 All righty, let's play this in full first. And off the sound, I love the, eh, with the legs out, eh, foot a bit more, so that you have a bit of a cleaner silhouette if you can between the head and the foot. There's no tangent right there. And then let me check here. I think the biggest note that I have, I think this is okay, just all that. Just watch out, there's something kind of busy in the mouth where it feels like, it's almost like it's chewing something. It's like a frog-like big change in there. Be careful to not have too much going on, because the danger is that you have so much going on here. And then through there as well. Plus, slight changes in all of this. I know he's busy playing everything, but the danger is that it's just everything is moving and there's no focal point. And I think I would just, just stiffen up the face just there a little bit. It's like the main thing that he's doing, like this is busy, like he's hammering this joypad while being really concentrated on what's going on there. And then this one is cute, but I think you're going too far with the shoulder. This shoulder up and down, and then suddenly he goes down and stops and then only the rest here continues, but then that's kind of locking. And then only this continues to move, meaning that there's just, it's almost like this is disconnected from the rest of the body, especially like this, the shoulder up and down. So be careful with that. It feels like this has its own life. It's I think the shoulder that's the biggest culprit there. And then timing wise, I would almost go a bit faster on that leg. So again, he's a kid, it's very active, playing me the games. And it's almost like for what he's playing, this move here and how he goes back is almost a bit too casual. Just like tiny, tiny speed up in terms of the movement there. And how many frames you have here? One, two, I think this could be a one frame. I don't know, that's probably me having seen the shot so long for so many times for so long. I know, I would try one frame where it's just getting a bit more like, she's coming. Because the danger is that it has an ever so slight slow feel. And then this, especially this, rain down and up into that. Watch this again. And what is to me feels too slow for someone who goes, my mom's here. And then I would stick with, I know we said something about him tracking the mom, but there's something about, right? Where this feels a bit like head up and eyes versus, I think you could take a couple of frames out of this whole thing. So it's a much faster. And in that way you can hold. And then nothing's moving. And then hold that like eight, nine frames. I don't know if you can. And then you have dart, dart. If that makes sense. What that does is it's gonna calm everything down so that we can focus on just this section, like the horror goes, freeze. And then we really understand that he's looking and checking. Because my concern is that it's gonna be, and then immediately this. I mean, like it's just a softness about the eyes when you do this where you're going from this immediately to this. You just want a moment of, and then looking, but without the head down and all the hair. It's just a bit of a, and then the hair can settle. And then you have a dart. Really just the shock gets amplified there. And then you can go into this. And I do love that. That is just super cute. I just cleaned that up in terms of just the silhouette. This one, I think that arm swing is too slow. It's almost a bit even in timing, in the spacing there. So you're gonna, bit of a facet. And then watch out. Like we're stopping this a bit on a dime. I think you're okay to go here and then overshoot it and come back. And not have that locked arm when then only this moves. Bit of a, yeah, a bit fast. It just feels a bit slow. What's also happening is that this is an action. And then this is an action right there. And then also looking as it's almost looking to the camera. So it's like, it's almost like three things happening. One, two, three. And I will go, and it's almost like, I mean, if you want to even have people concert more on this, this could be the moment of, and then it's like this moment of maybe staying within a bit more than a quarter. And you can close his eyes if you want. Cause the moment we don't see eyes, we don't look at the face. We start to go somewhere else. So if you calm this arm down, it doesn't move too much. Close eyes. The eyes just gonna go over there. And then suddenly that arm goes down to grab this. That's only another move that's fast, but you know, nothing else really is moving. That's the thing that pulls our focus back. And again, the danger is here that you have this happening while the head is going forward, while this is going forward. So if you calm that down, it's just this. Then we can concentrate on that. Then you got that, which is great. I think that works. I think that with that jump, it's the best jump you've done so far. I think that's really cute. I love all that. I think that is a bit too far. I think you can go with this and bring the toes in or the foot just a bit more. So it's almost like he's trying to crawl forward. Still has a slight feeling of, ah, my legs, I can't move them. And that's cute. But then what I would do is doing all this. Here it would be. Cause he's got big eyebrows, big expressions. You could bring that down scrunchies. I'm trying. And then just for a big moment, huh? Oh, hi, hi mom. And I would calm that hair down. The hair is a bit too much. Too much floppiness. And I think what you can do here, when it goes here, cheat those eyes a bit more towards us. So the pupils are a bit more visible, especially this one. And instead of doing a dart up, I wonder if you could do like, at this very subject, I don't have to do this, but it could be interesting to play a dart. Like he's down looking here. Like, is she still looking? Am I safe? Versus pretending to read. Cause we know he's pretending and, you know, he already has that, that little, it's a little bit of a, he's calm, but at the same time slightly nervous with the look down. I don't know, there's the thought, bring that out there. I know it's like, yeah, another idea for something you've shown a couple of times, but that is my job. You're paying me to just give you all the information and you can parse this however you want. You can use whatever you want out of all of that. But yeah, it's in good shape. So these are just the current thoughts, right? Thanks. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.