 Yeah we on boss talk one on one, one on one. Yeah we gon' talk. Was it a situation in California? I'll go back and I'ma forward to that. But I wanna ask you this. When you was in Cali, was there some opportunity that opened up to you that you like, dang, I wish I had took that opportunity? Or I could have worked with this person but I went this way and this happened? No, not really because I feel like the people I work with, I work with Jimmy Jamentieri-Lewis. I work with George Clinton. I just work with Davin out here and did a video with him from Jodecy. Who the hell can work with somebody in here? Y'all don't know what the fuck I'm doing. Y'all been listening to this going down. Who the fuck can do this? That's dope. Just, I mean and I ended up out here cause I went in my studio at home. I have Lovely Radio where I've had Carl Thomas on my show. I've had, you know what I'm saying, some great entrepreneurs. So Lovely Radio, what is it on the radio? Springer.com, yeah, Mssoymusic.com. You can always catch me every Thursday. Oh what, a Thursday for time? It's 7 p.m. Pacific Standard Time. I'm just there dropping game and jewels to the artists that love bugging me in my DMs. I'm like, listen to this, send it to the goddamn show. You might be heard. I don't listen to that shit in my DMs. I don't know what y'all send to me. Well that's dope though that they have a outlet that they can reach out to or someone's experience and don't mind giving them a way out or giving them some advice on how you can do it. How you can be successful. That's what we can do. We can do it, right? Look, people don't know what it's like. Man, it can't be gone. What if y'all again, girl, you can do it. She didn't want the East Belmont. I'm sorry, I didn't even disrespect y'all. Oh, wait a minute, y'all, y'all, y'all, y'all. Thank you so much. So sorry. Thank you. Thank you. Yeah, but I will. You know what I'm saying? What's your Jamaican? No. No. No. And my Jamaican friend over there, so. Oh man, so, you know, I just say when you came to Vegas, you know, you come up here, you own the crap table most of the time. You're out here with all these, it's a lot of women out here, ladies of the night. I've seen them. I've been coming out here for a year. I used to live out here, but I'm just gonna be honest with you. How did you adapt in Las Vegas, living here? Because living here and visiting is two different things. See, y'all telling all my motherfuckin' bitches that I didn't know I was gonna live here. They know my studio is here and I got the label here. I don't tell y'all motherfuckin' where I lay my head now. Shit, I'm from LA. You know what I mean? You don't tell people all that shit. But I just wanted to have multiple places too. You know what I'm saying? To be able to do what I do in my environment before I came out this way before the pandemic. Mike City, who produced Sunshine Anderson, Carl Thomas, Brandy, Long History, and he also was a producer on my album when I was on Universal. He did the song Worker Twist with me and E40 and another joint. But he wanted to get together and put an album together and said, let's put some music in the library, let's do a clean version, let's do a dirty version, let's do an instrumental and just put it in the library so we can sync up on some of these movies and commercials and stuff. So I'm like, I already know it's January. You know, I'm ready to move. You know what I'm saying? I'm just, you know, taking care of a few things. And so when he gave me this opportunity now in the midst of me doing all the things that I have to do before I leave, now I'm off to do a whole new album. So, you know, we roll in doing everything we got to do. I'm in my phone listening to the songs in the car, writing, you know. And so City said, yes, so I want to do this album in two days. I want to have, you know, everything done and turned in so I can put all the stuff in the system so that when the next drop come, we can have the music already in there. Wow. I'm like, no problem, City. So I get to work, work. Yeah. So when it's the first session, you know, I do, I think eight songs. Wow. I do three of the songs that first night and then I finish the rest of them into the second section. City like, man, this is crazy. You know what I'm saying? We got everything turned in. And then before that, another producer of mine, we have a song that we did and we do the same thing. It makes it on All American. Wow. You know, and so I'm like, this is the top number one, you know, show in the country at the time, you know, and I'm like, hey, All American, I need to really put some stuff in this album. I know we're going to get picked up. So no sooner than we drop that album, Woke, Hulu, another track from my City album. You know what I'm saying? So my shit is in movies where everybody on stage just trying to mess around and play these games. I'm in these movies. Yes, awesome. My producers is making shit happen. We can see, you know. So this time it's like now, I wasn't at my studio yet. You know what I'm saying? So I had to go to Mike City Studio, get in the studio, drop those songs. So my thing was in the next five or six months, I need to be at home in my own studio. So once he asks me this again or any of my other producers, I'll be ready. You know what I'm saying? So I'm calling around everywhere. I'm like, so I need to get my studio what I need. I need it, you know what I'm saying? So I get everything together. So now I've been dropped all kinds of songs. Dropped about 40 songs last year. Wow. Album singles, features and everything. So this year, City, like, you know what? He just called me the other day. Shit, it was last month. It's the other day to me because it was the end of the month and he was like, let's do some more. So I just finished a new album called, you know, HBIC, which means get boss in charge, work and that seven songs are gonna come out September 10th.