one unit And it feels like that head move is gonna bring her really all the way up here She's still off balance here, and then she's magically balanced there So to me it feels like mechanics wise you could make that work a bit more And then you got the pops here That's that I wonder if you can even bring this down and move that hand out I'm hesitant actually no, but then you got that W pose or probably bring that arm further in to get a hand silhouette in front of the stomach And then this is a clean silhouette. This is just a bit wish you right there But that's that these are my the points there. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you