G.Verdi Rigoletto Alfredo Kraus, Gianna D'Angelo "Che m'ami..Addio..Ella mi fu..Parmi veder..."





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Uploaded on Feb 15, 2010

G.Verdi Rigoletto Alfredo Kraus, Gianna D'Angelo "Che m'ami..Addio..Ella mi fu..Parmi veder le


Che m'ami, deh, ripetilo
Addio...speranza ed anima
Ella mi fu rapita!
Parmi veder le lagrime

Duca--Alfredo Kraus
Gilda--Gianna D'Angelo
Giovanna--Liliana Hussu
Ceprano--Eno Mucchiutti

an operbathosa opera

Alfredo Kraus Trujillo (24 September 1927 10 September 1999) was a distinguished Spanish tenor of partly Austrian descent, particularly known for the artistry he brought to opera's bel canto roles.[1] He was also considered an outstanding interpreter of the title role in Massenet's opera Werther, and especially of its famous aria, "Pourquoi me réveiller?"[2]

In 1956, Kraus made his professional operatic debut in Cairo as the Duke in Rigoletto, which became one of his signature roles. In 1958, he sang Alfredo at the Teatro Nacional de São Carlos in Lisbon in a production of La Traviata with Maria Callas, a live recording of which was later released.

Kraus made his Covent Garden debut as Edgardo in Lucia di Lammermoor in 1959 and his La Scala debut as Elvino in La Sonnambula in 1960. He made his American debut with Lyric Opera of Chicago in 1962, and his Metropolitan Opera debut in 1966 in Rigoletto, the role of his last performance there in 1994.

In subsequent decades, Kraus extended his repertoire to include more Italian operas such as Lucrezia Borgia, La fille du régiment, Linda di Chamounix, Don Pasquale and La favorita by Donizetti; and French operas such as Roméo et Juliette, Les contes d'Hoffmann, Faust and Lakmé, while continuing to sing his hallmark roles of Werther and of Des Grieux in Manon. He also recorded a number of rarely performed French operas including La jolie fille de Perth and Les pêcheurs de perles, both by Georges Bizet, and La muette de Portici by Daniel Auber. He also performed in some very well-known works, such as Don Giovanni, Tales of Hoffman and Faust.

Kraus came to be virtually synonymous with such lyric tenor roles as Werther, Faust, Don Ottavio (Don Giovanni), Nemorino, and Arturo. He was also known for his performances of lighter music, notably zarzuela and Spanish folk songs, which he recorded on his own label, Carillon.

[edit] Technique
Thanks to his superlative technique and careful husbanding of his vocal resources, Kraus sang onstage until his early 70s. He studied voice technique in Milan with Mercedes Llopart. Students of this famous soprano include: Anna Moffo, Fiorenza Cossotto, Ivo Vinco, Renata Scotto, Greek soprano Elena Souliotis, and Venezuelan soprano Cecilia Núñez Albanese.

Kraus was also noted for extremely refined musicianship, accompanied by a seemingly effortless high register. As a result, many opera connoisseurs consider him to be one of the best tenors of the end of the 20th century. Several interviews with Kraus show him to be an intelligent man with a great deal of thought behind the artistic choices in his roles. He was admired for his cultivated musical education and his complete respect for his chosen profession. His first priority was the integrity of his artistic interpretation of a piece, rather than his formidable range and excellent technique.

He performed all over the world, including the Teatro Colón in Buenos Aires, Teatro Municipal in Caracas, Teatro Municipal in Santiago, Chile, Theatro Municipal in Rio de Janeiro, and Liceu in Barcelona.

In 1991, Kraus was awarded the Prince of Asturias Award. In 1997, his home city of Las Palmas opened The Alfredo Kraus Auditorium in his honor.


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