 I grew up in the Eastern, you know, and so it means the world to me that I can come back and share all this cool stuff that's been happening in the music business for me, but everybody that I grew up with and friends and family, especially since the record is more centered around growing up in Eastern Kentucky, what it's like to move out of Eastern Kentucky, being from Appalachia, but always I wanted to come back and share it with everybody because there's such a strong community presence around here and even though I'm living in Nashville and have been for five or six years, I still feel like a terribly strong connection with everyone around here. There's an instrumental on that, that I wrote. My dad would always tell me stories about running up and down the hallways and playing, you know, there was a place behind our house in Eastern that was called the High Rocks and they would go up there, you know, just about every day and they would run around and play in this little flat. So I kind of drew inspiration from that and wrote this instrumental and it's kind of a mesh between Progressive Jazz, Bluegrass, Rock, Country, everything. So it's a fun one. Well, watching my dad play when I was a kid, dad used to be in a Bluegrass gospel band and I would travel with them and just, you know, seeing him having that kind of interaction with, you know, the congregation and stuff, that's how I got started. Aside from that, my family has just a long list of pickers. I had an uncle, uncle T, is what we called him. His name is T-Model, Sloan and he was kind of like a Doc Watson type. You know, he was just, he could play anything, he'd pick up the guitar and burn it up and sing those old standard Bluegrass songs and Mountain songs, just like he was born at them, which he was. So, you know, it's a part of your heritage around here and it's a part of it that's so important to honor and, you know, keep the flame burning in whatever way that you can, I think. There's a lot of great musicianship on this record. So anybody that appreciates, you know, musicians and keeps up with pickers, you're definitely going to want to listen to this one. I've got James Mitchell, he'd done a lot of work for Willie Nelson and the guys down in town he played. The standing CMA Instrumentalist of the Year, Jenae Fleener, is playing fiddle on the record. Corey Cottle's playing keys. JT Cure from Elkhorn City is playing upright bass and bass and I'm doing the acoustic guitar. The guy in Steve Brewster is going to be, he's doing the drums. And I mean, it's just incredible how these guys, as they come together, not knowing, never working with each other much and create something like this. Yeah, that's what it is. It's a homecoming and I'm expecting to see a lot of familiar faces. Like I said, I always love getting back here just for the community aspect of it. I've made this music, wrote these songs with this place in mind and being able to share it just means the world to me.