 He's still by me long enough, so I just ran some records I gave him the mic. But when he grabbed the mic, he squatted down all the way down so nobody could see him, right? But it didn't hit with nobody because they just jamming. So when it was rocking, I pulled them up. They're like, oh man, that's slim, that's slim. So he started, you know, because he always was doing like little, he was young getting in venues that, you know, that he wasn't supposed to be in. Yeah, we on Boss Talk, one on one, one on one. Yeah, we gonna talk. I was DJing in the Magnolia project, right? Okay. Let me tell you how it started. And he wanted to get on the mic. So I was on the second balcony chair and he's still by me. He's still by me long enough. So I just ran some records, I gave him the mic. But when he grabbed the mic, he squatted down all the way down so nobody could see him, right? But it didn't hit with nobody because they just jamming. Yeah. So when it was rocking, I pulled them up. I pulled them up. They're like, oh man, that's slim, that's slim. So he started, you know, cause he always was doing like little, he was young getting in venues that, you know, that he wasn't supposed to be in. Wow. But by him being like that in the streets, as far as being like with the music thing, he was in the streets both ways. But when he started popping young, they didn't care about that because you know, like when you got these holes in the walls, you know what I'm saying? Yeah. Streamline, Detour, Four Nines, Newton's, he was like a little hole in the wall spots. Yeah. You know what I'm saying? And a big man's to where like, it's a bar. It's like, it's a bar, but at night, they turn it into a club. Wow. So was he like, when you think about him, cause I've heard many people compare him to pop. I've heard them compare him. Right. And I think it was because of his, just his artistry or just the way his, the way his feel was. It was more like this here. And I'm offended as a note. So after he came and we did that when I was in the project and he came, I told him, cause he gonna lead up to the two pops golf. So I told him, back, back, back. So when Slim is when he came, when Slim came, you know, he did this thing. He came and then went out DJing. He grabbed the mic and he did this thing. And after that, he squatted down and I pulled him up in the crowd. I'm like, oh man. There's Slim. There's Slim. So after that, I was like, look, this is what we gonna do. And how was he at that time? He had to been about 13, 14. He did this. He really wasn't supposed to be there at that age. Right. You know what I'm saying? Like in these, these bars, like, he was going in though. Right, right, right. So I pulled them off. I say, look, come by me and we gonna start making real records. Wow. So this will lead up to the two pops. Two pops. So we got that understood. So when we started working, well, when I started, you know, cause I was always working. So he used to come in and do these songs, right? But it was always shit that he just got into in the street. It was real. Yeah. That's the two-park bar right there. That's the two-park bar. When it's real, it's real. Right. So when we up in there, here, come up, let me play with me. Foggy beat. Fog, Fog, Fog, Fog, Fog, Fog, Fog. You know, I gotta get this out, man. They playing with me. He'd love to put it out so they'll know what's going on. And it didn't matter who, I can just imagine. And this way it comes into the part to where when I say that if you had a problem with him, you had a problem with the city. You had a problem with the city. Yeah, we on boss talk one on one, one on one. Yeah, we gonna talk.